Starting a 2nd draft is one of the ultimate tests for screenwriters. Here’s why diving in too fast is a creative disaster!

Fresh off wrapping the first drafts of two scripts (a TV pilot commission and a feature spec), I'm breaking down how I find perspective on my work, as well as my specific strategies to prepare for my next draft that will hopefully help you elevate your story from a messy 1st draft to the best 2nd draft possible.

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ON THE ITINERARY:

• THE ART OF THE PAUSE: Why finding perspective before you start a 2nd draft is the single most important step in the entire screenwriting workflow.
• THE REWRITING CIRCLE: How to curate a small, trusted circle of diverse readers – with diverse viewpoints – to stress-test your pages.
• FEATURE VS. TV PILOT REWRITES: The differences between rewriting specs and scripts you’ve been commissioned to write.
• ‘OBSESSION’ AND ‘BACKROOMS’ MELT MY BRAIN: Thoughts on these films, but especially the Rorschach Test that ‘Obsession’ has turned out to be for audiences.
• MIRAGE IN THE DESERT: A core memory of 'Lawrence of Arabia' with my son.
• THE JODI PICOULT APPROACH: The brutal truth about the first draft that completely reframes how you look at a blank page.

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CREDITS:

• 5AM StoryTalk acknowledges the Traditional Owners of the land on which this podcast is recorded, the Djarra people of the Kulin Nation and pay respects to Elders past and present.
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