Erin Maglaque's new book Presence: A Hidden History of the Female Body (Astra House, 2026), is a work of early modern history and an account of what it is like to study the past as an embodied person. Having been trained as to disregard the physical self when writing history, Maglaque's worldview completely shifted following the birth of her child. What might it mean to instead, "find a way to write that flowed from the body?" Presence is her answer. The book draws from a vast array of archival and printed sources to illustrate the realities of women's physical experiences in early modern Europe, from eating, pregnancy, abortion, birth, nursing, sleeping, working, and dying. Maglaque intersperses her historical narrative with personal accounts, demonstrating the ways in which studying the past can impact our lives today. For anyone interested in women's history, the history of labor, early modern health and medicine, or simply the purpose and potential of historical study, Presence is the book to read.

Erin Maglaque is a historian of early modern Europe and gender. She teaches at Durham University and writes for publications including the London Review of Books, The New York Review of Books, and The New York Times Book Review.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more here

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During the interwar years, Vietnamese society witnessed a rapid change in the way women looked. Rejecting the model of a sequestered maiden with blackened teeth and long hair, they embraced a vivid palette of colors—and a colorful lifestyle to match. Before the war, Vietnam would have seemed like an unlikely place for a beauty industry to thrive. Virtuous young women were expected to hide their natural beauty, not manipulate it with makeup or flaunt it at a beauty contest. Yet ordinary women began seeking out the latest fashions—to great public consternation.

In Beauty and the Nation: Women, Culture, and the National Image in Interwar Vietnam (Columbia UP, 2025), Christina E. Firpo explores the development of beauty culture in this period, showing how women’s faces and bodies became contested sites for envisioning what it meant to be Vietnamese in the modern world. She considers dress patterns, lip-lining tutorials, hairstyles, physiques, and beauty pageants alongside new technologies of media, transportation, and leisure and the anxieties they provoked. The everyday decisions women made about their appearance, Firpo argues, were ways to stake a claim to the roles they wanted to play in the new society taking shape around them. Drawing on a vast array of sources, Beauty and the Nation: Women, Culture, and the National Image in Interwar Vietnam (Columbia University Press, 2026) offers fresh insight into the tumultuous political, economic, social, and cultural changes that swept across Vietnam during this crucial period.


Christina E. Firpo is professor of history at California Polytechnic State University, San Luis Obispo. She is the author of Black Market Business: Selling Sex in Northern Vietnam, 1920–1945 (Cornell University Press, 2020) and The Uprooted: Race, Children, and Imperialism in French Indochina, 1890–1980 (University of Hawai'i Press, 2016).

Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on 20th-century Vietnamese literature, socialist realism, and literary translation in Vietnam across French, Vietnamese, Chinese, and English. She can be reached at cpham@g.harvard.edu.

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Americans have nowhere to go. Nationwide, countless public spaces lack one crucial thing: bathrooms, never mind ones that are safe and functional. Yet in the past, political leaders celebrated the opening of public bathrooms with boisterous press conferences and showy ribbon-cutting ceremonies.

For Customers Only: Public Bathrooms and the Making of American Inequality (University of Chicago Press, 2026) is the first book to tell the larger history of public bathrooms in the United States, a fascinating story characterized by persistent discrimination, squeamishness about unknown bodies, and disinvestment in public amenities. Acclaimed writer and historian Dr. Bryant Simon argues that restrooms aren’t only an architectural feature, but an emblem of control and inequality. In the late nineteenth century, cities vied for the newest and biggest comfort stations to meet the demands of their bustling economies and accommodate a broad and growing public. They built restrooms with gold-domed entrances and ornamented stall doors to inspire cleanliness and order.

But officials soon grew anxious about who might take advantage of this privacy: gay men, the unhoused, and eventually drug users. And as the civil rights movement challenged segregation, officials in the north and south closed public toilets rather than integrate them. By the end of the twentieth century, only people with means could use private bathrooms while out and about—provided they made a purchase at a business. Today, as the fights over trans rights reveal, bathroom access remains a flash point across the country. Meanwhile, some municipalities are again calling for widely available public toilets, but as a tool for economic revitalization, not a public necessity.

The political and cultural history of a squirm-inducing subject, For Customers Only reveals the real and symbolic power of the most ordinary of things. Bathrooms, Dr. Simon shows, have always reflected our fragmented national values. Whether these spaces will ever become more accessible and inclusive is ultimately up to us.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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The clothes we inherit, covet, purchase, borrow, wear, store, destroy, or give away are intricately woven into our ideas about who we are and how we relate to others and the world around us. Clothes are things that can console us or trouble us. They can be objects buoyant with cherished memories and self-affirming associations—or weighed down with loss, disappointment, or other difficult feelings. Sometimes, they can be both at once.

