Tina Strachan interviews award-winning children’s author Sarah Armstrong about the wide recognition of her middle-grade survival thriller Run (including CBCA, Davitt, REAL, ABIA listings and Amazon bestseller status) and why pacey, “Trojan horse” thrillers can engage both reluctant and enthusiastic readers while carrying deeper themes. They discuss boys and literacy, emphasising socioeconomic factors, reading role models (especially dads), and how gatekeepers and book covers can influence perceptions. Armstrong introduces her new novel The Wave, about 13-year-old Max facing an unexpected tsunami while searching for his dog, and weaving in local housing and tourism pressures. She shares advice on creating vivid settings, transitioning from adult fiction and journalism to kidlit, finding supportive critique groups, her upcoming online writing courses and Substack, and her key tip: embrace major rewrites and use structure tools like Save the Cat.

00:00 Podcast Intro
00:56 Meet Sarah Armstrong
01:40 Run Awards Buzz
02:29 Why Run Works
04:57 Boys and Reading
10:28 Dads Reading Idea
11:09 New Book The Wave
12:07 Themes and Trojan Horse
13:45 Writing Vivid Settings
18:27 From Adult to Kid Lit
20:37 Why Write for Kids
22:07 Publishing the Switch
22:40 Sticking With Kid Lit
23:01 Agents And Publishing Path
23:44 Switching Genres Confidence
24:08 Online Writing Courses
26:21 Self Paced Learning Benefits
27:01 Inside The Critique Group
30:21 Finding Your Own Group
32:55 Giving And Taking Feedback
36:23 What Sarah Writes Next
37:41 Rewriting Makes The Story
39:41 Structure Tools Save The Cat
41:22 Thanks And Wrap Up

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