In this episode of Look Behind the Look, I chat with makeup designer Sharon Tabb, who shares her creative journey behind the scenes of the hit series “The Lowdown” and the important film “Sarah’s Oil.” Sharon shared with me her origin story and while I always love a “how did you get here” exchange, this one is truly remarkable as serendipity and a leap of faith were powerful players in Sharon’s arrival to her career. If you are just getting started in your career, this episode is full of words of wisdom, and if you are far along in your journey, you will love hearing about what keeps Sharon motivated as I am sure you can relate. I was truly recharged after spending time with her and I know you will be too.

We’ve all seen Frankenstein by now and those who have seen it in the theater (hi!) have no doubt shamed those who watched on Netflix, but we can all agree that the film is GORGEOUS and we no doubt found ourselves confusingly (or maybe not so confusingly) attracted to The Creature. In this episode, Prosthetic Designer Mike Hill talks in delightful detail about every detail of the creation and evolution of The Creature and explains how Jacob Elordi, Guillermo del Toro and more all collaborated to bring this work of art to life.

Enjoy! And let me know what you think as always…

0:00 - Intro

2:44 - Building a New Frankenstein

8:15 - The Creature’s Bold First Impression

9:20 - Creativity Through Color

12:29 - The Rush To Get The Job Done

15:50 - Seeing The Creature Come To Life

16:50 - Response to Frankenstein’s Release

18:56 - Mike and Guillermo: From Monsterpalooza to Partners

24:29 - Victor’s Artistry And Influence On The Creature

27:33 - How The Creature’s Eyes Came To Be

29:49 - Jacob Elordi’s 10 Hour Transformation

Go behind the scenes of Weapons as Look Behind The Look with Melizah Wheat, Leo Satkovich and Jason Collins. They reveal how the hair, makeup, and SFX team created the unforgettable Aunt Gladys. From the offset wig to the prosthetics and makeup that shaped her entire character arc, this episode breaks down every creative choice that brought her to life.

0:00 Intro

5:08 Meeting Aunt Gladys

7:12 Wig Creation

11:30 Makeup Design

15:30 Debunking Theories

17:55 Character Arc Through Makeup

19:55 Prosthetics

23:00 Origin of the Offset Wig

27:00 The Lasting Impact of Aunt Gladys

WATCH WEAPONS

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#MiaNeal #TheSmashingMachine #BehindTheScenes

Get ready for one of my most favorite episodes ever.

Firstly, WHY HAVEN’T YOU SEEN THE SMASHING MACHINE? I saw this film on opening weekend as a #BennySafdi die hard, and was lucky enough to get to pick Oscar Winner, Mia Neal’s beautiful brain about the work she did in the Hair Department for it right after. Let me just tell you, I had NO IDEA what she was about to tell me. Holy Smokes, did Ms. Neal conquer some challenges- in fact, I believe the quote she ended with when I turned off the zoom was “I’m going to be in so much trouble when this airs”... You are going to LOVE this episode, the sound advice Mia shares and examples of sheer bravery she provides in this packed hour.

Watch THE SMASHING MACHINE HERE

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Presenting a new fest special. Jayce Bartok guest hosts to speak to the filmmakers of Pretty/Dirty which you can see at DOCNYC this year.

Filmmakers Jennifer Ash Rudick and Amanda M. Benchley speak on their new documentary, Pretty/Dirty, diving deep into Marilyn Minter’s provocative art, exploring themes of beauty, power, and the female gaze. Jayce, Jennifer, and Amanda discuss how Minter’s work challenges societal norms while simultaneously celebrating the intricacies of glamour and rebellion. Listen in as they share insights about the creative process behind the film, the challenges of documentary filmmaking, and the significance of Minter’s unique perspective in the art world. With an emphasis on the importance of chosen family and the impact of ageism, this episode reveals the layers of Minter’s artistry and the cultural conversations it ignites.

