エピソード

  • Joseph Acquisto, "Baudelaire's Objects" (Bloomsbury, 2026)

    Joseph Acquisto, "Baudelaire's Objects" (Bloomsbury, 2026)
    2026/08/22
    Baudelaire's Objects (Bloomsbury, 2026) examines Baudelaire's multifaceted use of natural, domestic, urban, and esthetic objects in his verse and prose poetry, as well as the ways his poems reshape our understanding of objects and how those objects destabilize, yet preserve, the subject-object relation. Charles Baudelaire's representation of objects in the natural world establishes a relation that is neither one of identity between human subject and nature nor a relation of domination; he reveals both the natural world and the human subject to be characterized by an irreducible doubleness and nonidentity to itself. Likewise, everyday domestic objects in his poems overflow their boundaries as simple metaphors; their often uncanny aspect highlights their quasi-agency as they define and shape the subject who interacts with them. Baudelaire's poems-as-objects also take on this kind of agency, acting upon readers in ways that both require and surpass attempts to grasp the poems conceptually as art objects for analysis. This reshaping of subjectivity and objectivity acquires increased intensity in his urban poetry, where city objects are at the intersection of the mythic, the historical, the esthetic, and the commercial. Baudelaire's Objects shows how paying attention to objects differently, as Baudelaire's poems impel readers to do, is to reorient ourselves in the world by giving objects their due, recognizing the mediating qualities both of objects and of the language with which we represent or create them. We can thus reinvent our understanding of the limits and potential of human subjectivity as it is inextricably intertwined with the world around us. Guest Joseph Acquisto is Professor of French and Director of the School of World Languages and Cultures at the University of Vermont. He writes on nineteenth- and twentieth-century literature with a particular focus on the intersections of literature with philosophy and music. In addition to Baudelaire's Objects, Dr. Acquisto’s books include French Symbolist Poetry and the Idea of Music, The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy, Poetry’s Knowing Ignorance, Living Well with Pessimism in Nineteenth-Century France, and Reading Baudelaire with Adorno: Dissonance, Subjectivity, Transcendence. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
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    44 分
  • Jessica Riskin, "The Power of Life: The Invention of Biology and the Revolutionary Science of Jean-Baptiste Lamarck" (Penguin, 2026)

    Jessica Riskin, "The Power of Life: The Invention of Biology and the Revolutionary Science of Jean-Baptiste Lamarck" (Penguin, 2026)
    2026/08/21
    In the early nineteenth century, the French naturalist Jean-Baptiste Lamarck proposed the first evolutionary theory of life and, with it, a new science: biology. Yet for centuries, evolutionary theorists have endeavored to discredit Lamarck and his theory of self-transforming organisms, rejecting the idea that animals play an active role in shaping their own evolution. In his lifetime, he was mocked by his adversaries and personally insulted by Napoleon. In this virtuosic melding of biography, history, politics, and science, Jessica Riskin sets out to correct the record. Riskin tells the story of Lamarck’s life and work as an intense struggle between rival forces to answer questions that remain foundational to our modern worldview: What is a living being, and what is science? New findings suggest Lamarck’s basic claim was, in many ways, right, and a reconsideration of his life and work is long overdue. Denying the agency of living beings has informed two centuries of eugenic policies and environmental destruction, allowing people to regard the living world as so much raw material to shape and exploit for economic, industrial, and imperial gain. Deeply researched, strikingly original, and beautifully written, The Power of Life: The Invention of Biology and the Revolutionary Science of Jean-Baptiste Lamarck (Penguin, 2026) shines a much-needed light on an underappreciated biologist whose radical ideas offered a more inclusive, collaborative, and enlightened approach to science. Jessica Riskin is the Frances and Charles Field Professor of History at Stanford University, where she teaches modern European history and the history of science. She is the author of The Restless Clock and Science in the Age of Sensibility and is a regular contributor to a number of publications, including Aeon, the Los Angeles Review of Books, and the New York Review of Books. She lives in Berkeley, California. Anna Olteanu is a senior in the College of Social Studies at Wesleyan University, where she focuses on intellectual history. Her interests include political ecology, the history of economic thought, and literary criticism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
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    1 時間 10 分
  • Xiaofan Amy Li, "The Aesthetics of Risk in Franco-East Asian Literatures" (Cambridge UP, 2026)

