In June 1968, a twenty-four-year-old Palestinian immigrant named Sirhan B. Sirhan assassinated Senator Robert F. Kennedy, marking yet another killing in a decade haunted by political violence. As he was being subdued, Sirhan shouted, “I can explain. I did it for my country,” by which he meant Palestine. On trial, he testified that his motives included opposition to Zionism, with particular anger directed toward Kennedy because of the senator’s call for arms sales to Israel. Despite Sirhan’s confessions, the significance of the Arab-Israeli conflict to the slaying largely escaped notice—or was actively obscured.



I Did It for My Country: Sirhan Sirhan, Palestine, and the Assassination of Robert F. Kennedy is a revelatory account of Sirhan and the political dimensions of the assassination of Robert F. Kennedy. It illuminates Sirhan’s Palestinian background, war-torn childhood, and experience of displacement, considering to what extent trauma contributed to his mental health problems. Michael R. Fischbach uncovers how prominent actors—from the United States and Middle Eastern governments to Jewish and Arab American groups—deliberately depoliticized the assassination by downplaying Sirhan’s grievances about American support for Israel. He also examines why US authorities investigated possible Arab co-conspirators and explores how Palestinians understood Sirhan’s action, as well as how Sirhan has maintained his Palestinian nationalism during his decades in prison. Drawing on in-depth archival research—including FBI and CIA documents—this book pinpoints a missed opportunity to consider how US foreign policy could affect domestic security.

Michael R. Fischbach is professor of history at Randolph-Macon College. His books include The Movement and the Middle East: How the Arab-Israeli Conflict Divided the American Left (2019); Black Power and Palestine: Transnational Countries of Color (2018); and Records of Dispossession: Palestinian Refugee Property and the Arab-Israeli Conflict (2003).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

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China’s early medieval period, from the fifth through the early seventh century, from the Northern and Southern Dynasties through the unified Sui, was a time of political fragmentation, military strife, and ethnic conflict. It also witnessed brilliant artistic creations as well as a full flowering of court culture, with poetry at its heart. How did poetry come to be regarded as the most potent form of cultural capital, a privileged literary genre, and a foundational skill for members of the elite? How was poetry transformed from an instrument of empire building to a venue for articulating personal trauma and voicing critique of the state?

Tracing the evolution of poetry’s role in Chinese society, Writing Empire and Self: Poetic and Cultural Transformation in Early Medieval China (Columbia University Press, 2026) uncovers the profound cultural changes that took place in the early medieval era. Dr. Xiaofei Tian argues that in this period, a social community, eventually known as the “scholar elite” and treated as if it had always been a permanent fixture of the Chinese social order, came into being. She investigates the formation of this community, which left its mark on all later Chinese arts and letters, through a careful account of its history and textual production. Combining meticulous readings of numerous previously untranslated texts with a long-term, large-scale view of social and cultural history, Writing Empire and Self offers a fresh perspective on poetry’s intricate relationship with the state.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Today, pierogi are the most recognizable Polish food in the United States and a symbol of Polish American identity. How did this humble dish attain such lofty status?

In Pierogi: An American Story of Polish Food (Columbia UP, 2026), Professor Anna D. Jaroszyńska-Kirchmann explores the surprising history of pierogi, tracing how Polish cuisine evolved in the multiethnic landscape of the United States. When Polish immigrants crossed the ocean, they brought with them their traditional cuisine, which came to signify enduring attachment to homeland, family, religion, and culture. In time, they as well as new generations and new immigrant waves gradually transformed Polish American culinary culture, reflecting food trends and changes in the United States, Poland, and the world.

Pierogi takes readers into the kitchens where Polish American families, friends, and community organizations carry on the custom of cooking and eating together. Dr. Jaroszyńska-Kirchmann highlights small- and large-scale pierogi producers who adapted traditional dishes for the US market and food celebrities who mainstreamed them, and she traces the symbolic representation of pierogi in popular culture. She also shares personal stories, from her family’s resourcefulness in communist-era Poland facing near-constant food shortages to her experiences as an immigrant to the United States in the 1980s. Drawing on sources from historical and recent cookbooks to interviews with Polish American entrepreneurs and community members, this book offers new insights for anyone interested in East Central European and American foodways.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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