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A haunted abbey in the Scottish Highlands, a marriage of convenience, a pet piglet with a ribbon, and a heroine who is far sharper than she’s “allowed” to be. In this episode, I chat with Eloisa James, the New York Times bestselling author of historical romance (and Fordham Shakespeare professor Mary Bly), to talk about The Last Lady B and the craft choices that make a love story feel witty, intimate, and impossible to put down.

We start with the roots of desire, including Eloisa’s childhood on a Minnesota farm in a house full of literature plus a long list of forbidden pleasures. That push-pull of wanting what you can’t have becomes a blueprint for romantic tension on the page. From there, we get practical about writing: why she studies TV and comedy scripts to master timing, how Shakespeare trains a writer to land a joke inside character, and why she drafts dialogue like a script so it reads the way people actually speak.

We also go deeper into what makes a romance scene truly charged, including the power of restraint, the emotional work behind “slow burn,” and why sensory details like fabric, lace, and the scent of a cravat can do more than paragraphs of explanation. Eloisa shares what it took to claim her romance career in academia, what she’s learned about genre bias, and why she believes you can’t write romance just to chase a payday.

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Eloisa James

The last Lady B, Eloisa James

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