Our Grand Tour now takes us to the turn of the century, and the dawn of modern comedy anime, with the classic series Azumanga Daioh: The Animation! Based on the celebrated four-panel manga by Azuma Kiyohiko, which has proven itself one of the most influential series to the last 25 years of comedy manga, the TV series is a landmark in its own right, helping to crack the code of how anime can adopt short, gag-driven, mostly plotless comedy manga, and in so doing helping to birth the ‘slice-of-life’ genre now beloved around the world. Historical import aside, the show is also just a ton of fun, with a memorable group of characters we follow throughout their high school years, and a tremendous vocal cast giving consistently hilarious performances. It makes for an episode where we ourselves can’t stop laughing as we talk about the show – and that’s always a good sign.

Enjoy, and come back next week as our Grand Tour takes us back out into space for the classic Studio Gainax OVA Gunbuster: Aim for the Top!

Time Chart:

Theme Song: 0:00:00 – 0:01:15

Intro and History: 0:01:15 – 1:01:34

Eyecatch Break: 1:01:34 – 1:02:18

Azumanga Daioh Review: 1:02:18 – 3:01:13

End Theme: 3:01:13 – 3:02:15

Subscribe to our YouTube channels!

Japanimation Station: https://www.youtube.com/c/japanimationstation

Purely Academic: https://www.youtube.com/@purelyacademicpodcast

Read Jonathan Lack’s movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.com

Subscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.com

Read Jonathan’s book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK

“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Rolled Into One” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Takahashi Kazuki’s Yu-Gi-Oh! is a worldwide phenomenon that needs no introduction, since the anime has been airing in one incarnation or another every week for the past 25 years, and the card game is still going strong. But this week, our Grand Tour takes us to the most mysterious corner of the Yu-Gi-Oh! kingdom, and one many listeners probably haven’t seen before: The original 1998 anime by Toei Animation, which ran for 27 episodes and one short film, adapting the first 7 volumes of Takahashi’s manga. After airing on Japanese TV and releasing on VHS, the series has never been re-released, re-aired, dubbed, or distributed in any form, meaning it only survives through fan preservation efforts. And that preservation is very much worthwhile, because while this Yu-Gi-Oh! is an uneven, aesthetically wonky, and frequently bizarre series, it’s also a deeply endearing one with a lot worth recommending, especially for fans of Takahashi’s original manga and the material that never made it into the second, more famous anime adaptation. It also has an absolutely killer voice cast, both in the main ensemble and for the weekly guest stars, with a line-up of absolutely legendary seiyuu doing fantastic work. Like Yugi himself, this little show packs a whole lot of heart.

Time Chart:

Theme Song: 0:00:00 – 0:01:15

Intro and History: 0:01:15 – 1:42:06

Eyecatch Break: 1:42:06 – 1:42:51

Welcome to the N.H.K. Review: 1:42:51 – 3:32:41

End Theme: 3:32:41 – 3:33:42

Enjoy, and come back next week as we return to the dawn of the slice-of-life comedy anime with 2002’s Azumanga Daioh: The Animation!

Subscribe to our YouTube channels!

Japanimation Station: https://www.youtube.com/c/japanimationstation

Purely Academic: https://www.youtube.com/@purelyacademicpodcast

Read Jonathan Lack’s movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.com

Subscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.com

Read Jonathan’s book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK

“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Happily Ever After” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

This week, our Grand Tour takes us to one of the most unique series we’ve ever covered: Gonzo’s 26-episode cult classic Welcome to the N.H.K.! Based on the 2002 novel by Takimoto Tatsuhiko, this 2006 series explores Japan’s hikkikomori (social withdrawal) phenomenon, modern Otaku culture, internet-era suicide pacts, and many more contemporary issues, doing it all with startling clarity, immense empathy, and a whole lot of very wacky humor. It’s a finger-on-the-pulse series for Japan in the mid-2000s, but one with many resonances for viewers all over the globe, leading to a rich and engaging conversation between our hosts. There is no other show out there quite like Welcome to the N.H.K. – it almost feels like a conspiracy…

Enjoy, and come back next week as we watch the Yu-Gi-Oh! series The Man doesn’t want you to see: the original 27-episode Toei anime from 1998 (a.k.a. “Season Zero”).

