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James Allen On F1

James Allen On F1

著者： James Allen On F1
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 Three-time BAFTA award-winning F1 commentator James Allen returns to the broadcast mic with a thoughtful and engaging new podcast, looking at the human side of the sport.

Every episode will feature an insightful 20-minute interview with a prominent figure from inside and around the sport focusing on themes beyond the everyday news cycle. Joining James in the studio for analysis and discussion will be a rotating cast of key figures from Autosport and Motorsport’s global editorial team and guests from the broader F1 media world.

Thoughtful, accessible and insightful, the James Allen on F1 podcast takes the helmet off the sport. It is a must for any fans looking for a glimpse behind the scenes at the human beings who make the fascinating world of F1.

Get in touch with the show on JamesAllenonF1@autosport.comMotorsport Studios
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  • 47: Who’s fast and who’s furious after intense Dutch GP

    47: Who’s fast and who’s furious after intense Dutch GP
    2025/09/03
    F1 is back in racing mode after the Summer Break and this week we are in between two fast, intense races; the Dutch GP at Zandvoort and the Italian GP at Monza, the race with the highest average speed lap on the calendar and the home of Ferrari.

    Alongside James Allen we’ve brought in to of our fastest thinkers: Our F1 writer from the Netherlands Ronald Vording and our man in Italy Roberto Chinchero.

    The team discuss the mood music at Zandvoort, the championship balance between the McLaren drivers, growing pressure on Hamilton and Antonelli ahead of Monza and why Toto Wolff appreciates deepfake images of himself on the internet.

    Send your comments or questions to: @jamesallenonf1 on X or jamesallenonf1@autosport.com.

    A Motorsport Studios production for Autosport
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    44 分
  • 46: What makes a great racing movie and which one is the best?

    46: What makes a great racing movie and which one is the best?
    2025/08/27
    In Part Two of our Summer Special featuring a panel of movie industry experts, we analyse the most cherished racing movies; the classic Grand Prix (1966) as well as other celebrated motorsport films Rush (2013), Days of Thunder (1990) and Le Mans (1971). Are they any good as movies and what does it take to create a film that appeals to all audiences, not just motorsport enthusiasts? And what, if anything, did this summer’s Apple blockbuster F1 Movie with Brad Pitt take from them?

    We explore how well the various stories and plotlines work and the all-important action sequences. We reveal which cues they take from each other. How are female characters depicted and how does their treatment compare across the decades? Which films were commercially successful and which ones flopped?

    Finally, if the master rolls of all these films were in a burning warehouse and only one could be saved for posterity, which one would the experts rescue? The answer may surprise you.

    With James Allen in the studio are:

    Eddie Hamilton, editor of Top Gun Maverick and the two most recent Mission Impossible films.
    Adrian Wootton OBE, runs the British Film Commission (encouraging productions like F1 to film in the UK).
    Mark Lane is an award-winning movie producer, with over 40 credits including I am not a serial Killer and The Cut.
    Nick Manzi is a producer with a string of hits from Blitz to Salmon Fishing in the Yemen and a lifelong F1 enthusiast.

    Don’t miss the chance to compete against our expert writers on Motorsport’s hugely popular F1 Fantasy League. https://www.motorsport.com/f1/news/race-our-writers-motorsport-launches-its-first-ever-featured-league-on-f1-fantasy/10702182/

    Send your comments or questions to: @jamesallenonf1 on X or jamesallenonf1@autosport.com.
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    45 分
  • 45: What happens when film industry experts break down the F1 Movie?

    45: What happens when film industry experts break down the F1 Movie?
    2025/08/20
    This week we gather a stellar line-up of movie industry insiders as we break down the summer blockbuster F1 Movie, which has now earned over half a billion dollars at the box office, so deserves some deeper consideration.

    Having earlier looked at it from the point of view of journalists and fans, we now get the movie experts to cast an eye over it; is it technically a good film?

    How well does the story work, and what about the all-important action sequences? How does the treatment of female characters compare? And do movies like this do any long-term good for the sport?

    In Part II next week, the panel will compare it with the 1960s classic Grand Prix as well as other classic motorsport films Rush, Days of Thunder and Le Mans. Are they any good as movies? And what does it take to create a movie that appeals to all audiences, not just motorsport enthusiasts?

    With James Allen in the studio are:

    Eddie Hamilton, editor of Top Gun Maverick and the two most recent Mission Impossible films.

    Adrian Wootton OBE, runs the British Film Commission (encouraging productions like F1 to film in the UK).

    Mark Lane is an award-winning movie producer, with over 40 credits including I am not a serial Killer and The Cut.

    Nick Manzi is a producer with a string of hits from Blitz to Salmon Fishing in the Yemen and a lifelong F1 enthusiast.

    Chapters
    00:00 Introduction to F1 Movie Discussion
    03:00 Audience Reception and Expectations
    05:58 The Art of Filmmaking in F1 Movies
    08:59 Motorsport as a Cinematic Backdrop
    11:55 Elements of a Successful Film
    14:51 Character Dynamics and Storytelling
    18:08 Technical Achievements and Authenticity
    20:46 The Role of Female Characters
    23:59 Budget and Financial Aspects of F1 Movie
    26:51 Conclusion and Final Thoughts

    Don’t miss the chance to compete against our expert writers on Motorsport’s hugely popular F1 Fantasy League. https://www.motorsport.com/f1/news/race-our-writers-motorsport-launches-its-first-ever-featured-league-on-f1-fantasy/10702182/

    Send your comments or questions to: @jamesallenonf1 on X or jamesallenonf1@autosport.com.

    A Motorsport Studios production for Autosport
    続きを読む 一部表示
    45 分
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