In this episode of Process Over Product, artists Trevor Wade Thomas and Kelsey Kopp discuss the process of inventory and documentation in the studio.

Following the recent flood in Trevor’s studio, he shares the experience of cataloging and assessing the work, materials, and objects that make up a studio practice. What began as a necessary response to disruption becomes a broader conversation about why documenting work matters.

Together they explore how maintaining an inventory can support the practical side of an artist’s life—from understanding the scope of one’s work and managing a studio more clearly, to improving organization, tracking, and communication with galleries and collectors. The conversation also considers how the act of reviewing past work can shape artistic direction and reveal patterns in a body of work that may not be obvious while making it.

This episode looks at inventory not simply as administration, but as a reflective process that can bring clarity to both the business and creative sides of a studio practice.

Kelsey Kopp is a landscape painter whose work is rooted in observation, repetition, and sustained engagement with place. Her practice emphasizes process as a way of understanding time, light, and perception rather than arriving at a fixed image.

Find Kelsey on instagram @kelsey_kopp_art

Trevor Wade Thomas is a painter and educator working primarily from observation. His practice centers on drawing, material process, and the relationship between labor, memory, and making. He is the founder of Oil and Earth Studio YouTube Channel, where he explores craft, teaching, and long-form artistic inquiry.

You can find Trevor online at www.trevorwadethomas.com , on YouTube at www.youtube.com/oilandearthstudio , or on Instagram @twtfineart

In this episode of Process Over Product, artists Trevor Wade Thomas and Kelsey Kopp discuss workshops—why artists take them, what they actually offer, and whether they are worth the investment.

They explore what workshops can provide beyond technical instruction: exposure to new ways of seeing, immersion in focused time, and the value of learning inside a temporary community of working artists. The conversation also addresses common questions about cost, expectations, and how to evaluate whether a workshop is right for you.

Trevor and Kelsey share some of their most meaningful workshop takeaways, reflecting on the lessons that stayed with them long after the event ended. Rather than treating workshops as shortcuts, this episode considers them as catalysts—experiences that can accelerate growth, clarify direction, and reconnect artists to their practice.

Kelsey Kopp is a landscape painter whose work is rooted in observation, repetition, and sustained engagement with place. Her practice emphasizes process as a way of understanding time, light, and perception rather than arriving at a fixed image.

Find Kelsey on instagram @kelsey_kopp_art

Trevor Wade Thomas is a painter and educator working primarily from observation. His practice centers on drawing, material process, and the relationship between labor, memory, and making. He is the founder of Oil and Earth Studio YouTube Channel, where he explores craft, teaching, and long-form artistic inquiry.

You can find Trevor online at www.trevorwadethomas.com , on YouTube at www.youtube.com/oilandearthstudio , or on Instagram @twtfineart

After taking a week away, Process Over Product returns with a conversation about the importance of seeing art in person.

Artists Trevor Wade Thomas and Kelsey Kopp reflect on recent visits to the Nelson-Atkins Museum of Art and the Pissarro exhibition at the Denver Art Museum, discussing what happens when work is encountered directly rather than through reproduction. From there, the conversation expands to the role of galleries and why artists benefit from regularly experiencing work in physical space.

They explore the relationship between gallery, artist, and audience, and how these environments shape understanding, context, and dialogue around the work. Rather than treating museums and galleries as distant or formal spaces, this episode considers them essential places for artists to study, orient themselves, and remain connected to a larger cultural conversation.

Kelsey Kopp is a landscape painter whose work is rooted in observation, repetition, and sustained engagement with place. Her practice emphasizes process as a way of understanding time, light, and perception rather than arriving at a fixed image.

Find Kelsey on instagram @kelsey_kopp_art

Trevor Wade Thomas is a painter and educator working primarily from observation. His practice centers on drawing, material process, and the relationship between labor, memory, and making. He is the founder of Oil and Earth Studio YouTube Channel, where he explores craft, teaching, and long-form artistic inquiry.

You can find Trevor online at www.trevorwadethomas.com , on YouTube at www.youtube.com/oilandearthstudio , or on Instagram @twtfineart