In contemporary Australian mass culture, it’s hard if not impossible to find any representation of life as it’s lived by the majority of the population. Few movies, plays, TV shows or documentaries reflect what it’s like spending most of your waking life working to make a boss rich, struggling to keep up with bills, or dealing with sexism, homophobia, racism, and other oppressions – and practically none depict things like going on strike or opposing fascism. With all major media and cultural production owned either by the government or huge corporations, this situation has prevailed throughout virtually the entire post-invasion history of Australia.

In the 1930s, though, a massive experiment was launched to create culture by and for ordinary working people – the New Theatre. Under the slogan ‘Art is a weapon’, the New Theatre put on thousands upon thousands of performances about and for ordinary working-class people, aiming to reflect and validate their lives and struggles, and encourage political activism. Its plays were about workers’ strikes, about protest movements, about fighting the far right, and about taking on racism, sexism and other oppressions. Rather than confining themselves to the halls of physical theatre buildings, New Theatre performers – who operated on a miniscule budget and were almost all unpaid – put on plays in factories, in parks, in people’s homes, inside coal mines, and on street corners. They used avant-garde theatrical techniques, pioneered egalitarian gender relations within their productions, and put on some of the most well-attended plays in Australian history. And yet despite this, the New Theatre has virtually vanished from Australian history.

In this episode, we chat with Lisa Milner, an academic and researcher of working-class cultural production, on her new book on the New Theatre. We discuss the extraordinary popularity and success of their productions, the efforts by the state to repress the New Theatre, and the ways that culture can help build and sustain radicalism and movements for change.

You can buy Lisa’s book on the New Theatre here. Sign up to our Patreon now to have the chance to get a free copy of Lisa’s book and support our podcast!

Opening and closing music courtesy of Glitter Rats. People’s History of Australia logo design courtesy of Nissenbaum Design design.

In the late 1960s and 1970s, a powerful and radical new movement arose in Australia challenging the widespread oppression that women faced across the country – the women’s liberation movement.

Women in Australia in this era had plenty to fight about. It was illegal to get an abortion, and divorce was extremely difficult to obtain. Married women were barred from holding jobs in the public service, and were officially and unofficially excluded from a huge range of industries and occupations. Paid parental leave didn’t exist, and there was no support for single parents. Women weren’t even allowed in pubs – if women wanted to drink, they had to go and sit in a segregated “ladies’ lounge” out the back.

Some things however were perfectly legal. It was completely legal for a husband to rape or sexually assault his wife, since marriage was taken to automatically imply consent at all times forever. It was also entirely legal for employers to pay women less than men for doing the same job – ads for jobs would display the male rate of pay for the position, and then the female rate of pay for the position, which was 75% of the male rate. Added to this was a pervasive everyday culture of public sexism and misogyny that touched all areas of life.

Fortunately, tens of thousands of women across the country stood up and fought back, fighting for both reforms and for a new kind of society. In this episode, we chat with Janey Stone, who was involved in the women’s liberation movement both in the US and Australia, about this incredible era.

You can check out Interventions, the Australian radical publishing house which is led by Janey, here, as well as the Interventions book in which Janey mentions, Rebel Women, here. You can read some of Janey’s other recent writings here, while you can watch a short interview with Janey’s mother Rose about her life and activism here.

Check out our upcoming full-day festival on 15 March 2025, Radical Sydney!, here.

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Opening music courtesy of Glitter Rats, closing music courtesy of the Victorian Trade Union Choir. People’s History of Australia logo design courtesy of Nissenbaum Design.