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  • Greatest Movies: Part 4, the Finale
    2026/04/20

    Dan and Josh conclude their multi-part discussion of the greatest movies of all time with picks #16–20, then move into a long and wide-ranging honorable mentions section. The episode ranges from Golden Age musicals and courtroom dramas to Shakespeare, Bond, noir, war films, Hitchcock, and a few later favorites like Apollo 13 and Die Hard. As in the earlier episodes, the fun is in both the overlap and the disagreement: shared admiration for certain stars and genres, but very different instincts about what makes a film truly great.

    Dan’s #16–20 Picks
    16. Too Hot to Handle (1938) — 00:05:13
    17. Apollo 13 (1995) — 00:18:15
    18. Father of the Bride (1950) — 00:24:02
    19. Witness for the Prosecution (1957) — 00:33:07
    20. Follow the Fleet (1936) — 00:46:28

    Josh’s #16–20 Picks
    16. Top Hat (1935) — 00:15:22
    17. Apollo 13 (1995) — 00:18:21
    18. Hopscotch (1980) — 00:29:42
    19. Shall We Dance (1937) — 00:16:57
    20. Othello (1995) — 00:55:26

    Honorable Mentions
    Shakespeare in Love01:02:30
    Three Little Words01:03:07
    The Guns of Navarone01:03:58
    Macbeth (1971) — 01:05:57
    Doctor No01:06:38
    Goldfinger01:06:38
    Thunderball01:06:38
    Sabrina01:06:56
    Roberta01:07:57
    Carefree01:07:57
    Follow the Fleet01:08:43
    Love in the Afternoon01:08:41
    Charade01:09:15
    Rear Window01:09:59
    Patton01:10:01
    The Silence of the Lambs01:10:44
    The Fellowship of the Ring01:12:09
    The Thirteenth Warrior01:13:53
    The Italian Job01:14:37
    The Philadelphia Story01:15:48
    My Favorite Year01:16:39
    The Big Sleep01:17:13
    Stagecoach01:18:48
    Murder, My Sweet01:17:58
    Desk Set01:20:24
    Aladdin (1992) — 01:22:31

    Thirty Seconds Over Tokyo 01:25:04

    Stalag 17 (1953) — 01:25:03
    Foreign Correspondent (1940) — 01:26:42
    His Girl Friday (1940) — 01:27:48
    To Be or Not to Be (1942) — 01:28:23
    To Catch a Thief (1955) — 01:29:01
    An American in Paris (1951) — 01:21:31
    You Gotta Stay Happy (1948) — 01:29:25
    The Maltese Falcon (1941) — 01:30:02
    Strangers on a Train (1951) — 01:30:51
    Test Pilot (1938) — 01:32:24
    It Happened One Night (1934) — 01:32:35
    Flying Down to Rio (1933) — 01:33:25
    Double Indemnity (1944) — 01:33:33
    Die Hard (1988) — 01:34:35
    The In-Laws (1979) — 01:35:20

    Mr Blandings Builds his Dream House (1948) — 01:35:40
    Rush Hour (1998) — 01:35:50

    #Movies #FilmPodcast #ClassicMovies #GreatestFilms #MovieRanking #Cinema #OldHollywood #Apollo13 #WitnessForTheProsecution #FatherOfTheBride #FollowTheFleet #TopHat #Hopscotch #ShallWeDance #Othello #Hitchcock #Noir #WarFilms #Podcast

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    1 時間 55 分
  • Greatest Movies: Part 3
    2026/04/19

    Dan and Josh return for Part 3 of their all-time greatest movies discussion, moving through picks #11–15. They begin with another lively books segment and reflections on recent reading, then continue their rankings with more spirited disagreement and overlap. This episode ranges from classic war epics and golden-age comedies to Hitchcock suspense, Bond, action blockbusters, and holiday favorites—showing once again how differently two serious movie lovers can define “greatness.”

    Dan’s #11–15 Picks
    11. Command Decision (1948) — 00:09:17
    12. The Longest Day (1962) — 00:14:18
    13. Holiday Inn (1942) — 00:21:32
    14. Dial M for Murder (1954) — 00:31:21
    15. Roman Holiday (1953) — 00:37:46

    Josh’s #11–15 Picks
    11. Kiss Them for Me (1957) — 00:09:33
    12. The Sky’s the Limit (1943) — 00:10:00
    13. Jaws (1975) — 00:26:32
    14. Die Hard (1988) — 00:31:56
    15. From Russia with Love (1963) — 00:42:18

    #Movies #FilmPodcast #ClassicMovies #GreatestFilms #MovieRanking #Cinema #OldHollywood #CommandDecision #TheLongestDay #HolidayInn #DialMForMurder #RomanHoliday #KissThemForMe #TheSkysTheLimit #Jaws #DieHard #FromRussiaWithLove #Podcast

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    58 分
  • Greatest Movies: Part 2
    2026/04/11

    Dan and Josh return for Part 2 of their all-time greatest movies countdown. They open with what they’ve been reading lately—from Agatha Christie to the Russian classics—then recap the previous episode’s #1–5 selections before diving into picks #6–10. Expect spirited debate on Hitchcock, classic war films, Shakespeare on screen, golden-age Hollywood craftsmanship, and what separates “great art” from endlessly rewatchable entertainment.

