Pitching, Part 1: What Goes Into a Pitch
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Pitching, Part 1: What Goes Into a Pitch
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In this episode, Glenise Mullins and Robin Fusco share insights on the art of pitching TV shows and films, covering everything from initial ideas to crafting compelling pitches that capture producers' interest. Whether you're a writer aiming to break in or a seasoned creator, learn the key elements to make your pitch stand out.
KEYWORDS
TV pitching, film pitching, screenwriting, pitching tips, series development, pitch deck, storytelling, production process
KEY TOPICS
- Differences between pitching for TV and film
- What is an Open Writing Assignment (OWA)
- Components of a compelling pitch (hook, personal connection, world, characters, etc.)
- Pitching process: verbal presentation, pitch deck, and supplemental materials
- Season and series planning in pitches
- Importance of having a plan and future outlook in pitches
- How scripts influence pitching opportunities
CHAPTERS
00:00 - Introduction
02:19 - What is an Open Writing Assignment (OWA)?
05:48 - Key Components of a TV or Film Pitch
09:15 - Setting Up the World and Characters in Your Pitch
12:24 - Planning the Series Arc and Future Seasons
15:07 - Pitching the Full Film in Features
16:24 - The Importance of a Clear Series or Movie Ending
17:44 - Do You Need a Script Before Pitching?
19:22 - Additional Materials and Next Steps in Pitching