『Power and Vibration: The Sound of Revolution』のカバーアート

Power and Vibration: The Sound of Revolution

Power and Vibration: The Sound of Revolution

著者： Sara Bastianelli
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Power and Vibration: The Sound of Revolution is a mini series podcast coming out of the University of Virginia. Throughout the 6 episodes, host Sara Bastianelli delves into the musical and political history of Argentina, Iran, England, Brazil, and the United States to find out why social justice movements align closely with musical genres and how music is used as a tool to strengthen protests. Across time and space, music is an incredibly powerful form of protest. What can we learn from examining the music of social justice movements across the world? And how can we apply it to the current social battles being fought today? Here is a link to the bibliography for the whole mini series: https://drive.google.com/file/d/190awuEaBdELZzjTYzusWU9b88_WcWC2V/view?usp=sharing Here is a link to the full series transcript: https://drive.google.com/file/d/1PFoJV0Ij7tR2dIIqv0g8aELnUQqesdDE/view?usp=sharingCopyright 2026 政治・政府 政治学 音楽
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  • The Sound of Revolution: Protest Music Today

    The Sound of Revolution: Protest Music Today
    2026/05/08
    Power and Vibration: The Sound of Revolution was written, recorded, and edited by Sara Bastianelli. This series is part of a Global Development Studies capstone project, from the University of Virginia. Here is a link to the digital transcript for this episode. Here is a link to the bibliography for the whole mini series. Resources Blume, P. (2026, February 25). ICE in Minnesota: From 4,000 agents to 400. FOX 9 Minneapolis-St. Paul. https://www.fox9.com/news/ice-minnesota-immigration-agents-left-feb-25-2026 Douglas, A. (2025, June 30). “There is a special place in hell for those people that went for this business model”: Are plugin subscription services really as bad as some people say? MusicRadar. https://www.musicradar.com/music-tech/plugins/dg-wip-all-subscription-models-are-from-satan-and-there-is-a-special-place-in-hell-for-those-people-in-charge-that-went-for-this-business-model-are-music-software-subscriptions-really-as-bad-as-some-people-say Hamilton, J. (2016). Just around midnight : rock and roll and the racial imagination. Harvard University Press, Cop. Manuel, P. (2017). World Music and Activism Since the End of History [sic]. Music and Politics, XI(1). https://doi.org/10.3998/mp.9460447.0011.101 Mcluhan, M. (1964). Understanding Media: The Extensions of Man. Gingko Press. Therieau, M. (2026, February 7). What do we want from a protest song?. The New Yorker. https://www.newyorker.com/culture/the-lede/what-do-we-want-from-a-protest-song War Child Records Get Involved. (2019, April 18). War Child. https://www.warchild.org.uk/get-involved Audio Resources (in order of appearance) Simone, N. (1965). Sinnerman. On Pastel Blues. UMG Recordings Inc. Lomax Film Collection. St. James Missionary Baptist Church of Canton: Wade In the Water (1978). YouTube. https://www.youtube.com/watch?v=av08GHz_9C4 Hill, J. (1913). There is Power in a Union. The Staple Sisters. (2015). It’s Been A Change. On Faith and Grace: A Family Journey 1953-1976. Concord Music Group. Brown, J. (1962). Come Over Here. On Good, Good Twistin’ With James Brown. Universal Records. Brown, J. (1991). Say It Loud - I’m Black And I’m Proud. On Star Time. Universal Records. Dylan, B. (1967). All Along the Watchtower. On John Wesley Harding. Sony Music Entertainment. Hendrix, J. (1968). All Along the Watchtower. On Electric Ladyland. Experience Hendrix LLC. Childish Gambino. (2018). This Is America. On This Is America. mcDJ Recording. Green Day. (2024). The American Dream Is Killing Me. On Saviors. Green Day. Springsteen, B. (2026). Streets of Minneapolis. On Streets of Minneapolis. Columbia Records. Welles, J. (2025). Join Ice. On No Kings. Jesse Welles. Withers, B. (1973). I Can’t Write Left Handed. On Bill Withers Live at Carnegie Hall. Sony Music Entertainment. Mon Rovîa. (2025). Heavy Foot. On Heavy Foot. Mon Rovîa LLC. The Linda Lindas. (2024). No Obligation. On No Obligation. Epitaph. Rodrigo, O. (2026). The Book of Love. On HELP(2). War Child Records. Sunrise Twin Cities [sunrise.twincities]. (2026, January 30). Rock concert resistance! Instagram. https://www.instagram.com/p/DUJwOznDSTY/?hl=en Twin Cities Drum Collective [twin_cities_drum_collective]. (2026, February 2). Drum Protest Downtown Minneapolis. Instagram. https://www.instagram.com/p/DURYfvgDaqq/?hl=en City Cast Twin Cities [citycasttwincities]. (2026, January 13). SOLIDARITY: Brass Solidarity is a community band that has been meeting weekly to spread music since 2021. Instagram. https://www.instagram.com/p/DTeWR5CDETW/?hl=en Shiebout, A. [ashiebout]. (2026, February 1). The Twin Cities sang outside of the hotels where ICE and BP agents are staying, letting them know it’s not too late to change careers, “it’s okay to change your mind. Instagram. https://www.instagram.com/p/DUO4akUj0I7/?hl=en This podcast is powered by Pinecast.
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    14 分
  • The Genre is the Message: Brazilian Bossa Nova and Tropicália