Dressays (Bloomsbury Visual Arts, 2026) is a new collection of essays about dress just out with Bloomsbury. Edited by the feminist media scholar Dr Rosie Findlay, Senior Lecturer in Media at City, University of London, it’s a rich and idiosyncratic book that carefully attends to everyday practices of dress as they connect to emotion, memory, imagination, and experience.

Diverse in its approach to dress—including clothing as well as jewellery, wigs, prosthetics, and other garments that we wear close to the skin—Dressays also brings together an array of writing styles and voices. These beautifully written essays bridge the personal and the theoretical as they seek to find language to express the complicated meanings we invest (or discover) in our clothes.

For the New Books Network, Rosie chats with Alix Beeston—one clothes-lover to another—about her approach to dress, the practicalities of crafting an anthology of new and existing works, the realities of obsessive, tenacious research practices (which may or may not be slightly “unhinged”!), and the value of scholarship as a form of collective dialogue that invites readers along to the party.

Passionate and insightful at each turn, Rosie also offers some courageous and moving reflections about the influence on her life and work of her mum Sarah, who died shortly before Dressays was published and to whom it's dedicated with love. Dressays emerges as a powerful testament to Sarah’s—and Rosie’s—ability to bring together people as well as they do outfits.

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Sociology of Gender in India brings together feminist and queer scholarship to chart the changing landscape of gender debates in Indian sociology. Spanning over five decades of disciplinary evolution, this volume interrogates how gender, caste, sexuality, class, and digitalisation intersect in shaping contemporary social life. With chapters by a new generation of scholars, it critically engages with foundational debates in kinship, marriage, labour, media, nationalism, and pedagogy, while foregrounding neglected areas such as femtech, queer infrastructures, and digital precarity. The volume not only reanimates classic concerns of Indian feminist sociology but also aims to intervene in global conversations on intersectionality, decolonial knowledge, and the sociology of everyday life.

Pushpesh Kumar teaches sociology at the University of Hyderabad. He has written extensively on gender and sexuality issues.

Rituparna Patgiri teaches Sociology in the Department of Humanities and Social Sciences (HSS) at the Indian Institute of Technology (IIT), Guwahati. Her research explores questions of culture, food, media, gender, and pedagogy.

Deepali Aparajita Dungdung teaches in the Department of Sociology, Ranchi University. Her research examines the intersections of gender, ethnicity, and care work within contemporary capitalism, with her more recent work focusing on language, education, and development.

Priyam Sinha is an Early-Career Fellow at the Wee Kim Wee School of Communication and Information, Nanyang Technological University, where her work sits at the intersection of critical media industry studies, production cultures, disability studies, gender studies, and digital media development in Asia. She previously held a Humboldt Postdoctoral Research Fellowship at the Institute for Asian and African Studies, Humboldt University Berlin, and her doctoral research was awarded by the Singapore Indian Chamber of Commerce and Industry. Her articles appear in the European Journal of Cultural Studies; Media, Culture and Society; Communication, Culture and Critique; and South Asian Diaspora, among others. Committed to public scholarship, she is a regular host on the New Books Network and has written for the Economic and Political Weekly, the Asian Film Archive, and FemAsia. Her work can be found at here and you can follow her on X here

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Strange and Familiar History of Byzantine Ar: Interpretation, Risk, and Empathy (ARC Humanities Press, 2026) represents a risky experiment in art-history writing. It takes objects of Byzantine art—manuscript illustration, frescos, mosaic, sculpture—and reads them through the lenses of disability studies, media studies, and gender studies in order to reveal something about their significance not only in that historical culture, but also in our own. Moreover, it uses lenses of personal history and self-reflection as a way to model an open-ended and faceted art history. Modern works of film, fiction, and art likewise appear frequently so that the Byzantine objects can emerge as both more strange and more familiar, and as both of the past and of our world. Their capacity for holding multiple times, generating multiple meanings, and for multiple subjectivities is fully embraced, and perhaps a different kind of art history emerges, one that eschews argument and mastery for humility, openness, empathy—thinking with, rather than about.

New Books in Late Antiquity is Presented by Ancient Jew Review

Glenn Peers is Emeritus Professor, Art History at University of Texas Austin and Syracuse University

Michael Motia teaches in Classics and Religious Studies at UMass Boston

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In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor’s orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim’s history and place in the community. At the center of Jaques’s inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques’s investigation as he uncovers one woman’s story of resilience and survival.

Applying forensic analysis to witness testimony and Jaques’s case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city’s most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.
Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms.

Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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