This roundtable on the third personality podast, Building Character, traversed quite complex and nuanced terrain: the scientific basis for morality beyond the effects of culture and politics; the difficulties of navigating moral disagreement; the problem of in-groups and out-groups; the imperative to grow one's moral thinking; how good character bestows high status and respect, but that status can also be accrued via pseudo-esteem for bad moral characters; the problem of lies and lying becomeing normalised, even respected; the important insight that evolution is not about flourishing or moral good, but about passing on genes; and that moral wisdom is an emegent possibility of our success as a species.

The podcast Building Personality begins with a distinction between personality and character: the former you are born with, and the latter you build. Character is a a moral stance to the world and good character seeks flourishing for self and others. Character is examined through the lenses of moral realism and evolutionary adaptation. I then provide examples of character development starting with recalibrating our extreme personality traits. There is also a discussion of the Dark Triad personality disorders and how they are so shocking given our moral wiring. I end on the observation that cultivating relationships is the key not only to a viable morality, but a life of satisfaction and wellbeing.

In this Music, Creativity and Mental Health roundtable we discuss the podcast with singer, songwriter, producer and multi-instrumentalist Max Frost. THat conversation was full of Max's deep reflections and insights and this prompted an equally deep and significant discussion with my friends from Nettwerk Music. Topics covered included: the music industry as a 'rat-race' in which the prospect of the loss of status is worse than never attaining it; the 'cycle of torture' that increasing one's audience can subject artists to; managing one's ego, especially managing social media comparison; that although social media has amped up concern with metrics, this has always been there in the industry; that there are 'many doors to the room of creativity'; the chaos of overwhelming commoditisation of music; and the seductive and perverting nature of fame.