Dans « Domination et Soumission s’éteignent », l’humanité est observée comme un spectacle cynique, projeté sur un écran cosmique où nos pulsions, nos humiliations et nos fantasmes deviennent matière à jugement.
Au cœur de cette vision, une série de figures noires – aveugles, loqueteuses, élégantes, spectrales – traversent un paysage mental saturé de médias, de pornographie du regard et de culte de la célébrité.

La pièce interroge la soumission arriviste, la fascination pour les bourreaux, la pornophilie de masse, et la manière dont les images, les réseaux et le « spectacle du mal » colonisent nos désirs les plus intimes.
Mais derrière cette noirceur, se dessine une autre possibilité : celle d’un « grand remplacement » spirituel, où l’homme animal disparaît pour laisser place à des créatures synthétiques angéliques, télépathiques, pacifiées, capables de détruire la cruauté et la psychose qui hantent l’histoire humaine.

« Domination et Soumission s’éteignent » est un voyage poétique et métaphysique, entre club nocturne, stratosphère et salle de projection de l’au-delà, qui pose une question vertigineuse : que restera-t-il de nous lorsque la domination, la soumission et le cynisme auront enfin cessé de nous définir ?
Une expérience-théâtre pour celles et ceux qui sentent déjà que le monde, nos corps et nos écrans appellent une autre forme de douceur radicale.

Nick Kortex is an independent producer and musician based in the south of France. Under this alias, he explores the club‑oriented side of his universe: deep house, afro house, urban grooves, chill house and late‑night electronic tracks. With deep basslines, hypnotic rhythms and cinematic textures, his music always keeps a strong human and emotional core, far from disposable, generic productions.

Over the years, Nick Kortex has built a large catalog of releases: EPs, concept albums and DJ‑friendly singles aimed at dance floors as much as at headphones. His tracks blend house, hip‑hop, Latin influences, electro‑jazz and imaginary soundtracks into a personal sound. His goal is simple: to create music that truly lives at night — for clubs, cars and solitary listeners who want house music with soul and a real story behind every beat.

Under the name Nicolas, the artist reveals a more intimate and introspective side of his work. Here, electronic music becomes a refuge: soundtracks for quiet nights, bedrooms, long rides and moments when you simply need space to breathe. Gentle synths, slower tempos, ambient touches, electronic pop and spoken word come together in projects that speak about memory, family, love, spirituality and healing.

Albums and EPs released as Nicolas feel like sonic diaries: each track is a small scene, a fragment of life, a personal postcard. Many titles are inspired by places, people, cities, encounters and sometimes by technology itself, seen more as a mirror than a threat. Nicolas offers a soft, melancholic but never hopeless form of electronic music, designed as light therapy for the heart and mind.

Under the name Nicolas, the artist reveals a more intimate and introspective side of his work. Here, electronic music becomes a refuge: soundtracks for quiet nights, bedrooms, long rides and moments when you simply need space to breathe. Gentle synths, slower tempos, ambient touches, electronic pop and spoken word come together in projects that speak about memory, family, love, spirituality and healing.

Albums and EPs released as Nicolas feel like sonic diaries: each track is a small scene, a fragment of life, a personal postcard. Many titles are inspired by places, people, cities,