Featuring personal essay, manifesto, creative nonfiction, and poetry, Tsunami: Women’s Voices From Mexico (Feminist Press, 2025) gathers the multiplicity of voices being raised in Mexico today against patriarchy and its buried structures. Tackling gender violence, community building, #MeToo, Indigenous rights, and more, these writings rock the core of what we know feminism to be, dismantling its Eurocentric roots and directing its critical thrust towards current affairs in Mexico today.

Asserting plurality as a political priority, Tsunami includes trans voices, Indigenous voices, Afro-Latinx voices, voices from within and outside academic institutions, and voices spanning generations. Tsunami is the combined force and critique of the three feminist waves, the marea verde (“green wave”) of protests that have swept through Latin America in recent years, and the tides turned by insurgent feminisms at the margins of public discourse.

Guest: Gabriela Jauregui’s books include Feral, Many Fiestas, and La memoria de las cosas. She edited and coauthored Tsunami and Tsunami 2, published in Spanish in 2018 and 2021 respectively. She is a Soros New American Fellow, a Borchard Fellow, and was part of the Hay Festival's Bogotá 39 best young authors in Latin America. She holds a PhD in comparative literature from USC and teaches at the National Autonomous University in Mexico (UNAM).

Guest: Heather Cleary is an award-winning translator whose work has been recognized by English PEN, the National Book Foundation, the Best Translated Book Award, and the Mellon Foundation. A member of the Cedilla & Co. translation collective, she was a founding editor of the digital, multilingual Buenos Aires Review. She holds a PhD in Latin American and Iberian cultures from Columbia University, and teaches at Sarah Lawrence College.

Host: Dr. Christina Gessler is a developmental editor and writing coach for scholars in the humanities. She is the producer of the Academic Life podcast, and the show’s newsletter.

Playlist:

• Thanks to Life
• The Madres de la Plaza de Mayo
• The Things We Didn't Know
• In The Garden Behind The Moon
• The Common
• The Translators Daughter
• We Take Our Cities With Us
• A Calm and Normal Heart
• The Names of All the Flowers

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening!

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Erin Maglaque's new book Presence: A Hidden History of the Female Body (Astra House, 2026), is a work of early modern history and an account of what it is like to study the past as an embodied person. Having been trained as to disregard the physical self when writing history, Maglaque's worldview completely shifted following the birth of her child. What might it mean to instead, "find a way to write that flowed from the body?" Presence is her answer. The book draws from a vast array of archival and printed sources to illustrate the realities of women's physical experiences in early modern Europe, from eating, pregnancy, abortion, birth, nursing, sleeping, working, and dying. Maglaque intersperses her historical narrative with personal accounts, demonstrating the ways in which studying the past can impact our lives today. For anyone interested in women's history, the history of labor, early modern health and medicine, or simply the purpose and potential of historical study, Presence is the book to read.

Erin Maglaque is a historian of early modern Europe and gender. She teaches at Durham University and writes for publications including the London Review of Books, The New York Review of Books, and The New York Times Book Review.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more here

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During the interwar years, Vietnamese society witnessed a rapid change in the way women looked. Rejecting the model of a sequestered maiden with blackened teeth and long hair, they embraced a vivid palette of colors—and a colorful lifestyle to match. Before the war, Vietnam would have seemed like an unlikely place for a beauty industry to thrive. Virtuous young women were expected to hide their natural beauty, not manipulate it with makeup or flaunt it at a beauty contest. Yet ordinary women began seeking out the latest fashions—to great public consternation.

In Beauty and the Nation: Women, Culture, and the National Image in Interwar Vietnam (Columbia UP, 2025), Christina E. Firpo explores the development of beauty culture in this period, showing how women’s faces and bodies became contested sites for envisioning what it meant to be Vietnamese in the modern world. She considers dress patterns, lip-lining tutorials, hairstyles, physiques, and beauty pageants alongside new technologies of media, transportation, and leisure and the anxieties they provoked. The everyday decisions women made about their appearance, Firpo argues, were ways to stake a claim to the roles they wanted to play in the new society taking shape around them. Drawing on a vast array of sources, Beauty and the Nation: Women, Culture, and the National Image in Interwar Vietnam (Columbia University Press, 2026) offers fresh insight into the tumultuous political, economic, social, and cultural changes that swept across Vietnam during this crucial period.


Christina E. Firpo is professor of history at California Polytechnic State University, San Luis Obispo. She is the author of Black Market Business: Selling Sex in Northern Vietnam, 1920–1945 (Cornell University Press, 2020) and The Uprooted: Race, Children, and Imperialism in French Indochina, 1890–1980 (University of Hawai'i Press, 2016).

Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on 20th-century Vietnamese literature, socialist realism, and literary translation in Vietnam across French, Vietnamese, Chinese, and English. She can be reached at cpham@g.harvard.edu.

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