Once days with the corpses: the night that never ended
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Once days with the corpses: the night that never ended
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The pelvis of Ricardo Klein was found in a paint can on the terrace. Leandro and Karen had been living with the dismembered remains of their parents for eleven days, went to work, attended school with their younger siblings, and received visitors as if nothing had happened. How do two people manage to maintain absolute normality in the face of the most irreversible act?
In this episode, we explore the contradictions that unravel each testimony: Leandro blames Karen for the shot at Miriam; Karen admits to participation only under coercion; forensic examinations never establish who shot whom. We also discover that Leandro feigned schizophrenia on the advice of his lawyer, destabilizing the entire mental evaluation process. Was it a premeditated parricide or the desperate outburst of two people at the limit of family abuse?
Victim: Miriam Kowalck and Ricardo Klein
Date: September 2, 2015
Location: Manuel Alberti, Pilar, Province of Buenos Aires, Argentina
Status: Convicted (Leandro: life imprisonment; Karen: reduced to secondary participant, March 2021)
- Leandro paid a street vendor to remove 16 bags with charred remains deposited 8 blocks away, while 11-year-old twins regularly attended classes.
- He reported family abuse on September 8, six days after the crime, when the victims would have already passed away: a maneuver to simulate lives in continuity.
- Psychiatric evaluations determined antisocial behavior and psychopathic personality, but without psychosis or alteration of self-determination; Leandro later confessed to having faked schizophrenia.
- The Court of Cassation (March 2021) reduced Karen to a secondary participant without definitively resolving who shot Miriam, leaving the authorship of the second homicide in suspense.
Miriam Kowalck, Ricardo Klein, Manuel Alberti, Pilar, 2015, parricide, dismemberment, investigation, forensic, homicide, simulation, criminal minds, justice, Spanish true crime
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