『Polyphonic Press - Classic Album Reviews』のカバーアート

Polyphonic Press - Classic Album Reviews

Polyphonic Press - Classic Album Reviews

著者: Jeremy Boyd & Jon VanDyk
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Polyphonic Press is the show for music fans. Anywhere from the casual listener to the nerdiest of audiophiles. Each week, we review a classic album from a curated list of over one thousand releases, spanning multiples genres. At the top of each show, we have no idea what album we’re going to listen to. So we fire up the Random Album Generator and it gives the album of the week. Join us every Tuesday morning for a new classic album to discover!

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  • Workingman's Dead by Grateful Dead - Ep. 107
    2025/10/14

    Workingman’s Dead (1970) is one of the Grateful Dead’s most celebrated and influential albums, marking a sharp turn from their earlier, more experimental psychedelic sound toward a rootsier, song-focused approach. Recorded quickly and on a tight budget after years of heavy touring and debt, the record draws heavily from folk, country, and Americana traditions. Its stripped-down arrangements, warm harmonies, and storytelling lyrics show the band’s deepening connection to American roots music and their desire to create something more accessible than their previous sprawling jams.

    The album features some of the Dead’s most enduring songs, including “Uncle John’s Band,” “Casey Jones,” “Dire Wolf,” and “High Time.” These tracks showcase the group’s evolving focus on vocal harmonies (inspired by contemporaries like Crosby, Stills & Nash) and narrative songwriting rooted in rural imagery, cautionary tales, and mythical Americana. The shift reflected both a practical need—simpler songs worked better on the road—and an artistic choice, capturing the spirit of early 1970s back-to-the-land culture.

    Critically, Workingman’s Dead was a turning point that brought the band new recognition and commercial success. It helped redefine their identity from a purely psychedelic San Francisco jam band into a cornerstone of Americana rock. Along with its companion album, American Beauty (released later the same year), it remains a fan favorite and a landmark in the fusion of rock with folk and country traditions.

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    33 分
  • That's the Way of the World by Earth, Wind & Fire - Ep. 106
    2025/10/07

    That’s the Way of the World (1975) is often considered Earth, Wind & Fire’s defining statement, blending soul, funk, jazz, and gospel into a sound that was both deeply spiritual and irresistibly danceable. Released at the height of the band’s creative powers, the album embodies the vision of Maurice White, who sought to create music that was uplifting, universal, and transcendent. With its mix of lush horn arrangements, intricate rhythms, and soaring vocals, the record stands as both a cultural touchstone of the 1970s and one of the most celebrated soul albums of all time.

    The album opens with its iconic title track, a slow-burning ballad filled with hope and wisdom, setting a tone of reflection and uplift that carries through the record. From there, the band moves into radiant, high-energy funk with tracks like Shining Star—a #1 hit that brought them mainstream success—while songs like Reasons showcase the group’s ability to balance groove with tenderness and emotional depth. Each track contributes to a greater whole, with messages of unity, love, and perseverance woven seamlessly into the music.

    Beyond its commercial success, That’s the Way of the World has endured because of its ability to inspire. It is as much a philosophical statement as it is an album, speaking to universal struggles and joys while delivering them through some of the most polished and innovative arrangements of its era. More than just a collection of songs, it represents Earth, Wind & Fire’s belief in music as a healing, guiding force—and remains one of the greatest achievements in the history of R&B and soul.

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    30 分
  • Before and After Science by Brian Eno - Ep. 105
    2025/09/30

    Before and After Science (1977) by Brian Eno is one of his most acclaimed solo albums, bridging his experimental rock sensibilities with the ambient style he would soon pioneer. The record is structured almost like two different worlds: the first half is energetic, angular, and rhythm-driven, while the second half drifts into ethereal, meditative territory.

    On the front side, tracks like “No One Receiving” and “King’s Lead Hat” showcase Eno’s playful, jagged approach to art-rock, brimming with quirky rhythms, fractured guitar lines, and off-kilter energy. These songs lean heavily on collaborations with musicians like Robert Fripp, Phil Collins, and members of Can, giving the music a restless, forward-driving feel.

    The latter half of the album shifts dramatically into stillness and spaciousness. Songs like “By This River” and “Spider and I” are hushed, delicate, and hauntingly beautiful, foreshadowing Eno’s deep dive into ambient music. The contrast creates a sense of movement from chaos to calm—an arc that mirrors the album’s title.

    Ultimately, Before and After Science stands as a transitional record in Eno’s career, marrying his pop and rock experiments with the serene atmospheres that would define his most influential work. It remains a fan favorite for its balance of accessibility, strangeness, and emotional resonance.

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    37 分
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