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We're talking more Gene Hackman and getting into the 1990s Elmore Leonard boom with Barry Sonnenfeld's GET SHORTY, and our friend Forrest Tiffany is here to help! Join us as we plot the line from PULP FICTION to GET SHORTY to JACKIE BROWN to OUT OF SIGHT, sing the praises of the cast, and check in with a particularly juicy Pine Cone Crime Zone.

Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork.

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What the hell is going on with Steven Soderbergh's 1996 super-low-budget labor of love comedy SCHIZOPOLIS? Our returning guests, the filmmakers and all-around handsome devils Jordan Fish and Ray Tintori of the To The White Sea Podcast, help us get to the bottom of it. Is this quietly a devastating analysis of a failed marriage starring the director and his real-life ex-wife Betsy Brantley? Or is all that drowned out by too much proto-Random Humor and OK Cola-style 90s disaffection? Is Jake even capable of being nice about this movie? Listen to find out!

Further Reading:

Getting Away With It by Steven Soderbergh

Steven Soderbergh: Interviews, ed. Anthony Kaufman

"E Unibus Pluram: Television and U.S. Fiction" by David Foster Wallace

"David Lynch Keeps His Head" by David Foster Wallace

Further Viewing:

A HARD DAY'S NIGHT (Lester, 1964)

MONTY PYTHON'S FLYING CIRCUS (McNaughton/Davies, 1969)

PUTNEY SWOPE (Downey, 1969)

THE KENTUCKY FRIED MOVIE (Landis, 1977)

GRAY'S ANATOMY (Soderbergh, 1996)

LOST HIGHWAY (Lynch, 1997)

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One of "the world's favorite movies," starring two guys who won back-to-back Best Supporting Actor Oscars under Clint Eastwood's direction, and Jake's never seen it? You know we had to talk about Frank Darabont's THE SHAWSHANK REDEMPTION, prison abolition, Tim Robbins's legs, and what we think the best films of 1994 are.

Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork.

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In 1989, Steven Soderbergh was on top of the world. By 1995, he was underneath...THE UNDERNEATH, that is! We're talking Sodie's very loose remake of the 1949 Robert Siodmak film noir CRISS-CROSS (and the 1934 novel on which it was based), noir in the 1990s, armored cars, and Soderbergh's evolving film language as he becomes the director we all know and love. Nobody's favorite Sodie movie, but maybe somebody's favorite ep? Remains to be seen!

Further Reading:

Criss Cross by Don Tracy

Steven Soderbergh: Interviews ed. Anthony Kaufman

Reinventing Hollywood by David Bordwell

"Neither Noir" by Jonathan Rosenbaum

Further Viewing:

THE KILLERS (Siodmak, 1946)

KISS OF DEATH (Hathaway, 1947)

CRISS CROSS (Siodmak, 1949)

THE KILLING (Kubrick, 1956)

BLOOD SIMPLE (Coen, 1984)

PULP FICTION (Tarantino, 1994)

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Today we're talking about the 2005 documentary BUDD BOETTICHER: A MAN CAN DO THAT, which features both Clint Eastwood and Paul Schrader (among others) talking about the elemental western films of Budd Boetticher and his influence on their work. We also talk about some Boetticher films ourselves, and take this moment to go a little deeper on auteur theory - its usefulness, its problems, our relationship to it as a framework. You don't have to watch the doc to enjoy this episode, but it is kind of fun if you can track it down!

Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork.

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What to do next after KAFKA doesn't quite hit...how about adapting a boyhood memoir by the guy who helped Paul Newman bottle his salad dressing? We continue Soderbergh's less-remembered beginnings with 1993's KING OF THE HILL, a subtly brutal Depression-era bildungsroman in which a boy gets so hungry he eats pictures of food - and joining us is film writer Jason Miller! Listen along for a discussion of cinematographer careers, macroeconomics, proper marbles technique, and Spalding Gray. Good ep, even without Boomhauer and all the rest of those guys!

Further Reading:

King of the Hill: A Memoir by A.E. Hotchner

"King of the Hill: Alone Again" by Peter Tonguette

"A Multi-Storied Life" by Susan Wooleyhan Caine

Further Viewing:

EMPIRE OF THE SUN (Spielberg, 1987)

HOPE AND GLORY (Boorman, 1987)

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We pay tribute to the late Gene Hackman with one of his - or anyone's - greatest films, Arthur Penn's 1975 neo-noir NIGHT MOVES. Shot by longtime Eastwood DP Bruce Surtees and starring Clint co-stars Gene Hackman, Susan Clark, James Woods, and John Crawford, so it's totally fair game.

Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork.

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How do you follow an industry-shaking debut like SEX, LIES, AND VIDEOTAPE? If you're Steven Soderbergh, the answer is obvious: a weird, downer sort-of-biopic of Franz Kafka shot in black and white. We're joined by filmmaker Christopher Jason Bell (MISS ME YET, THE WINDS THAT SCATTER) to talk 1991's KAFKA, Soderbergh's influence, and Chris's outstanding new film FAILED STATE. Great ep!

Further Reading:

"In the Penal Colony" by Franz Kafka

The Trial by Franz Kafka

The Castle by Franz Kafka

Los Angeles Times article by David Gritten

Further Viewing:

THE THIRD MAN (Reed, 1949)

THE TRIAL (Welles, 1962)

AMERICAN GIGOLO (Schrader, 1980)

BRAZIL (Gilliam, 1985)

Follow Chris:

https://linktr.ee/christopherjasonbell

Watch the trailer for FAILED STATE

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