Strange and Familiar History of Byzantine Ar: Interpretation, Risk, and Empathy (ARC Humanities Press, 2026) represents a risky experiment in art-history writing. It takes objects of Byzantine art—manuscript illustration, frescos, mosaic, sculpture—and reads them through the lenses of disability studies, media studies, and gender studies in order to reveal something about their significance not only in that historical culture, but also in our own. Moreover, it uses lenses of personal history and self-reflection as a way to model an open-ended and faceted art history. Modern works of film, fiction, and art likewise appear frequently so that the Byzantine objects can emerge as both more strange and more familiar, and as both of the past and of our world. Their capacity for holding multiple times, generating multiple meanings, and for multiple subjectivities is fully embraced, and perhaps a different kind of art history emerges, one that eschews argument and mastery for humility, openness, empathy—thinking with, rather than about.

New Books in Late Antiquity is Presented by Ancient Jew Review

Glenn Peers is Emeritus Professor, Art History at University of Texas Austin and Syracuse University

Michael Motia teaches in Classics and Religious Studies at UMass Boston

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In this episode, we speak with Dr. Mehmet Çelik about his new book, Empire and Nation in the City: Rusçuk from Ottoman Rule to Bulgarian Statehood, published by Syracuse University Press in 2026.

The book tells the story of Rusçuk — known today as Ruse, in northern Bulgaria — a cosmopolitan port city on the Danube that, within the span of just fifteen years, passed through three entirely different political systems: a modernized Ottoman provincial administration, a Russian military provisional government, and a newly independent Bulgarian national state. Through this one city, Çelik offers a striking new account of how empires end and nations begin — and how much continuity lies beneath the surface of what looks like rupture.

At the heart of the book is the Tanzimat reform era, when Governor Midhat Pasha turned Rusçuk into a laboratory of Ottoman modernization. The city became home to the first provincial municipality in Ottoman history, the first agricultural credit cooperatives, a bilingual newspaper, secular mixed schools, and elected councils in which Muslim and Bulgarian Christian representatives sat side by side. Çelik shows that the Ottoman Empire, at its most ambitious, offered Bulgarians a genuine political alternative to nationalism — and that many took it, among them the chorbaci, the Bulgarian Christian notables who invested in and co-governed the Ottoman system, and who have been largely written out of Bulgarian national memory ever since.

When Russia invaded in 1877–78, Rusçuk surrendered peacefully — a telling sign of how deeply the city's diverse population had been woven into the Ottoman fabric. What followed was equally surprising: the Russian provisional government preserved the Ottoman institutional framework almost entirely, relabeling its councils and offices rather than dismantling them. The Bulgarian national government that came next did much the same, adopting Ottoman tools of minority management — including the military exemption tax and millet-style community administration — at the very moment it was defining itself in opposition to the Ottoman past.

Çelik also uncovers a remarkable story of religious conversion under Bulgarian rule: while some Muslims and Catholics converted pragmatically to Bulgarian Orthodox Christianity to secure the rights of the dominant group, Protestant conversion driven by the long-standing American Methodist Episcopal mission quietly gained new ground. In one of the book's most unexpected findings, a small community of Orthodox Bulgarians, Muslim Turks, Jews, and Armenians formed a lasting bond through their shared Protestant identity.

Drawing on Ottoman, Bulgarian, Russian, British, French, and Austrian archives — as well as prison registers, consular reports, missionary records, and the bilingual provincial newspaper Tuna/Dunav — Çelik bridges two historiographies that rarely speak to each other. Ottoman historians tend to stop at 1877; Bulgarian historians tend to start there. Empire and Nation in the City insists on the continuity that both fields have missed.

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Contesting Pluralism(s): Islamism, Liberalism and Nationalism in Turkey and Beyond (Cambridge UP, 2024) challenges a widespread tendency to limit studies of Turkish - and Muslim - politics to 'Islamist vs. secularist' or 'Islam vs. democracy' debates. Instead, Nora Fisher-Onar's innovative argument centers on coalitions for and against pluralism. Retelling Turkey's story from the late Ottoman Empire to the present as a tale of pluralizing vs. anti-pluralist coalitions, this book offers an alternative explanation for major outcomes from elections and coup d'etats to revolutions. Here, cross-camp alliances pit those who are willing to coexist with 'Other(s)' against those who champion a unitary, national project in which everyone speaks, believes, looks, and loves as they do. Drawing on a rich array of primary and secondary data, Fisher-Onar introduces an analytical framework for capturing causal complexity in political contestation. This study rejects Orientalist exceptionalism, rereading the relationship between political religion, pluralism, and populism via a framework that travels across and beyond the Muslim-majority world.

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