    The Genre is the Message: Brazilian Bossa Nova and Tropicália
    2026/05/06

    Power and Vibration: The Sound of Revolution was written, recorded, and edited by Sara Bastianelli. Translations for this episode were voiced by Nina Accousti, Fatima Abdalla, and Emma Lohr. This series is part of a Global Development Studies capstone project, from the University of Virginia.

    Here is a link to the digital transcript for this episode.

    Here is a link to the bibliography for the whole mini series.

    Resources

    Cornell, C. (2023). How Brazil’s Music Hid Protest in Harmony. YouTube. https://www.youtube.com/watch?v=TXjvwQDfnTI

    Denning, M. (2015). Noise Uprising: The Audiopolitics of a World Musical Revolution. London: Verso.

    Dunn, A. (2007). From Samba to Bossa Nova. British Broadcasting Corporation.

    Dunn, C. (2001). Tropicália, Counterculture,and the Diasporic Imagination in Brazil. In Perrone, C. A., & Dunn, C. Brazilian Popular Music & Globalization. (pp. 1-38). Gainesville: University Press of Florida.

    Mcluhan, M. (1964). Understanding Media: The Extensions of Man. Gingko Press.

    Perrone, C. A., & Dunn, C. (2001). “Chiclete com Banana”: Internationalization in Brazilian Popular Music. In Perrone, C. A., & Dunn, C. Brazilian Popular Music & Globalization. (pp. 1-38). Gainesville: University Press of Florida.

    Treece, D. (1997). Guns and Roses: Bossa Nova and Brazil’s Music of Popular Protest, 1958-68. Popular Music, 16(1), 1–29. http://www.jstor.org/stable/853435

    Audio Resources (in order of appearance)

    Gil, G. (1968). Questão de Ordem. On Gilberto Gil (1968). Gege Produções Artísticas.

    Tavares, C. (2012). The Day That Lasted 21 Years. Pequi Filmes.

    FootageFarm. (2014). Brazil: Goulart Deposed in Coup D'Etat 221726-11 | Footage Farm. YouTube. https://www.youtube.com/watch?v=N5A3KlKp2bQ

    6stringsmonk. (2018). Roberto D'Avila interviews Antonio Carlos Jobim (1981) w/ English subtitles. YouTube. https://www.youtube.com/watch?v=CFq3uFjXYEU

    Do Pandeiro, J. (1959). Chiclete Com Banana. Sony Music Entertainment (Brasil).

    Jobim, A. (1990). The Girl From Ipanema. On Compact Jazz: Antonio Carlos Jobim. UMG Recordings, Inc.

    Margebird. (2014). Antonio Carlos Jobim on the NBC Today Show 1986. YouTube. https://www.youtube.com/watch?v=FxRk8cz8qj4

    Veloso, C. (1967). Alegria, Alegria. On Caetano Veloso. Universal Music Ltda.

    Roda Viva. (2022). Gilberto Gil fala sobre censura e cargos políticos no Roda Viva | 1987. YouTube. https://www.youtube.com/watch?v=LeAZekEo-T0

    Gil, G. (1969). Aquele Abraço. On Gilberto Gil (1969). Gege Produções Artísticas.