    Xiaofan Amy Li, "The Aesthetics of Risk in Franco-East Asian Literatures" (Cambridge UP, 2026)
    2026/08/15
    The Aesthetics of Risk in Franco-East Asian Literatures (Cambridge UP, 2026) is the first book that examines the concept of risk in non-anglophone world literature. Focusing on how risk is produced and reshaped by literary aesthetics, Li argues that risk is a creative rather than negative force in world literature. Instead of disaster narratives, Li approaches risk from the fresh perspective of ludic aesthetics, or playful, gamelike, illusionistic and experimental literary strategies. Comparatively analysing an original selection of texts by modern and contemporary French-Francophone and East Asian writers, each chapter focuses on a particular genre such as the novel, life-writing, poetry, and image-texts. The reimagination of risk in literature is revealed to be closely related to different forms of play such as structured games, masquerade, poetic and intermedial experimentation. Franco-East Asian literatures help us rethink risk in linguistically diverse and cross-cultural contexts, providing a new paradigm for comparative criticism and world literature. Guest Xiaofan Amy Li is Associate Professor in Comparative Cultural Studies at University College London and holds a PhD in French from Queens' College, Cambridge. Her research spans comparisons and exchanges from the 20th-21st centuries between France, China, and East Asia broadly speaking. Her first monograph Comparative Encounters between Artaud, Michaux and the Zhuangzi (Legenda, 2015) re-reads two avant-garde French writers and the imaginative classical Chinese text Zhuangzi through their intertextual, poetic, and conceptual dialogues. Besides her two monographs, she has published extensively on Surrealism, poetry, and literary translation. She is a member of the AILC/ICLA (International Comparative Literature Association) Research Committee on Literary Theory. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript underreview on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
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    52 分
  • Sara Pappas, "Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century" (U Toronto Press, 2024)

    Sara Pappas, "Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century" (U Toronto Press, 2024)
    2026/08/05
    Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley’s influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
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    42 分
  • Christopher Hodson and Brett Rushforth, "Beyond the Ocean: France and the Atlantic World from the Crusades to the Age of Revolutions" (Oxford UP, 2026)

    Christopher Hodson and Brett Rushforth, "Beyond the Ocean: France and the Atlantic World from the Crusades to the Age of Revolutions" (Oxford UP, 2026)
    2026/07/28
    In Beyond the Ocean: France and the Atlantic World from the Crusades to the Age of Revolutions (Oxford University Press, 2026), Christopher Hodson and Brett Rushforth reveal the vast and complex world of France's Atlantic enterprises in the premodern era. Drawing upon years of archival work, Hodson and Rushforth demonstrate how France's overseas activities created its empire, intentionally or not, and how these distant places built the French state and used it for their own ends. Beyond the Ocean covers an impressive sweep of history, from the late eleventh century through the early nineteenth, and yet the authors manage to retain a human element. Their judicious inclusion of micro-histories and primary-source quotation, as well as their lively prose, helps the reader enter into what it may have felt like to live through these developments, to participate in the era when "France became France, and the Atlantic became a world." Crucially, their attention to the non-European actors in this story and women's worlds and work makes the book a helpful corrective to top-down approaches to imperial histories. Beyond the Ocean is a must-read for Atlantic world scholars, but has value for anyone interested in early modern Europe or cultural exchange. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
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    1 時間 20 分
  • Grégory Pierrot, "Fantômes de la révolution noire: Une histoire culturelle transatlantique" (Ròt-Bò-Krik, 2026)

