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  • Edlie Wong, "Empire, Race, and Print Culture in the Black Pacific" (Cambridge UP, 2026)

    Edlie Wong, "Empire, Race, and Print Culture in the Black Pacific" (Cambridge UP, 2026)
    2026/08/07
    Empire, Race, and Print Culture in the Black Pacific (Cambridge University Press, 2026) is an Element which centers the 'Black Pacific' as a generative site for comparative and intersectional methodologies and transnational frameworks for thinking about racial formations, post-national literary forms, and cultural histories. At the end of the nineteenth century, US overseas expansion into the Pacific brought white supremacy and colonial rule into alignment. It also threw into greater relief the contradictions of US citizenship and national identity as legalized segregation and rising anti-Black violence foreclosed Reconstruction's possibilities. Race accrued dynamic new meanings in the age of new imperialism. Focusing on the earliest of African American literary magazines, the Boston-based Colored American Magazine (1900–09) and its southern rival, the Atlanta-based Voice of the Negro (1904–7), in this Element, Dr. Edlie L. Wong examines the formative role of magazine and periodical writings in the development of early Black transpacific internationalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    51 分
  • Blair L.M. Kelley, "Black Freedom: A Visual History of Juneteenth and Emancipation Days" (Black Dog & Leventhal, 2026)

    Blair L.M. Kelley, "Black Freedom: A Visual History of Juneteenth and Emancipation Days" (Black Dog & Leventhal, 2026)
    2026/08/04
    For more than 150 years, Black communities have gathered to honor freedom, resilience, and the ongoing struggle for true liberation. While Juneteenth has recently gained wider recognition, it was one of many Emancipation Day traditions celebrated across the United States. These observances were spaces of joy, remembrance, and resistance—even as the fight for full freedom was unfinished. Black Freedom: A Visual History of Juneteenth and Emancipation Days (Black Dog & Leventhal, 2026) brings together stirring essays and striking images from Juneteenth and beyond, offering a sweeping portrait of how Black people have created and sustained rituals of remembrance, a testament to the generations who, through celebration and storytelling, demanded that their contributions to the making of America be fully recognized. Blair L.M. Kelley, Ph.D. is a renowned author, historian, and scholar of the African American experience. She is the seventh president of the National Humanities Center, the only independent center for advanced study in the world dedicated exclusively to the humanities. Blair previously held senior leadership roles at the University of North Carolina at Chapel Hill as the Joel R. Williamson Distinguished Professor of Southern Studies and Director of the Center for the Study of the American South and at North Carolina State University where she served as Associate Dean for Interdisciplinary Affairs and Partnerships and the Alumni Graduate Professor of History. You can find her on all social platforms @profblmkelley. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    1分未満
  • Kristen Tegtmeier Oertel, "Seeking Freedom in Indian Country: Slavery, Sovereignty, and Resistance Within the Five Tribes, 1790–1861" (LSU Press, 2026)

    Kristen Tegtmeier Oertel, "Seeking Freedom in Indian Country: Slavery, Sovereignty, and Resistance Within the Five Tribes, 1790–1861" (LSU Press, 2026)
    2026/08/03
    Dr. Kristen Tegtmeier Oertel’s Seeking Freedom in Indian Country: Slavery, Sovereignty, and Resistance within the Five Tribes, 1790–1861 (LSU Press, 2026) is the first comprehensive study of African chattel slavery within the Five Tribes: the Cherokee, Chickasaw, Choctaw, Muscogee (Creek), and Seminole Nations. Dr. Oertel examines how chattel slavery functioned among all Five Tribes before and during the removal process, how the tribes reconstituted slavery post-removal in Indian Territory, and how enslaved Black people promoted freedom-seeking strategies at each stage. Furthermore, her work considers how the conflict over slavery in Indian Territory contributed to the larger national debate over slavery’s fate on the eve of the Civil War. Historians have examined how the practice of African enslavement emerged within one or two tribes, how forced migration affected slavery within particular nations, and how the debate over slavery divided multiple Indigenous nations. Dr. Oertel, however, is the first to examine Indian Territory as a whole, its significance to the sectional debates, and its role as an incubator of emancipation policies in the United States. Knitting together these individual tribal narratives and supplementing them with extensive primary research on how slavery functioned across Indian Territory, she integrates Indian country into the antebellum march toward the Civil War. Seeking Freedom in Indian Country joins a rising chorus of studies that integrate southern and western history, which, by default, also pulls together the history of the so-called Indian Wars with the Civil War. Dr. Oertel suggests that we cannot fully understand the causes of the Civil War without also considering the changes brought about by the forced removal of Indians. She argues that settler colonialism and the expansion of African chattel slavery together set the stage for sectional conflict to explode in the West. Ironically, both Indigenous resistance to settler colonialism and Black resistance to slavery challenged white supremacy in ways that foretold the end of slavery but also furthered the settler colonial project. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    46 分
  • Virginia McGee Richards, "The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway" (MIT Press, 2026)

