RIP Cary-Hiroyuki Tagawa
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We open with the shock of Carrie-Hiroyuki Tagawa’s passing and step through the moments that defined him: a scene-stealing Shang Tsung in Mortal Kombat, a gallery of elegant villains across 80s and 90s action, and a deep, steady practice in martial arts that prized control over violence. That contrast powers the story—how a performer built on breath, precision, and presence could turn wafer-thin dialogue into lines you still quote, then reappear years later with the same gravity reshaped into empathy.
We dig into Tagawa’s training in kendo and Shotokan under Masatoshi Nakayama and how that discipline informed his screen work. The conversation pulls no punches about typecasting and yellow peril tropes that lingered in Hollywood, from Big Trouble in Little China to network TV, and how Tagawa often transcended the parts he was offered. Along the way we revisit touchstones like The Perfect Weapon, Showdown in Little Tokyo, License to Kill, Rising Sun, Planet of the Apes, Tekken, and a surprisingly rich run in animation with Star Wars Rebels and Visions. Then we pivot to his quieter triumph: a measured, humane turn in The Man in the High Castle that proved his range extended well beyond menace.
The final act explores a surprising chapter—Tagawa’s late-life connection to Russia, conversion to Orthodox Christianity, and an articulated desire to serve and heal. In his own words, a true warrior carries compassion. Through that lens, the career of a “villain” reads as a masterclass in restraint, intention, and dignity, delivered over more than 150 screen credits. If you love film history, character acting, martial arts philosophy, or the craft of turning stereotype into substance, this one is for you.
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