As the end of 2025 approaches, it's the time to share my list of 10 favourite films from this year!

A massive thank you for all of your support throughout the year, I very much appreciative of anyone listening to me waffle away about film and tv.

Here's to a wonderful 2026.

The latest addition to the 'Knives Out' series brings more murder and satire, as Benoit Blanc looks to unravel his most difficult case to date in 'Wake Up Dead Man' - and it's a blast.

I'm a big fan of Rian Johnson's murder mysteries. They are a wonderfully fresh, modern take on the classic whodunnit. Setting themselves apart apart with a distinctive tone, blending sharp humour and a touch of irony through the tension of the central murder mystery. Each have a terrific ensemble that only elevate the film even more.

This time, Blanc faces off against religion and beliefs- as a murder takes place within a sealed room of a church, with a list of suspects all capable of pulling off this impossible crime; and the journey the film takes you on is nothing short of brilliant.

Craig oozes charisma and flamboyance, but Josh O'Connor too stands out in a team up that will have you chuckling one minute, to being at the edge of your seat the next.

Full thoughts in this review (spoiler free).

Guillermo del Toro has a singular vision and voice. Each of his films feel distinct, seamlessly blending beauty with horror, which is why he’s become such an esteemed filmmaker. Naturally, I was eager to see what he would do with the classic 'Frankenstein' - and, as expected, the result is something truly special.

It’s clear this was a true passion project for the director - you can feel that love and craftsmanship in every scene and every line of dialogue.

And if it’s not the stellar writing and performances from leads Oscar Isaac, Jacob Elordi or Mia Goth that capture you, it’s the exquisite costume design, prosthetics, practical effects, and sets that build this world with such vivid detail. The cinematography, too, is visually striking - often downright breath-taking.

Altogether, it’s a remarkable achievement that may have even edged out 'The Shape of Water' as my favourite del Toro release.

Full thoughts in this review.

Edgar Wright returns with his adaptation of Stephen Kings explosive dystopian tale; 'The Running Man'.

It goes without saying that, like many, I’m a huge fan of Wright and his filmography. His style and techniques are among my favourites in contemporary filmmaking: the punchy zooms, the energetic swish pans, and the way he interweaves music with visuals all stand out as signature elements that elevate each of his films. Its something I always look forward to - and whilst 'The Running Man' does incorporate those techniques, sadly it doesn't leave its mark as much I anticipated.

Glen Powell shines as lead Ben Richards. Your average joe, dealt a bad hand and trying to provide for his family, no matter the cost. There's a fine line of him being in control, and pure rage that Powell executed to perfection. Its a performance that will cement himself as the new action star, undoubtedly.

Whilst this is a fun watch with explosive action, it sadly left me wanting more. Or rather, would've preferred a better third act as it does, unfortunately, overstay its welcome.

Full thoughts in this review.

There's always a question mark when a film suggests it was 'inspired by true events' as to which parts were actually true. Then there's a film and story such as Derek Cianfrance's 'Roofman' in which the true story sounds more like the work of fiction... It's surreal, but most definitely true.

Following the story of Jeffrey Manchester, aka Roofman, a chap who robbed 46 stores, escaped prison, and then hid in a Toys R Us, is one that you wouldn't expect to carry as much emotional weight to it. But down to terrific storytelling and performances from leads Channing Tatum and Kirsten Dunst, it is easily one of the best films of the year due to that emotion, as well as relatability, that the film holds.

It's a surprise hit, and one that does have a lot of fun in there. It explores the desperation and desire that one man has to provide for his family - and it leaves its mark on you once the credits roll.

Full thoughts in this review.

Following the success of 'Prey' and 'Killer of Killers', Dan Trachtenberg returns with his next Predator release; 'Badlands' - and its epic.

Taking a big swing, Trachtenberg shakes things up and puts us up close and personal with the Yautja as they take centre stage, making for an epic sci-fi action adventure that never stops with its thrills. The director clearly has a strong vision for this world and the skill to bring it to life. His passion shines through in every frame, and delivering three consecutive hits is a testament to both his creativity, and his commitment, to pushing the franchise forward.

‘Badlands’ might not have the grit you would like from a Predator film, but it does manage to generate that intensity and suspense through its set pieces and danger our lead finds itself in - and it really is hard not to come away impressed by it.

Full thoughts in this review

Having been a fan of what Yorgos Lanthimos and Emma Stone brought to the screen with last year’s brilliant 'Poor Things', I was eager to see what their next collaboration would deliver. Enter 'Bugonia'.

This wonderfully strange black comedy delves deep into themes of truth and reality, anchored by outstanding performances from Stone and Jesse Plemons. It's a simple premise; conspiracy theorist kidnaps CEO as he believes she's an alien, but its one that is executed terrifically through Lanthimos' vision and style. The real intrigue and drama lies in watching these two strong-minded characters clash over their opposing ideologies - it’s an unpredictable battle that's a fascinating watch throughout.

Though it is certainly a slower 'slow burner', the pay off is absolutely worth it for the films wild third act that only goes the way you would expect a Lanthimos release to do so.

Full thoughts in this review.

Having been a fan of Chris Stuckmann for some time, I was thrilled to see him receive the backing and funding to release his first feature film; 'Shelby Oaks'. Its a journey that will no doubt inspire many others, and its one that gets all my applauds.

Coming away from this directorial debut, it’s clear that the film marks a promising start for Stuckmann — though, not without its flaws. There’s a strong sense of style and a wealth of intriguing ideas that showcase what he can bring to the horror genre, and its subgenres. His clever blending of found-footage elements with more traditional filmmaking techniques creates an effective sense of unease, letting the scares build naturally. However, the film ultimately falters in its third act, struggling to fully deliver on the ambitious concepts it sets up earlier.

But when all is said and done, there's certainly enough thrills and chills to get you invested in its story surrounding the disappearance of Riley - and the determination of her sister, Mia, to find her. With some terrific atmosphere and tension, 'Shelby Oaks' is definitely one to watch over the spooky season.

Full thoughts in this review.