This episode features a conversation with Dr. Christopher B. Patterson, Professor of the Social Justice Institute at the University of British Columbia, discussing their recently published book, Domesticating Brown: Movements of Racial Imagination (Duke University Press, 2026). Domesticating Brown interrogates the slippery senses that brownness as a racial form has manifested over time, charting its transitions across historical colonial contexts and into the transpacific dynamics of contemporary empire. Christopher B. Patterson rethinks universalist definitions of race to consider the constant movements in racial contexts, meanings, and practices that “brownness” reveals: as a site for the ungovernable brown mass, as peoples marked for domestication through strategies of colonial containment, and as the complex shades that reveal troubling genealogies and shameful intimacies. Tracing the emergences and transformations of brownness in various contexts of transpacific encounter—from the Mongol Empire to Filipino plantation migration in Hawaiʻi, from the imperial management of Hong Kong to contemporary brown authorship—Domesticating Brown explores how colonial subjects and other marginalized peoples have strategized ways of resisting and reversing dominating notions of brownness through art, story, and embodied difference.

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With rising temperatures, longer summers, drought, and more wildfires occurring in the United States and Canada, there is growing interest in the impact and efficacy of Indigenous fire and cultural burning practices. Indigenous communities throughout this region known as Turtle Island have long used fire to manage their homelands. An interdisciplinary anthology that includes extensive Native views, Landkeeping: Restoring Indigenous Fire Stewardship and Ecological Partnerships (OSU Press, 2026) provides engaging perspectives on the role of Indigenous fire and its importance to our ecological health, cultural continuity, and land-based kinship.

Indigenous-identified and non-Indigenous allies and researchers in ecology, natural resource management, forestry, ethnobotany, and Native American/Indigenous Studies demonstrate how Indigenous knowledge offers sustainable, relational approaches to land care and resilience. Each chapter builds on the idea that fire stewardship is a manifestation of Traditional Ecological Knowledge (TEK)—a system of knowledge that is rooted in place, transmitted through oral traditions and embodied practices, and guided by values such as reciprocity, responsibility, and interdependence with more-than-humans. By recognizing that fire is part of a larger cosmology, Landkeeping contributors share how fire stewardship is a path toward ecological balance, cultural revitalization, and just climate futures.

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In Tainted Tools: New Materialisms As a Decolonial Project (Manchester University Press, 2026), Angela Last offers a provocative intervention into the tense relationship between new materialist and decolonial thought. Although both seek to challenge dominant European categories and hierarchies, they are often treated as incompatible. New materialisms, in particular, have been criticised for sustaining a white, universalised vision of the human and overlooking the racialised histories embedded in the "nonhuman."
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The book traces these tensions to an earlier encounter between new materialist and decolonial projects forged through experimental combinations of Marx and Nietzsche. Once used to counter fascism, Stalinism and colonialism, this politically charged fusion gradually became depoliticised, leaving unresolved contradictions. Rather than reviving these early formations, the book brings their strategies into dialogue with contemporary new materialist and decolonial approaches to build greater theoretical solidarity in times of crisis.

Angela Last is a cultural geographer working at the intersection of postcolonial and science studies.

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Edward Blum interviews Mark Peterson on his new book The Making and Breaking of the American Constitution: A Thousand-Year History.

The American Revolution occurred at a time when Britain’s constitutional order failed to adapt to the extraordinary growth of its colonies. The framers designed an American constitution to succeed where Britain’s had faltered, planning for continuous population and territorial expansion that would eventually cross the continent. Yet by the end of the nineteenth century, it was already ill-suited for an increasingly urban, industrialized society, and the transformations of the twentieth century have pushed it to a breaking point. This book charts the history and aims of the American constitution from its origins in an agrarian past to the grave crisis we face today.

Mark Peterson traces the American constitutional tradition to the control of land in medieval England, showing how the founders incorporated the aspirations of Magna Carta with the administrative principles of the Domesday Book, a meticulous survey and valuation of landed property commissioned by William the Conqueror. This framework encouraged the growth of democratic self-government in a young nation. It also institutionalized the colonization of territory and the expulsion of Indigenous peoples, establishing a legal blueprint for transforming tribal lands into revenue-yielding real estate for settlers. Peterson’s riveting narrative paints an arresting picture of a dynamic republic whose frame of government has changed enormously to meet the challenges of the modern age but whose written constitution has changed very little.

Marking the 250th anniversary of American independence, The Making and Breaking of the American Constitution reveals how this widening disconnect threatens the very existence of our democracy. It calls for a constitution that sustains the ideals developed over the past thousand years while meeting the challenges of the future.

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In a world obsessed with expertise and control, the figure of the idiot illuminates deeper truths about society. In this interview, Morteza Hajizadeh interviews Leonhard Emmerling about his book The Idiots: The History of the Homo Nullus (Seagull Books, 2026)

Dostoevsky and Nietzsche wrote about him; Dadaists and punks idolized him; artists like Warhol and Beuys made him their icon. From holy fool to punk rebel, the idiot—a figure that traces its roots back to the Greek idiotes, a person who was alienated from public life—has always challenged society’s norms from the margins. Far from a simple madman, the idiot is a powerful subversive, a person who disregards norms and finds profound insight in a state of unmediated inspiration. Using a cross-disciplinary approach bridging literature, religion, art, and philosophy, this volume traces a rich journey up to the present, where the idiot reemerges in a dramatic twist: a public figure who inverts social norms, confounds the boundary between private and public, and declares a new, paradoxical view of the world.