See PRETTY/DIRTY at DOC NYC November 20 in NYC.

THE ROSES Starring Olivia Coleman and Benedict Cumberbatch is available on Disney Plus beginning this weekend, and as you settle in to watch, enjoy this interview with PC Williams, the brilliant costume designer behind the film. PC shares her creative journey in designing captivating looks for Colman and Cumberbatch. Hear how the costumes evolve alongside the characters, reflecting their descent into madness within the narrative of their tumultuous marriage.

Beyond The Roses, in our talk, PC also shares valuable insights for aspiring creatives on navigating the industry, the importance of collaboration, and how to handle meetings that may not feel like the right fit. PC is candid and gives amazing advice about how align with the right job for your career creatively and professionally.

00:00 Hello!

02:35 PC discusses the effort behind “effortless” looks.

09:06 How do you collaborate with talent on the job

14:35 Valuable career advice from PC

19:42 When you don’t get something, do you seek feedback or let it go

22:14 PC and her BAFTA win!

Watch THE ROSES

Please Welcome Scott Barnes, the personal makeup artist to Jennifer Lopez, Makeup Department Head Maya Hardinge, and Hair Department Head Michelle Johnson.

Kiss of the Spider Woman opened this weekend and now we need to talk about some of those gorgeous looks. In this episode, I am joined the talented team behind the Hair and Makeup in the film, including Scott Barnes, the personal makeup artist to Jennifer Lopez, Makeup Department Head Maya Hardinge, and Hair Department Head Michelle Johnson. Discover how the team came together, the creative challenges they faced, and the intricate details that brought the characters to life. From the vibrant nightclub scenes to the delicate balance of period authenticity and modern flair, the conversation touches on the artistry and collaboration that make this film a visual feast. Get ready for behind-the-scenes stories, insights into the creative process, and a heartfelt tribute to the incredible work that goes into film production.

KISS OF THE SPIDER WOMAN

** From this interview I discovered a couple of things I’m really excited about:

1. The name of the RED that Scott Barnes used in the film on Jennifer.

2. Maya revealed that there will be a Special DVD coming for the film that will have gorgeous deleted scenes. Tactile Media is making a comeback, people, BELIEVE!

00:00 Hello

01:03 Scott says Colleen Atwood recommended him for Kiss of Spider Woman

03:39 What are some of the main differences between movies and the beauty, makeup world

11:59 The hair team.

16:41 Challenges of working in Uruguay.

17:18 The teams’ favorite scenes.

20:23 The secret weapon for selling the era.

23:16 Scott, are you gonna put together a little Kiss the Spider Woman package

24:18 The making of The Spider Woman

27:40 The teams favorite looks in the film.

31:13 Maya: Diego looked great in that one scene. He really looked like, uh. He came off like. He had been through it

33:05 Who’s audition tape made Michelle cry?

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Let’s take a closer look at the work of Erica Villanueva in this little gem WALTZING WITH BRANDO. The film may have snuck past you, but the Hair and Makeup work is extraordinary. Erica was the head of the hair department for the enchanting film. Join us as Erica shares her incredible journey of transforming Billy Zane into the iconic Marlon Brando with her team, capturing the essence of the late 60s with stunning period looks. From the landscapes of Tahiti to the intricate details of replicating Brando’s legendary hairstyles, Erica reveals the challenges and joys experienced on set. Erica also discusses the unique experiences of filming in paradise, the creative process behind the work, and the importance of communication in the intimate world of hair and makeup. With stories of teamwork, and the thrill of being shortlisted for an Oscar, Erica and I had a great time talking about this film.

00:00 Hello!

03:18 Filming in Tahiti

04:08 Billy Zane’s hair and navigating the wig

06:07 Working with Cici Anderson of the makeup department

07:58 The challenges of the elements

10:22 Let’s talk about replicating The Godfather 12:36 The impact that Brando has had on the island.

14:03 Workng with the local crew

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