    Grégory Pierrot, "Fantômes de la révolution noire: Une histoire culturelle transatlantique" (Ròt-Bò-Krik, 2026)
    2026/07/24
    Black Power! A name with a ring to it on both sides of the Atlantic, taken as a sign of Black American rage incarnated by a few names: Malcolm X, Stokely Carmichael, the Black Panthers, Angela Davis. Behind these archetypes of the 1960s and 70s stood a political movement as mutable as it was international, that of Black Power, with the goal of bringing about a global uprising. This insurrection of Black worlds has haunted the West for centuries, rumbling beneath the words of Frantz Fanon and Lorraine Hansberry, the films of Melvin Van Peebles and Sarah Maldoror, in the albums of Sun Ra and Archie Shepp, the poems of Amiri Baraka and Sonia Sanchez. In Fantômes de la révolution noire: Une Histoire culturelle transatlantique ([Ghosts of the Black Revolution: A Transatlantic Cultural History] Éditions Ròt-Bò-Krik, 2026), Grégory Pierrot evokes the ghosts of Black Power and shows that the arts are real laboratories where the Black Revolution is formed, reinvented, and broadcast. Guest Grégory Pierrot is Associate professor of English at the University of Connecticut, where he studies the cultural and artistic networks of the Black Atlantic. In addition to Fantômes de la révolution noire published by Ròt-Bò-Krik earlier this year, Dr. Pierrot has translated and co-translated a series of essays and novels from and into French, and edited or co-edited several volumes concerning the literature of and about the Haitian revolution in French and English. He is also the author of The Black Avenger in Atlantic Culture and Decolonize Hipsters. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
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    1 時間 1 分
  • Kelly M. Duke Bryant, "Negotiating Childhood: French Colonialism and African Children in Senegal, 1848-1940" (U Mass Press, 2026)

    Kelly M. Duke Bryant, "Negotiating Childhood: French Colonialism and African Children in Senegal, 1848-1940" (U Mass Press, 2026)
    2026/07/21
    Kelly M. Duke Bryant’s Negotiating Childhood: French Colonialism and African Children in Senegal, 1848-1940 (U Mass Press, 2026)explores how colonial child protection policies and African children’s responses to them produced new ways of defining, measuring, documenting, and experiencing childhood in the French colony of Senegal from 1848 to 1940. In this groundbreaking book, Bryant takes the scholarship in new directions, offering to a literature dominated by studies of British colonies in the twentieth century a study of childhood in a French colony from the immediate post-emancipation period through the 1930s. This focus allows her to complicate the generally accepted timeline of child protection in colonial Africa and question other assumptions about children’s history on the continent. The author, Kelly M. Duke Bryant, is an Associate Professor of History at Rowan University and the current President of the French Colonial Historical Society. The host, Elisa Prosperetti, is an Assistant Professor of African and global history at NIE/NTU in Singapore. She is the author of An Anticolonial Development: Race, Schooling, and Emancipation in Twentieth-Century West Africa (Cambridge University Press, 2026). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
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    52 分
  • Sarah Kaminsky, "The Forger of Paris" (Doppelhouse Press, 2025)

    Sarah Kaminsky, "The Forger of Paris" (Doppelhouse Press, 2025)
    2026/07/15
    The Forger of Paris (Doppelhouse Press, 2025) presents Adolfo Kaminsky’s biography in its only authorized edition, expanded with photographs from Kaminsky's 2019 exhibition at the Museum of Jewish Art and History in Paris and accompanied by essays from MAHJ director Paul Salmona and National Jewish Book Award winner Deborah Dash Moore. "This necessary book provides unforgettable insights into hidden worlds of the Jews, intellectuals, and partisans who fought back.... has a thriller dimension that outshines even the best undercover fiction." — Jewish Book Council At seventeen, Adolfo Kaminsky had narrowly escaped deportation to Auschwitz and was recruited to join the Jewish underground. Due to his expert knowledge of dyes and an artistic, technical ability to reproduce official documents, he soon became the primary forger for the Resistance in Paris, creating papers that would save an estimated 14,000 Jewish men, women, and children from certain death. Upon the Liberation and for the next twenty-five years, Kaminsky worked as a professional photographer. But, recognizing the fight for freedom had not ended with the defeat of the Nazis, and driven by his own harrowing experiences, he continued to forge documents in secret for activists, refugees, human rights causes, and pacifists throughout the world. "At a moment when someone’s passport, or religion, can still mean the difference between life and death, Mr. Kaminsky’s story remains painfully relevant, but inspiring." — Filmmakers Samantha Stark, Alexandra Garcia and Pamela Druckerman for The New York Times "A triumphant wartime biography, full of heroism and near-alchemistic craftiness." — Foreword Review Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
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    56 分