    ABC News (Australia). (2012). Marshall McLuhan - 'The medium is the message' - ABC Radio National. YouTube. https://www.youtube.com/watch?v=1YZzwvjwiLs

    Jobim, A. (1967). Wave. On Wave. UMG Recordings, Inc.

    Jobim, A. (1970). Sabiá. On Stone Flower. Sony Music Entertainment.

    Cornell, C. (2023). How Brazil’s Music Hid Protest in Harmony. YouTube. https://www.youtube.com/watch?v=TXjvwQDfnTI

    Trio Ternura. (1971). Vou Morar no Teu Sorriso. On Série Samba Soul. Sony Music Entertainment.

    Simone, N. (1965). Sinnerman. On Pastel Blues. UMG Recordings Inc.

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    11 分
  • Get Pissed, Destroy: British Anarcho-Punk

    Get Pissed, Destroy: British Anarcho-Punk
    2026/05/01

    Power and Vibration: The Sound of Revolution was written, recorded, and edited by Sara Bastianelli. This series is part of a Global Development Studies capstone project, from the University of Virginia.

    Here is a link to the digital transcript for this episode.

    Here is a link to the bibliography for the whole mini series.

    Resources

    Cross, I. (2005). Music and Social Being. Musicology Australia, 28(1), 114–126. https://doi.org/10.1080/08145857.2005.10415281

    Cross, R. (2010). “There is No Authority but Yourself”: The Individual and the Collective in British Anarcho-Punk. Music and Politics, IV(2). https://doi.org/10.3998/mp.9460447.0004.203

    Denning, M. (2015). Noise Uprising: The Audiopolitics of a World Musical Revolution. London: Verso.

    Donaghey, J. (2020). The ‘Punk Anarchisms’ of Class War and CrimethInc. Journal of Political Ideologies, 25(2), 113–138. https://doi.org/10.1080/13569317.2020.175076

    Donaghey, J. (2013). Bakunin Brand Vodka: An Exploration into Anarchist-punk and Punk-anarchism. Anarchist Developments in Cultural Studies

    Evans, Sara M. (Sara Margaret), & Boyte, H. C. (1986). Free Spaces: The Sources of Democratic Change in America. New York: Harper & Row.

    Goldman, V. (2019). Revenge of the She-Punks. University of Texas Press.

    Nomous, O. (n.d.). Colours of Resistance Archive. Colours of Resistance Archive. https://www.coloursofresistance.org/575/race-anarchy-and-punk-rock-the-impact-of-cultural-boundaries-within-the-anarchist-movement/

    Audio Resources (in order of appearance)

    Sex Pistols. (1977). Pretty Vacant. On Nevermind the Bollocks, Here’s The Sex Pistols. Warner Records.

    CBC Music. (2018). Iggy Pop hates “punk rock” (1977). YouTube. https://www.youtube.com/watch?v=78S0yrMLfTU

    BBC Archive. (2025). 1977: Is PUNK ROCK a Threat to BRITISH SOCIETY? | Brass Tacks | Voice of the People | BBC Archive. YouTube. https://www.youtube.com/watch?v=PVy5DD2oTxQ

    Kinolibrary. (2016). Late 1970s Marc Bolan Interview on the Punk Scene | Premium Footage. YouTube. https://www.youtube.com/watch?v=axmXNFXg2tc

    Crass. (1978). Do They Owe Us a Living? On The Feeding of the Five Thousand (The Second Sitting). One Little Independent Records.

    Piker, T. (2015). Steve Ignorant 1980. YouTube. https://www.youtube.com/watch?v=7wwONhhnDKo

    The Clash. (1979). London Calling. On London Calling (Expanded Edition). Sony BMG Music Entertainment.

    Sex Pistols. (1977). Anarchy in the U.K. On Nevermind the Bollocks, Here’s The Sex Pistols. Warner Records.

    ThamesTV. (2013). Swearing |Sex Pistols interview |Today Show |Thames TV | 1976. YouTube. https://www.youtube.com/watch?v=LtHPhVhJ7Rs

    X-Ray Spex. (1978). Identity. On Germ Free Adolescents. X-Ray Spex.

    Siouxsie and the Banshees. (1978). Hong Kong Garden. On The Scream. Polydor Ltd.

    Simone, N. (1965). Sinnerman. On Pastel Blues. UMG Recordings Inc.**

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    12 分
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