It was around 1960 when Steve Lacy, a saxophonist in Thelonious Monk’s band at the time, wrote down a series of items, pieces of advice that Thelonious Monk had conveyed to him while touring in 1960 and 1961. Long before there was an internet, Lacy’s handwritten list went viral. And while it provides insights into Monk’s philosophies about performing, many of those pieces of advice can metaphorically apply to life outside of music. In this episode, we tackle the first 11 items on the list; in our next episode, we will address the rest of the list.

David Michael Bashwiner is a composer, a guitarist, a professor at the University of New Mexico, and at the root of it all, a neuroscientist. He speaks nationally on the subject of music and the brain, and in particular on how music is used to establish meaning and emotion, for example, by the movies as the means to having scenes interpreted as they are intended. David talks about how his neuroscientific approach to music guides his understanding of music theory.

Ronnie Frugé learned t play guitar as a 10-year-old on a Sears Silvertone acoustic in a town called Iowa (pronounced I-o-way) outside the city of Lake Charles in Southwest Louisiana where, now in his 70s, he has returned to live and perform. His first influences were Cajun songs; his first band featured him on guitar and a friend on accordion. From South Louisiana his music took him to Austin, Texas, then the Colorado mountains, then to Nashville where he spent 11 years working his way up and through the swarm of guitar players all seeking stardom, and only some like, Ronnie, able even to gig regularly. No matter the town or the venue, wherever he played, the one constant was an enthusiasm and energy that got people on their feet dancing. His story is that of many: a talented guitarist, singer, and songwriter who might not have achieved celebrity but is grateful for a career that has enabled him to make a living playing his music for the people.