『Princeton UP Ideas Podcast』のカバーアート

Princeton UP Ideas Podcast

Princeton UP Ideas Podcast

著者: New Books Network
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概要

A series of interviews with authors of new books from Princeton University PressNew Books Network アート 世界 文学史・文学批評
エピソード
  • 163* The Drama of Celebrity with Sharon Marcus (JP)
    2026/01/29
    As Oscar Season rolls around, Recall This Book looks back to John's 2019 discussion with Columbia University professor Sharon Marcus about The Drama of Celebrity, her tour-de-force account of how stars are born, publicized, and in time devoutly scrapbooked by adoring fans. They tackle a question at least as old as Sarah Bernhardt: who or what makes a star? Rather than crediting star making to the culture industry, to fans, or to star themselves, Sharon makes the case that all three forces together constitute a celebrity creation machine. After discussing her archival work on theatrical scrapbooking in Indiana, Sharon pulls from the vaults a marvelous Hollywood memoir, Brooke Haywood’s Haywired. That triggers discussion of the studio system and how its models of celebrity are and are not with us today. Sharon’s two Recallable Books also capitalize on mid-century notions of celebrity: Mommie Dearest by Christina Crawford and Edie: American Girl by Jean Stein and George Plimpton. John’s choice, The Entertainer by Margaret Talbot, another biographical account written by a star’s daughter, gives a slightly rosier perspective on the family memoir. Discussed in this episode: Sharon Marcus, The Drama of Celebrity Daniel Boorstin, The Image (“a person who is known for his well-knownness”) Theodor Adorno and Theodore Horkheimer, “Culture Industry” in Dialectic of Enlightenment Henry Jenkins, “Textual Poachers“ Dick Herbdige, “Subculture: The Meaning of Style“ Mark Twain, Patented Scrapbook Innovator Brooke Hayward, Haywire Christina Crawford, Mommie Dearest Jean Stein, George Plimpton, Edie, American Girl Margaret Talbot, The Entertainer Read the episode here.
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    32 分
  • Yossef Rapoport, "Becoming Arab: The Formation of Arab Identity in the Medieval Middle East" (Princeton UP, 2025)
    2026/01/29
    Today, much of the Middle East is “Arab”—an identity that now extends across North Africa and up through the Near East to Syria. Yet how did this region become Arab? How did this identity spread? Was it due to migration, or conquest? Historian Yossef Rapoport, in his book Becoming Arab: The Formation of Arab Identity in the Medieval Middle East (Princeton UP, 2025), makes a different argument: That the region’s medieval peasants adopted the Arab identity in response to shifting political power, changing land rights, and the spreading Muslim faith. Professor Yossef Rapoport of Queen Mary University London is a historian of the Islamic, Arabic-speaking Middle East in its Middle Ages, from about 1000 to 1500 CE. Among his publications are books on marriage and divorce in late medieval Cairo and Damascus, on the fourteenth-century religious reformer Ibn Taymiyya, and on medieval Islamic maps. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Becoming Arab. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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    42 分
  • Debra Kaplan and Elisheva Carlebach, "A Woman Is Responsible for Everything: Jewish Women in Early Modern Europe" (Princeton UP, 2025)
    2026/01/29
    In small villages, bustling cities, and crowded ghettos across early modern Europe, Jewish women were increasingly active participants in the daily life of their communities, managing homes and professions, leading institutions and sororities, and crafting objects and texts of exquisite beauty. In their book, A Woman Is Responsible for Everything: Jewish Women in Early Modern Europe (Princeton UP, 2025), Debra Kaplan and Elisheva Carlebach marshal a dazzling array of previously untapped archival sources to tell the stories of these woman for the first time.Kaplan and Carlebach focus their lens on the kehillah, a lively and thriving form of communal life that sustained European Jews for three centuries. They paint vibrant portraits of Jewish women of all walks of life, from those who wielded their wealth and influence in and out of their communities to the poorest maidservants and vagrants, from single and married women to the widowed and divorced. We follow them into their homes and learn about the possessions they valued and used, the books they read, and the writings they composed. Speaking to us in their own voices, these women reveal tremendous economic initiative in the rural marketplace and the princely court, and they express their profound spirituality in the home as well as the synagogue.Beautifully illustrated, A Woman Is Responsible for Everything lifts the veil of silence that has obscured the lives of these women for too long, contributing a new chapter to the history of Jewish women and a new understanding of the Jewish past. Interviewees: Debra Kaplan is the Samuel Braun Chair for the History of the Jews in Germany at Bar-Ilan University. Elisheva Carlebach is Salo Wittmayer Baron Professor of Jewish History, Culture, and Society, at Columbia University. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
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    1 時間
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