On this episode, we dig into how global wealth trends—rather than hype cycles or short-term market noise—are reshaping the luxury watch industry. Drawing on reporting originally published by ScrewDownCrown (Substack), we use the UBS Global Wealth Report to examine the rapid rise of the “EMILLI” cohort: individuals with $1–5 million in net worth. This group has quadrupled since 2000 and now represents the core audience for sub-$10,000 to $50,000 watches, helping explain why mechanical timepieces remain viable luxury goods in 2025 despite their declining practical relevance.

We then look at how this wealth is distributed geographically—and why that matters. The U.S. remains a structural engine for the watch industry thanks to strong millionaire growth and a powerful wealth effect driven by real estate and equity markets. China’s growth is slowing, Western Europe is shrinking, and while markets like India offer long-term potential, today’s addressable audience is far smaller than population headlines suggest. The result is a global landscape with fewer obvious growth levers than brands would like to admit.

Finally, we explore how inequality itself fuels luxury demand. Drawing on academic research and firsthand experience, we look at how hierarchical workplaces and concentrated wealth amplify status-driven consumption across income levels. Watches operate not just as objects of desire, but as social signals—markers of success, belonging, and aspiration. Understanding these structural forces, not just products or trends, is key to understanding where the watch market goes next.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

We kick off the first Openwork episode of 2026 by breaking down the latest watch price increases from Rolex, Audemars Piguet, and Tudor, with a sharp focus on why U.S. buyers are seeing significantly higher jumps than Europe and the UK. We unpack how tariffs, currency swings, commodity prices, and inflation are converging—and why, once prices move up, they almost never come back down. We also contrast how mega-brands and independents respond very differently to these pressures.

From there, we dig into new data showing a real slowdown in the Swiss watch industry. Exports are down sharply, job losses are mounting, and more brands are relying on Switzerland’s short-time work programs to stabilize their workforce. We explore the downstream effects of trade friction on suppliers, labor, and long-term pricing, and why government intervention has become a critical backstop for the industry.

We close by reacting to early 2026 industry predictions, including claims that larger watch case sizes are making a comeback. Using actual sales data, we question whether this is a real shift or just cyclical online chatter, and look ahead to Watches and Wonders and what recent brand moves may signal about creativity, retail strategy, and power dynamics in the year ahead.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

On this episode, we share something a little different by sharing an installment from The Watches of Podcast, a new series where we step away from industry-wide analysis and focus deeply on individual brands—their history, philosophy, people, and, importantly, their watches.

Each episode is designed as a focused, evergreen exploration of a single brand, and here we use that format to zero in on Ming’s dive watches, a category that has quietly become one of the most revealing expressions of the brand’s identity.

We trace how Ming approached the dive watch not as a traditional tool-first object, but as a sculptural, design-led problem to solve. From early experimental concepts to fully realized production models, we talk about how the brand steadily moved away from simply “doing a dive watch” and toward creating dive watches that could only exist as Ming designs. The discussion centers on proportion, restraint, and engineering choices that prioritize wearability and originality without abandoning the functional expectations of the genre.

Finally, we focus on the modern era of Ming dive watches, where everything clicks into place: compact dimensions, inventive use of sapphire and rotating dials, thoughtful movement customization, and distinct aesthetic identities across models like the Bluefin and the Uni. We reflect on why these watches resonate so strongly with collectors, why they earned serious recognition within the industry, and why their final re-release feels like the close of a meaningful chapter—one that shows how Ming redefined what a contemporary dive watch can be.

We’ll be back next week with a new episode of Openwork. In the meantime, enjoy The Dive Watches of Ming. We hope you like it as much as we enjoyed making it.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.