Time Chart:

Theme Song: 0:00:00 – 0:01:15

Intro and History: 0:01:15 – 1:09:15

Eyecatch Break: 1:09:15 – 1:10:01

Welcome to the N.H.K. Review: 1:10:01 – 3:43:42

End Theme: 3:43:42 – 3:45:12

Subscribe to our YouTube channels!

Japanimation Station: https://www.youtube.com/c/japanimationstation

Purely Academic: https://www.youtube.com/@purelyacademicpodcast

Read Jonathan Lack’s movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.com

Subscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.com

Read Jonathan’s book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK

“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “ice” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku & Megurine Luka. https://www.thomaslack.com

Our Grand Tour reaches one of its strangest destinations this week as we complete our trilogy of Tezuka Osamu-themed episodes with a look at the Animerama Trilogy, a collection of three experimental animated films for adults created by Mushi Productions between 1969 and 1973. Coinciding with the Japanese New Wave movement and the rise of ‘Pink Films,’ these movies are stylistically anarchic, occasionally graphic, and range from irreverent and immature to startlingly sophisticated. Consisting of 1969’s A Thousand & One Nights, 1970’s Cleopatra, and 1973’s Belladonna of Sadness, all directed by Yamamoto Eiichi, these films were part of a global wave of efforts to make elaborate feature animation aimed squarely at adults, and while none were successful enough to pull Mushi Pro out of bankruptcy, they have endured as a fascinating experiment from a time when anime was still finding itself – and the last film, Belladonna of Sadness, is absolutely a masterpiece within its own right.

Enjoy, and come back next week as we put on our tin-foil hats, get paranoid, and watch the classic 2006 anime Welcome to the N.H.K.!

Time Chart:

Theme Song: 0:00:00 – 0:01:15

Intro and History: 0:01:15 – 0:31:21

A Thousand & One Nights Review: 0:31:21 – 1:26:29

Eyecatch Break 1: 1:26:29 – 1:27:14

Cleopatra Review: 1:27:14 – 2:09:43

Eyecatch Break 2: 2:09:43 – 2:09:59

Belladonna of Sadness Review: 2:09:59 – 3:25:21

End Theme: 3:25:21 – 3:26:22

Subscribe to our YouTube channels!

Japanimation Station: https://www.youtube.com/c/japanimationstation

Purely Academic: https://www.youtube.com/@purelyacademicpodcast

Read Jonathan Lack’s movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.com

Subscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.com

Read Jonathan’s book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK

“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Rolled Into One” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Fifty years after the original Dororo aired on TV, MAPPA brought Tezuka Osamu’s Dororo roaring into the 21st century with a radically different take – and it’s the next stop on our exciting Grand Tour! With a reimagined conception of Hyakkimaru, expanded roles for characters like Daigo Kagemitsu and Tahomaru, and a striking modern animation style, MAPPA’s Dororo is a worthy reinterpretation of a classic, and a fascinating point of comparison to the original. While our hosts disagree slightly on how effective they found the series’ overall approach, it comes highly recommended from both, and we enjoyed breaking it all down on today’s episode.

Enjoy, and come back next week as look at one of the strangest corners of Tezuka Osamu’s empire, and of anime in general: The Animerama film trilogy, consisting of 1969’s A Thousand & One Nights, 1970’s Cleopatra, and 1973’s Belladonna of Sadness.

Time Chart:

Theme Song: 0:00:00 – 0:01:16

Intro and History: 0:01:16 – 1:12:03

Eyecatch Break: 1:12:03 – 1:12:50

Dororo 2019 Review: 1:12:50 – 3:06:10

End Theme: 3:06:10 – 3:07:11

Subscribe to our YouTube channels!

Japanimation Station: https://www.youtube.com/c/japanimationstation

Purely Academic: https://www.youtube.com/@purelyacademicpodcast

Read Jonathan Lack’s movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.com

Subscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.com

Read Jonathan’s book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK

“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Happily Ever After” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Our Grand Tour now takes us back to the first decade of anime, and to the work of the ‘God of Manga’ himself, the one and only Tezuka Osamu! The creator of series like Mighty Atom, Black Jack, and Princess Knight, Tezuka’s Mushi Productions pioneered TV anime as we know it today, and Dororo is one of the towering achievements of their 1960s output. Based on the unfinished manga by Tezuka, and directed by the great Sugii Gizaburō, Dororo is a singular samurai drama about a wandering swordsman, Hyakkimaru, who battles demons to restore the 48 missing parts of his body sacrificed by his warlord father. Along the way, he meets a young thief named Dororo, and their many adventures make for some of the earliest manga and anime to directly engage with adult themes and imagery. Like the manga, Dororo on TV had some production shake-ups, essentially changing directions halfway through when Sugii departed the series amidst disagreements with Tezuka, but make no mistake: this is one anime you do not want to miss.

