『New Books in Canadian Studies』のカバーアート

New Books in Canadian Studies

New Books in Canadian Studies

著者: New Books Network
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Interviews with scholars of Canada about their new booksNew Books Network アート 世界 文学史・文学批評 社会科学 科学
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  • Peter C. Mancall, "Contested Continent: The Struggle for North America, c. 1000-1680" (Oxford UP, 2026)
    2026/07/11
    In Contested Continent: The Struggle for America, c.1000-1680 (Oxford University Press, 2026), the newest installment of the acclaimed Oxford History of the United States series, Peter C. Mancall recounts how North America was forged from the experiences of millions of Indigenous women and men as well as Europeans and Africans. This history spans the continent from the North Atlantic to the West Indies and includes the entire Atlantic basin, telling a new story about the origins of major aspects of American culture. He illuminates the rise of a booming trans-Atlantic economy based on the extraction of abundant American natural resources; the central role that European migrants and their descendants played in the enslavement of Africans and the displacement of Indigenous peoples; and the spread of self-governing polities where many enjoyed religious freedom. None of these developments was inevitable. Conflicts broke out frequently as different peoples battled over precious resources. Europeans' appetites for material gain and expanding Christendom brought horrific consequences for those brutalized, enslaved, and vulnerable to infectious diseases. This is a sweeping history of developments crucial to the eventual founding of the United States. Contested Continent underscores the titanic struggles between the peoples who had populated the Americas for centuries and the migrants from the Old World who initiated changes that created a New World that offered boundless opportunities for some and crushed the aspirations of others. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 59 分
  • Cheryl Thompson, "Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919" (Wilfrid Laurier Press, 2026)
    2026/06/16
    In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfrid Laurier Press, 2026) covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism. This book explores a twenty-year period in Canada’s history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women’s emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages. This episode also mentions a previous Additions to the Archive episode with assistant curator of New York City’s Poster House museum, Es-pranza Humphrey, and her exhibition “Act Black: Posters From Black American Stage & Screen.” You can find Cheryl at her website, on Instagram, and on LinkedIn And check out her previous appearances on the Additions to the Archive podcast and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1分未満
  • Gabriel S. Estrada, "Queer Indigenous Cinemas: Sovereign Genders from Seven Directions" (U Arizona Press, 2026)
    2026/04/13
    In Queer Indigenous Cinemas, scholar Gabriel S. Estrada offers an analysis of queer Indigenous media from the Americas, the Pacific, and the Caribbean. This groundbreaking work uses Indigenous directional space and sovereign mapping methods to uncover the emotional, spiritual, and cultural dimensions of queer Indigenous lives. The book's seven chapters--each one of the directions--look closely at media such as cinema and streaming videos that draw on Indigenous concepts from diverse nations such as Diné, Caxcan, Kanaka Maoli, and Nehiyawak. Gabriel S. Estrada is a Caxcan/Xicanx professor in religious studies at California State University Long Beach, where ze teaches queer spirituality, Indigenous graduate classes, and Nahuatl literature. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 34 分
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