My guest for Reel Talk #11 is Iowa-via-Colorado rapper, producer, and engineer Teller Bank$. We screened Nicholas Winding Refn’s Drive and spoke about it and the creation of his latest album, Hate Island.

THIS IS A PREVIEW OF A LONGER CONVERSATION EXCLUSIVE TO MY PATREON. TO HEAR THE FULL EPISODE, BECOME A PATRON STARTING AT THE HOMIE ($5/MONTH) TIER OR HIGHER, OR PAY A ONE TIME $10 FEE AT PATREON.COM/REELNOTES. IF YOU'RE PURCHASING ON AN IPHONE OR OTHER APPLE DEVICE, MAKE THE PURCHASE THROUGH A WEB BROWSER AND NOT VIA THE PATREON APP. YOU'LL BE CHARGED AN EXTRA FEE IF YOU PURCHASE THROUGH THE APP, AND THE MONEY WILL TAKE LONGER TO GET TO ME.

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!

My guest this week is New York-via-Virginia graphic designer, creative director at Coral Studios, and founder of Madeintheurl and African American Artist, Chris Chance. We spoke about Backrooms, the legacy of Space Jam, A Bronx Tale, Inception, Paprika, fusing the worlds of hip-hop and fashion, the pros and cons of the streaming age, building a brand, and the creative process behind his work at Coral Studios, Madeintheurl, and African American Artist. Come fuck with us.

Follow Chris on Instagram (@africanamericanartist) and Twitter (@madeintheurl) and be sure to follow African American Artist on Instagram (@aaafricanamericanart) and follow Madeintheurl on Instagram or visit Madeintheurl.com to keep up on all things Chris.

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

Reel Talk #11 is happening at Loudmouth in Brooklyn on Saturday, May 30 w very special guest, Des Moines rapper Teller Bank$. We'll be watching the 2011 neo-noir thriller Drive and talking about his latest album, Hate Island. Doors at 6, film starts at 7. Tickets are $15 and are available digitally via Posh.VIP or at the door the day-of while supplies last. hope to see y'all there!

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!

My guest this week is Brooklyn producer, DJ, and co-curator of Generator, Laron. We spoke about The Drama, From, the art of collecting mixtapes and DVDs before the internet took over, hip-hop on film, his father’s record label Familiar Faces records, his working relationships with Jay Critch, Niontay, Subjxct 5, Tony Seltzer, and Andrew Matson of Finals, a peek into his production style, and the creative process behind songs featuring Mavi, Jadasea, Lord Jah-Monte Ogbon, and more. Come fuck with us.

Laron's latest solo tapes, My Light Is Brilliant and Imported Goods, are available now wherever music is sold, streamed, or stolen. Follow Laron on Instagram (@laron.101) and Twitter (@laron_____). Keep up with all things Generator via Laron or Andrew Matson and Finals on Instagram (@finals_finals_finals) and Twitter (@finals_blog).

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

Reel Talk #11 is happening at Loudmouth in Brooklyn on Saturday, May 30 w very special guest, Des Moines rapper Teller Bank$. We'll be watching the 2011 neo-noir thriller Drive and talking about his latest album, Hate Island. Doors at 6, film starts at 7. Tickets are $15 and are available digitally via Posh.VIP or at the door the day-of while supplies last. hope to see y'all there!

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!

My guest this week is California skateboarder, rapper, producer, and actor Na-Kel Smith. We spoke about the pros and cons of skate trips, the Star Wars series Maul — Shadow Lord, Sinners, Ne Zha, connections between Boyz N The Hood and Menace II Society, his relationship with his father, Odd Future’s start and influence, his role in Mid 90s, treating music as a hobby, and the creative process behind his latest album Nak and his upcoming album Free Pops Still. Come fuck with us.

NAK is available wherever music is sold, streamed, or stolen. Keep an eye out for Free Pops Still, coming later this year. Follow Na-Kel on Instagram (@thatsonme) and Twitter (@RevolutionNak).

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!

My guests this week are Brooklyn-via-Oakland rapper Nappy Nina and Philly-based producer, multi instrumentalist, and engineer, Swarvy. We spoke about The Drama, undertone, the Twilight movies, Nina's filmmaking aspirations, the works of Boots Riley, The Fugitive, Brown Sugar, Swarvy’s musical background, the crazy story behind how he and Nina first connected, international touring, government subsidies for artists, and the creative process behind their two albums—Nothing Is My Favorite Thing and their latest, Sow & So, out on Tuesday, May 12 via Nina’s label LucidHaus. Come fuck with us.

Sow & So is available now wherever music is sold, streamed, or stolen (except for Spotify). Consider copping the album directly via Nina and Swarvy's Bandcamp. Follow Nappy Nina on Instagram and Twitter: @Nappy_Nina. Follow Swarvy on Instagram (@swarvy) and Twitter (@swrvy). Follow LucidHaus on Instagram and Twitter: @lucidhaus

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!

My guest this week is Birmingham rapper, producer, and multi-instrumentalist, Tony Bontana. We spoke about Alejandro Jodorofsky’s Santo Sangre, Over Your Dead Body, the SNL documentary Lorne, Chicken Run and various other movies from our childhoods, movie theater etiquette, US and UK cultural exchange, recognizing rap as art, forming Everything Is Perfect Records, and the creative process behind his latest projects: My Name and Tumpit 2. Come fuck with us.

My Name and Tumpit 2 are both available now wherever music is sold, streamed, or stolen. Consider copping both off Bontana's Bandcamp page. Follow Tony Bontana on Instagram (@tonybontana) and Twitter (@tonybontana0121).

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!

My guest this week is Brookyn-via-North Carolina photographer, collagist, and organizer, Suchi. We spoke about Fright Night, All About Lily Chou Chou, Speed Racer, the 1960s rom-com The Apartment, coming into her own creatively in North Carolina and coming to New York, how her photography practice is inspired by film, the art of zine-making and event booking, dispelling misogyny in the underground music scene, and stories behind a handful of photos involving underground icons from billy woods and Elucid to DJ Haram and Shemar. Come fuck with us.

Follow Suchi on Instagram and Twitter: @suchi__mane. Hit suchimane.com for all things Suchi.

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!

My guest this week is New Jersey-born rapper Chris Patrick. We spoke about The Boys, Marty Supreme, Sinners, Castaway, Ip Man, consistency in music, breaking down the barriers between persona and person, how his appearance on Kai Cenat’s Mafiathon and creating the song “Alley Oop” for the movie GOAT inspired him to keep rapping, touring with Marco Plus, and the creative process behind his Def Jam debut Pray 4 Me. Come fuck with us.

Pray 4 Me is available wherever music is sold, streamed, or stolen. Follow Chris on Instagram, Twitter, and TikTok: @Xchrispatrick

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.