Dan is back from vacation and treats us to Phenomena (1985) – a supernatural giallo from Dario Argento that features a pre-Labyrinth Jennifer Connelly in a star-making lead as an insect-loving teenager who arrives at a Swiss girls’ school only to sleepwalk into a serial murder case that only becomes more bizarre as the story unravels. Released by New Line Cinema in the U.S. as Creepers (shorn of 30 minutes of its running time), Phenomena emerged in Argento’s most-celebrated period, with the director producing and co-writing with Franco Ferrini, Donald Pleasence as the obligatory learned eccentric, and a soundtrack that behaves like it's had one espresso too many. But is it an under-appreciated piece of Italian art, or an excessive and unruly misstep? Find out!

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RetroBlasting's Melinda Mock stands in for Dan as animation auteur Ralph Bakshi's Cool World (1992) bursts out of the oubliette and threatens to overwhelm us with its incoherent plot and haphazard melange of visuals. Starring a post Batman Kim Basinger as femme fatale Holli Would, Gabriel Byrne as murderous cartoonist Jack, and a very young Brad Pitt as by-the-book Cool World detective, Frank, Cool World is a very 90s live action/animation crossover with a remarkable soundtrack.

Tonally the film tries on noir, erotica, satire and straight-up fever dreams, and then leaves the dressing room without checking the mirror. It’s flashy but confused, but never dull. But does it deserve to be pricked by the spike of power and be released from oubliette, or should it be sucked back into the author's pen and forgotten forever? Find out!

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In this Patrons' choice episode, we're exposing ourselves to Cure (1997) – the film that announced Kiyoshi Kurosawa as one of the most unsettling voices in modern horror. Set in Tokyo at the tail end of Japan's "lost decade", it follows weary detective Takabe (Kōji Yakusho) as he investigates a string of seemingly connected string of murders... with apparently different perpetrators. Victims keep turning up with the same grotesque X carved into their necks, and the killers – usually found standing nearby in a daze –have absolutely no idea why they did it. Just when things seem bleak enough, Takabe encounters a mysterious drifter, Mamiya (Masato Hagiwara) – a soft-spoken young man who asks everyone the same simple question: Who are you? Should this early progenitor of the "J-horror" phenomenon be released from the oubliette… or would it be safer if we all forgot we ever saw it? Find out!

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