Enjoy, and come back next week as we leap 50 years ahead to 2019 to talk about MAPPA’s recent re-interpretation of Dororo!

Time Chart:

Theme Song: 0:00:00 – 0:01:15

Intro to Tezuka Osamu: 0:01:15 – 0:55:24

Eyecatch Break: 0:55:24 – 0:56:09

Dororo History & Review: 0:56:09 – 3:32:24

End Theme: 3:32:24 – 3:33:54

Subscribe to our YouTube channels!

Japanimation Station: https://www.youtube.com/c/japanimationstation

Purely Academic: https://www.youtube.com/@purelyacademicpodcast

Read Jonathan Lack’s movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.com

Subscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.com

Read Jonathan’s book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK

“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “ice” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku & Megurine Luka. https://www.thomaslack.com

Our Grand Tour continues with the second half of Dragon Ball GT, which marked the end of the 18-year ‘Toriyama Block’ on Fuji TV, and the end of new Dragon Ball stories on TV until Dragon Ball Super nearly 20 years later. The first few episodes here cover the ‘Super Android 17’ Arc, which is probably the very worst bit of Dragon Ball ever created, but the ‘Shadow Dragons’ Saga has always had more mixed reception, including some vocal defenders. What do Sean and Jonathan make of it? Well, we aren’t so hot on that one either, despite some good ideas and individual strong moments throughout. Still, diagnosing what ails Dragon Ball GT continues to make for a fascinating and fun conversation.

Enjoy, and come back next week as we return to the dawn of anime with one of the great works by Japan’s ‘God of Manga,’ Tezuka Osamu, and the 1969 series Dororo!

Time Chart:

Theme Song: 0:00:00 – 0:01:16

Intro and History: 0:01:16 – 0:51:03

Eyecatch Break: 0:51:03 – 0:51:50

Dragon Ball GT Review: 0:51:50 – 2:53:33

End Theme: 2:53:33 – 2:54:34

Subscribe to our YouTube channels!

Japanimation Station: https://www.youtube.com/c/japanimationstation

Purely Academic: https://www.youtube.com/@purelyacademicpodcast

Read Jonathan Lack’s movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.com

Subscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.com

Read Jonathan’s book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK

“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Rolled Into One” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Our new season begins with a blast from the past, as we return to the 90s for an in-depth look at Dragon Ball GT, the 64-episode, anime-only extension of Toriyama Akira’s classic series. While GT has always proven divisive among Dragon Ball fans, Sean and Jonathan have never made it all the way through – and doing so turns out to be a bit of a challenge, because as much as we both love all things Dragon Ball, this particular entryis not our cup of tea. Despite the regularly fantastic vocal cast, strong animation including character designs from the great Nakatsuru Katsuyoshi, and a promising premise with a miniaturized Son Goku travelling the universe in search of Dragon Balls, the series is a creative mess, with frequently threadbare storytelling, terrible background music, and disappointing action. In this first episode, we discuss the Black Star Dragon Ball and Baby Arcs, which takes us through a few creative high points on our way to Super Saiyan 4 – but this is not, suffice it to say, our favorite stop on our Grand Tour.

Enjoy, and come back next week as we review the rest of Dragon Ball GT with episodes 41-64 and the Super 17 and Shadow Dragon Sagas.

Time Chart:

Theme Song: 0:00:00 – 0:01:12

Intro and History: 0:01:12 – 1:33:34

Eyecatch Break: 1:33:34 – 1:34:19

Dragon Ball GT Review: 1:34:19 – 3:53:18

End Theme: 3:13:54 – 3:54:21

Subscribe to our YouTube channels!

Japanimation Station: https://www.youtube.com/c/japanimationstation

Purely Academic: https://www.youtube.com/@purelyacademicpodcast

Read Jonathan Lack’s movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.com

Subscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.com

Read Jonathan’s book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK

“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Happily Ever After” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com