Heeeeey listeners! Here are the sources we used to create this episode on Oroonoko:

• Behn, A., 1640-1689. (1688). Oroonoko, or, the royal slave: A true history. London, Printed for Will. Canning  http://proxy.library.vcu.edu/login?url=https://www.proquest.com/books/oroonoko-royal-slave-true-history-mrs-behn/docview/2240918305/se-2?accountid=14780
• Gqola. (2001). “Where There Is No Novelty, There Can Be No Curiosity”: Reading Imoinda’s Body in Aphra Behn’s “Oroonoko or, the Royal Slave.” English in Africa, 28(1), 105–117.
• Kaler, A. K., & Johnson-Kurek, R. E. (1999). Romantic conventions. Bowling Green State University popular Press.
• Lyndon J. Dominique. (2020). Imoinda’s Shade: Marriage and the African Woman in Eighteenth-Century British Literature, 1759–1808. Ohio State University Press. https://doi.org/10.2307/j.ctv16f6jcb
• McCafferty. (1994). Palimpsest of Desire: The Re-Emergence of the American Captivity Narrative as Pulp Romance. Journal of Popular Culture, 27(4), 43–56. https://doi.org/10.1111/j.0022-3840.1994.2704_43.x
• Southerne, T., 1660-1746. (1696). Oroonoko: a tragedy, as it is acted at the theatre-royal by his majesty's servants. London, Printed for H. Playford, B. Tooke, and S. Buckley. http://proxy.library.vcu.edu/login?url=https://www.proquest.com/books/oroonoko-tragedy-as-is-acted-at-theatre-royal-his/docview/2248514325/se-2?accountid=14780

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