For more than five decades, Canadian acting legend Tantoo Cardinal (Dances with Wolves, Killers of the Flower Moon) has worked tirelessly to bring nuanced Indigenous stories to the stage and screen — and she says there’s no turning back. The renowned actor was recently honoured with the Equity in Entertainment Award at The Hollywood Reporter's Women in Entertainment Canada gala in Toronto. She joins Tom Power to reflect on her remarkable career, and why she’ll never stop advocating for authenticity and accuracy when it comes to Indigenous representation. In case you missed it, you might also enjoy Tom’s interview with Canadian icon Graham Greene, whom Tantoo shared the screen with in “Dances with Wolves.”

Steve Lawrence and Alexandra MacLean are the stars and co-creators of the Bell Fibe series “0-60 Driving Academy.” They speak to guest host Talia Schlanger about creating a show based on Steve’s real-life experiences running a driving school, and why they wanted to see a Black Nova Scotian family on the screen.

The Oscar-winning Canadian animator and director Domee Shi (Bao, Turning Red) is back with a new Disney-Pixar movie, “Elio.” It’s about an 11-year-old who’s obsessed with getting abducted by aliens. Domee joins guest host Talia Schlanger to share how her own childhood inspired aspects of the film, why the theme of alien abduction is a great way to explore loneliness, and why it’s nearly impossible for her to write a one-dimensional mother figure. If you enjoy this conversation, make sure to check out Tom Power’s interview with Domee about her last film, “Turning Red.”

There's a reason why the British theatre maker Tim Crouch doesn't want his actors to hear this podcast — it’s because they’re not supposed to know anything about their role until an hour before the show. This year, Tim’s award-winning play “An Oak Tree” turns 20. It’s one of the strangest and most influential theatre experiments in history, and it’s currently being staged at the Luminato Festival in Toronto. Each performance is completely unique, shaped by the presence of a different guest actor, including past celebrity guests like Frances McDormand, Mike Myers and Alan Cumming. Tim sits down with guest host Gill Deacon to talk about the risk in live performance, the power of not-knowing, and why this show still resonates 20 years on.

Joshua Jackson rose to fame more than 20 years ago as a teen heartthrob on the show “Dawson’s Creek.” But his latest role relies solely on the power of his voice. The Vancouver-born actor joins guest host Gill Deacon to talk about narrating the suspenseful Canadian audio series “Oracle 3: Murder at the Grandview,” embracing his Canadian roots, and how he made the tricky transition from child star to adult actor.

Imagine taking your favourite family memories and spinning them into a full-length movie. That’s exactly what the Toronto filmmaker Seth Scriver has done with the animated documentary “Endless Cookie,” which he created over nine years with his half-brother Peter. Though Seth and Peter lead radically different lives (they’re separated by age, culture and geography), they say making a movie brought them closer together. They join guest host Talia Schlanger to tell us how they bonded through filmmaking.

Owen Wilson has played a misfit, a cowboy, a robber, a male model and now he can add pro golfer to that list. In the new sports comedy series “Stick,” Owen plays Pryce Cahill, an ex-pro golfer with a dark past who ends up coaching a troubled teen prodigy. Owen joins guest host Gill Deacon to talk about the show, how his carefree nature seeps into his work, and what he learned from some of his earliest mentors and role models, including his dad, his football coaches and legendary film producer James L. Brooks.

The Calgary-born comedian Malik Elassal has already been getting noticed on the stand-up circuit, but with a starring role on the new FX and Disney+ series “Adults,” a lot more people are going to start hearing about him. Malik sits down with Tom Power in our studio to talk about the show, his journey in stand-up, and why he says you can talk about anything in comedy — as long as the joke is good.