    Dan’s #6–10 Picks
    6. North by Northwest (1959) — 00:15:25
    7. The Caine Mutiny (1954) — 00:31:55
    8. Vertigo (1958) — 00:41:11
    9. 12 O’Clock High (1949) — 00:52:05
    10. Casablanca (1942) — 01:05:28

    Josh’s #6–10 Picks
    6. Julius Caesar (1953) — 00:22:36
    7. Dial M for Murder (1954) — 00:34:07
    8. Casablanca (1942) — 00:47:58
    9. Twelfth Night (1996) — 00:59:19
    10. Swing Time (1936) — 01:05:31

    #Movies #FilmPodcast #ClassicMovies #GreatestFilms #Casablanca #Hitchcock #NorthByNorthwest #Vertigo #CaineMutiny #12OClockHigh #JuliusCaesar #DialMForMurder #TwelfthNight #SwingTime #OldHollywood #Cinema #MovieRanking #Podcast

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    1 時間 13 分
  • Greatest Movies: Part 1
    2026/04/06

    The 20 Greatest Movies Ever Made (Part 1)

    Join Josh and Dan for the first installment of an ambitious countdown as they reveal and debate their respective lists of the 20 greatest movies ever made. Steeped in a lifelong education from Turner Classic Movies, the duo explores why the Golden Age of Hollywood continues to outshine modern cinema, which they argue has become increasingly homogenous and less creative.

    In this episode, the discussion focuses on their Top 5 selections, featuring:

    * Musical Masterpieces: A deep dive into the artistry of Fred Astaire and Ginger Rogers, specifically the "modern" choreography and Jerome Kern/George Gershwin scores of Swing Time and Shall We Dance.

    * The "Warless" War Movie: Why 1943’s The Sky’s the Limit is a profound study of battle fatigue, and how Clark Gable’s Command Decision and Van Johnson’s Battleground prioritize character discovery over set-piece combat.

    * The Ultimate Heist: A celebration of How to Steal a Million, described as the "chicken soup of movies" for its joyful 1960s charm and the chemistry between Audrey Hepburn and Peter O’Toole.

    * The Modern Outlier: Josh explains why the technical fascination and historical accuracy of Master and Commander: The Far Side of the World earned it a spot among his classic favorites.

    Beyond the reviews, the hosts touch on the genius of Agatha Christie, the decline of original stage plays in Hollywood, and how their grandfather’s real-life experiences as a WWII navigator color their appreciation for the silver screen.

    00:00What are we reading: The hosts discuss Christie’s remarkable insight into human nature and her "reverse Occam’s razor" approach to plots.

    07:29The Sequel Gap: How long delays between movie and video game installments hinder emotional connections for younger generations.

    12:17Studio Homogeneity: A theory on why modern movies (and cars) look identical due to a lack of distinct studio "skeletons."

    20:18[Dan's Choice #1] The Sky’s the Limit (1943): Exploring the greatest musical number ever made and the film's unique portrayal of wartime PTSD.

    36:05[Josh's Choice #1 / Dan's Choice #2] How to Steal a Million (1966): A look at John Williams’ early score and the perfect blend of heist and romantic comedy.

    43:28[Josh's Choice #2 / Dan's Choice #3] Battleground (1949): Analyzing the deep character arcs of an infantry platoon during the Battle of the Bulge.

    54:38[Josh's Choice #3] Command Decision (1948): Clark Gable's powerful performance in a "war movie with no war" focused on the ethics of leadership.

    01:08:03[Dan's Choice #4] Swing Time (1936): The pinnacle of Fred and Ginger’s technical prowess and Jerome Kern’s cohesive score.

    01:20:15[Josh's Choice #4] The Caine Mutiny (1954): Humphrey Bogart’s Captain Queeg and the moral complexities of naval command.

    01:26:32[Dan's Choice #5] Shall We Dance (1937): Celebrating George Gershwin’s greatest film score and Astaire’s iconic "engine room" dance.

    01:34:13[Josh's Choice #5] Master and Commander (2003): A technical appreciation of Napoleonic-era naval warfare and Russell Crowe's performance.

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    1 時間 43 分