Leonhard Emmerling has worked as an art historian in different capacities: as curator and director of art institutions in Germany and New Zealand; as teacher at art academies in Auckland, Düsseldorf, and Munich; and as advisor and director for the Goethe-Institut. His most recent publication is Aesthetics: What For?.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

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“The general thrust of capitalist policy in this period aims at the intensified imposition of work in response to ongoing struggle against it.”

—Harry Cleaver, “Work Is Still the Central Issue: New Words for New Worlds,” in Points of Departure, ed. Robert Ovetz and Kevin Van Meter, p. 35.

What changes if we begin the history of capitalism not with what capital does to workers, but with what workers force capital to do?

This reversal helps set Harry Cleaver’s approach to Marxism apart from more traditional accounts of capitalism and labor. In Points of Departure: Refusal of Work and the Crisis of Capitalism, editors Robert Ovetz and Kevin Van Meter bring together Cleaver’s writings from several decades, including hard-to-find and previously untranslated work.

The first volume in Common Notions’ new Class Compositions series presents Cleaver’s work not simply as theory, but as a practical way of making sense of everyday struggles from the worker’s standpoint. The refusal of work, unwaged labor, class composition, capitalist crisis, and self-valorization take on renewed significance amid contemporary struggles over work and organization. Greek and Turkish translations are also in the works.

Listeners may know Cleaver from his landmark 1979 book Reading Capital Politically. For more than five decades, he has helped develop what became known as autonomist Marxism, an approach that places working-class self-activity at the center of its analysis. In this interview Ovetz and Van Meter discuss the traditions from which his work emerged, and what they hope a new generation of readers might do with it in their search for alternatives.

Although more conventional accounts of political economy often begin with companies restructuring workplaces, introducing new technologies, moving investment, or tightening workplace discipline. Cleaver instead, turns the perspective around by asking what forms of worker resistance may have compelled capital to make those changes in the first place.

That reversal in turn raises questions the editors grapple with, such as: How do everyday acts of resistance become collective power? How can we demonstrate that corporate restructuring is actually a response to worker resistance, and what might other approaches add to or supplement Cleaver’s inversion of class perspective? And when workers create organizations of their own, how can those institutions preserve autonomy without hardening into less responsive bureaucracies?

Drawing on concepts like workers’ inquiry, workplace cooperation, self-valorization, cooperatives, as well as the significance of Zapatistas, we consider what it means to move beyond refusing existing forms of work toward creating new forms of collective life.

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Truth Commissions and International Law: Jurisdiction, Representation, Authority (Cambridge University Press, 2026) examines how truth commissions construct authoritative accounts of conflict, and how they account for the plurality of accounts across affected communities. Dr. Valeria Vázquez Guevara examines three of the earliest and most influential truth commissions: Argentina (1983–1984), Chile (1990–1991), and El Salvador (1992–1993), and examines how relevant cultural objects support or counter the official account for each. In doing so, she argues that these truth commissions drew on international law to authorise their accounts of violent conflict, and that this had the consequence of privileging an internationally-authorised truth over other truths, whilst simultaneously strengthening the authority of international law over the post-conflict state.

By demonstrating how truth commissions turn to international law for authority, the book shows how this produces an official account of past violence and promises of future community, which fundamentally affects how communities live together in the aftermath of violent conflict.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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A fascinating, behind-the-scenes look at non-religious funerals in contemporary London, An Honest Death: Life's End and Humanist Funerals (Princeton UP, 2026) is an intimate and moving ethnographic account of funerals for people who don’t believe in God or an afterlife. Focusing on secular funeral celebrants of the British Humanist Association (now called Humanists UK), the book examines how their ritual work is geared toward helping realize a secular world. There is a strong ethical commitment behind this effort, which is to face death with honesty based on the belief that this life is all we have. For the humanist celebrants and those they serve, this is what allows for a life with meaning and purpose. Written in a vivid style, the book centers on the lives and the funerals of particular people, from a three-year-old child to a man in his nineties. Anthropologist Matthew Engelke, who trained as a humanist celebrant as part of his research, describes how these officiants try to craft “sincere” funerals, avoiding language and music that might suggest that the person who died had any religious beliefs. The book also captures the highs and lows for humanist celebrants of working in the funeral business—a business that is, for many of them, a kind of vocational calling. Above all, An Honest Death draws out the tensions in secular humanist thought and practice between reason and the body, rationalism and materialism. Nothing matters more to the humanists than “daring to know” in the Enlightenment tradition, but nothing is so certainly known as the fact that we are finite and embodied creatures.

Matthew Engelke is professor and chair of the Department of Religion at Columbia University.

Caleb Zakarin is CEO and Publisher of the New Books Network.

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