    Virginia McGee Richards, "The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway" (MIT Press, 2026)
    2026/08/01
    Some of the earliest canals in colonial America, referred to as the Inner Passage, were constructed by enslaved people living in the Lowcountry of South Carolina in the early 1700s. In a paradox of history, for over a hundred years enslaved Black people used these canals, constructed for white plantation owners, to travel southward to freedom in Spanish Florida. In The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway (MIT Press, 2026), Virginia McGee Richards documents the lost narrative of the Inner Passage through 60 extraordinary photographs of landscapes altered by slavery and portraits of Lowcountry descendants, along with an essay describing her discovery of this untold history. In an accompanying essay, Imani Perry writes about her own journey on the Inner Passage, putting Black resistance to enslavement and Southern history into an immediate context. James Estrin brings decades of insight about photography and the power of visual storytelling to his affecting foreword. Together, these words and images offer a powerful living map of history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    34 分
  • Grégory Pierrot, "Fantômes de la révolution noire: Une histoire culturelle transatlantique" (Ròt-Bò-Krik, 2026)

    Grégory Pierrot, "Fantômes de la révolution noire: Une histoire culturelle transatlantique" (Ròt-Bò-Krik, 2026)
    2026/07/24
    Black Power! A name with a ring to it on both sides of the Atlantic, taken as a sign of Black American rage incarnated by a few names: Malcolm X, Stokely Carmichael, the Black Panthers, Angela Davis. Behind these archetypes of the 1960s and 70s stood a political movement as mutable as it was international, that of Black Power, with the goal of bringing about a global uprising. This insurrection of Black worlds has haunted the West for centuries, rumbling beneath the words of Frantz Fanon and Lorraine Hansberry, the films of Melvin Van Peebles and Sarah Maldoror, in the albums of Sun Ra and Archie Shepp, the poems of Amiri Baraka and Sonia Sanchez. In Fantômes de la révolution noire: Une Histoire culturelle transatlantique ([Ghosts of the Black Revolution: A Transatlantic Cultural History] Éditions Ròt-Bò-Krik, 2026), Grégory Pierrot evokes the ghosts of Black Power and shows that the arts are real laboratories where the Black Revolution is formed, reinvented, and broadcast. Guest Grégory Pierrot is Associate professor of English at the University of Connecticut, where he studies the cultural and artistic networks of the Black Atlantic. In addition to Fantômes de la révolution noire published by Ròt-Bò-Krik earlier this year, Dr. Pierrot has translated and co-translated a series of essays and novels from and into French, and edited or co-edited several volumes concerning the literature of and about the Haitian revolution in French and English. He is also the author of The Black Avenger in Atlantic Culture and Decolonize Hipsters. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    1 時間 1 分
  • Maria Pinto, "Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival" (UNC Press, 2026)

    Maria Pinto, "Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival" (UNC Press, 2026)
    2026/07/21
    In Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival (University of North Carolina Press, 2026), naturalist, forager, and educator Maria Pinto uncovers strange and beautiful connections between the natural and human worlds, mingling reportage, research, memoir, and nature writing, touching on topics that range from Black farmers’ domestication of the unforgettable aroma of truffles, to the possibility that enslaved people wielded mycological poisons against their enslavers. Pinto brings a new perspective and a distinctive literary voice to this mix of environmental and lived history, and every page sings with her enthusiasm for the networks in which we are embedded: fungal, ecological, ancestral, and communal. Join us in pursuit of beautiful, perplexing, delicious, and deadly mushrooms as we explore this understudied kingdom’s awe-inspiring diversity, discovering how fungi have been used by people, especially those on the margins, for survival, pleasure, revelation, and revolution. When she’s not in the woods (and sometimes when she is), Maria Pinto is a writer, editor, and educator. She teaches writing for various literary organizations. She reads fiction for Peripheries Journal and serves on the board of Hale, an outdoor education and land conservancy nonprofit. Her writing has been supported by Assets for Artists at Massachusetts Museum of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio Center, the Mass Cultural Council, the Writers’ Room of Boston, The Mastheads, and The Garrett on the Green. You can find Maria at her Website and on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    1分未満
  • Khiara Bridges, "Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans" (MIT Press, 2026)

    Khiara Bridges, "Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans" (MIT Press, 2026)
    2026/07/19
    An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.From a leading expert on race, class, maternal health, and reproductive rights.Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States, Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans (MIT Press, 2026) reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism’s reach. Throughout the book, engaging, heartbreaking, infuriating stories of women’s experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    46 分
  • Gayle F. Wald, "This Is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement" (U Chicago Press, 2025)

    Gayle F. Wald, "This Is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement" (U Chicago Press, 2025)
    2026/07/15
    Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children’s music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins’s life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children’s education and entertainment in This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins’s life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    1 時間 1 分