Message Dan and Mike

We're reviewing Netflix's The Last House, the sci-fi horror thriller starring Greta Lee and Wagner Moura as parents whose family gets mysteriously sealed inside their home with no way out. The premise is strong and the first act hooks us immediately, but a jarring five-year time jump sends the story spiraling into some of the weakest, most unsatisfying territory we've covered on the show. We dig into the film's abandoned plot threads, its unconvincing CGI creatures, the convenient "everyone's an engineer" problem-solving, and why comparisons to A Quiet Place don't do it any favors. We also talk through the film's IMDb Metascore and its rough Rotten Tomatoes numbers, and explain exactly why we can't recommend spending your two hours on this one.

From there we pivot to a rundown of what's actually worth streaming right now. On Netflix, we're raving about Beef, WWE: Unreal, Tires, and Everyone Is Doing Great. On Apple TV+, we cover Your Friends and Neighbors, Widow's Bay, and Sugar starring Colin Farrell. We also flag a couple of shows we'd steer you away from. Plus, a fun tangent on A Quiet Place, film noir influences, and more of our usual brotherly banter.

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Message Dan and Mike

We finally sit down to unpack Spider-Man: Brand New Day, the fourth installment in Tom Holland's run as Peter Parker and the first Spidey film from director Destin Daniel Cretton. Picking up four years after No Way Home's spell erased Peter from the world's memory, this is a noticeably darker, more isolated take on the character — Aunt May is gone, his friendships with MJ and Ned are gone, and the arachnid side of his DNA is starting to take over. We dig into how that trauma-driven tone works, and where it doesn't.

One of us walks away calling this the weakest of the Tom Holland Spider-Man films, and we're honest about why: a story that feels overcrowded with characters, some shaky CGI work on the Scorpion, and a villain problem that never quite resolves who we're actually supposed to be rooting against. We also talk through the returning cast — Zendaya, Jacob Batalon, Mark Ruffalo, Florence Pugh — plus the newer additions, including Jon Bernthal's Frank Castle, Tramell Tillman's William Mesker, Naomi Watts voicing E.D.I.T.H., and a genuinely strong turn from Sadie Sink as Jean Grey that surprised us both.

Along the way we get into the film's stunt work and practical martial arts sequences, the choice to make Peter's webs organic again as a nod to Tobey Maguire's era, and what it means that this film is now closing in on two billion dollars worldwide and threatening box office records held by Avengers: Endgame and Titanic. We also share (in maybe too much detail) the theater experience that colored one of our first viewings, because full transparency matters around here.

Whether you loved Brand New Day or walked out with the same reservations we did, we want to hear it. And with Avengers: Doomsday looming and a fifth Spider-Man almost certainly on the way, we start speculating about where this saga goes next.

If you're not already following along, you can find us on Apple Podcasts, Spotify, and everywhere else podcasts live, and subscribing to the YouTube channel helps a lot more than you'd think.

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Message Dan and Mike

We're back with part two of our San Diego Comic-Con recap, picking up where we left off on day two and carrying through to our final thoughts on the whole experience. This time we get into the chaos of Hall H, including a wristband standoff that turned into a two-hour, half-mile trek around the building just to get denied entry — twice. We also break down the panels that delivered and the ones that didn't: Lanterns surprised us with how much footage HBO was willing to show, the Spaceballs panel gave us a genuinely fun hour with Josh Gad, Rick Moranis, and Daphne Zuniga, and Collider's Showrunners on Showrunning brought out heavy hitters like Greg Daniels and Damon Lindelof. On the flip side, the Simpsons panel turned out to be one of the biggest letdowns of the weekend, with no voice cast in sight — though the one clip they did show us, imagining a world where Homer and Marge never met, ended up being a genuine highlight.

We also talk about a memorable, unplanned panel with Ashley Eckstein, our In-N-Out Burger verdict after years without a real hamburger, and the strange logistics failures that plagued the entire convention, from the trolley system to a parking garage that seemed built for a fraction of the actual crowd. Along the way we cover some of our favorite cosplay of the trip, a touching moment with Sergeant Slaughter in the autograph line, and the small personal wins that made the trip worth it, including meeting Judith O'Dea and catching wind of the Johnny Depp Ebenezer Scrooge reveal that had the internet buzzing all week.

We close things out with an honest, no-holds-barred recommendation on whether Comic-Con is actually worth attending, plus a look ahead at the box office moment we're in right now, with the Odyssey and Spider-Man both performing well and Avengers on the horizon. It's a candid, occasionally chaotic wrap-up of a trip that gave us plenty to talk about.

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