• Handed Down

  • 著者: Jenny Shaw
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Handed Down

著者: Jenny Shaw
  • サマリー

  • Handed Down celebrates traditional songs and the people who sing them. The show is presented by Jenny Shaw, an amateur musician and professional writer. Each episode is full of music, tales and curiosities as we delve into the history a single song, often with the help of a fellow folk musician, to uncover the strange stories and colourful characters that lie beneath.

    These are the songs that have been handed down from our ancestors. This podcast and the people involved in it help keep them alive so that we can hand them down in turn to future generations.

    © 2025 Handed Down
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あらすじ・解説

Handed Down celebrates traditional songs and the people who sing them. The show is presented by Jenny Shaw, an amateur musician and professional writer. Each episode is full of music, tales and curiosities as we delve into the history a single song, often with the help of a fellow folk musician, to uncover the strange stories and colourful characters that lie beneath.

These are the songs that have been handed down from our ancestors. This podcast and the people involved in it help keep them alive so that we can hand them down in turn to future generations.

© 2025 Handed Down
エピソード
  • George Collins - Don't Go Kissing Watery Tarts
    2025/04/15

    George Collins is a handsome young man with his whole life ahead of him, so why does he die within a few short verses and leave a trail of devastation in his wake?

    Today’s episode takes us back to supernatural legends from medieval Northern Europe, in which brave young men are easily seduced. We also travel across the Atlantic to meet a dying hobo who wandered into this song sometime in the late 19th Century.

    In the end, these legends are a legacy of the things we didn’t properly understand. Nonetheless, if you do meet a beautiful maiden by the riverside it’s best just to back away, jump on your horse and ride home as fast as you can.

    Music

    Verses from two different versions of George Collins as recorded in the Folk Song Society Journey 1909: https://archive.org/details/sim_folk-song-society-journal_1909_3_13/page/300/mode/2up

    Traditional Breton Tune

    Faroese Folk Tune – Grímur á Miðjanesi

    Incidental music – Rosebud in June

    The historic American recording, and many others, can be found here: https://www.mustrad.org.uk/articles/collins.htm

    Final song: This is the version sung by Shirley Collins on The Sweet Primroses, 1967. I’ve slowed it down and recorded it with a guitar accompaniment which is somewhat inspired by Dolly Collins’ beautiful organ arrangement.

    References

    Bluegrass Messengers - George Collins- Barbara M. Cra'ster 1910

    https://archive.org/details/englishscottishp22chilrich/page/278/mode/2up?view=theater

    https://www.mustrad.org.uk/articles/collins.htm

    https://en.wikipedia.org/wiki/Gwerz_an_Aotrou_Nann

    https://balladspot.blogspot.com/2016/03/sir-olof-and-elves.html

    https://books.google.co.uk/books?id=xlIJAAAAQAAJ&pg=PA161&redir_esc=y#v=onepage&q&f=false

    https://archive.org/details/sim_folk-song-society-journal_1909_3_13/page/300/mode/2up

    https://archive.org/details/folksongsofsouth00coxj/page/110/mode/2up

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    21 分
  • Apple Tree Wassail with Lunatraktors
    2025/02/02

    What a time we had, talking about the bones and the spirit of the Wassail. The Lunatraktors, Carli and Clair, get right to the heart of things with their "Broken Folk" which provides an anchor, a refuge and solace, a shamanic art and a collective experience. They are experts at asking questions of our tradition, and passionate about telling the stories that have been hidden or lost.

    The Wassail is about apples and cider and community and collectivism and so much more, and Lunatraktors' embodied approach to folk turns this an intense experience. We explore both the light and the dark of recent history and ask: what will be left when the apocalypse comes? Folk. The answer is folk, and it can be deeply healing.

    But in the end you have to laugh. Their music can be dark and tragic but it is also playful and fun and, after we'd unpicked the state of everything, we were all gurning.

    Content warning: This episode includes a discussion about suicide

    Music

    Now The Time

    Rigs of the Time

    Unquiet

    Apple Tree Wassail

    Songs are all from Lunatraktors, and if you want more please visit their website: https://www.lunatraktors.space/ or find all the points of connection on linktr.ee/lunatraktors




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    1 時間 10 分
  • Wren Day
    2024/12/26

    After all the festivities of Christmas Day are over, what could be better than to run around the village and hunt a tiny little bird with all your neighbours. This special St Stephen's Day episode explores the strange custom of wren hunting in the British Isles. Hang on to your hats, it's going to be a weird one.

    Music
    Hunt the Wren, a Manx song
    Medieval French tune (known to me as 'Dancing Bears' but YMMV)
    The Cutty Wren, to the tune of Green Bushes (thanks A. L. Lloyd!)

    References
    Many thanks go to two websites: Mainly Norfolk and the Ballad Index, for such detailed information about this song.

    Other references include:

    Mona Melodies: https://www.manxmusic.com/media/History%20photos/MONA%20MELODIES%202020%20full%20transcription.pdf

    Charles Barrow (1820) Mona Melodies https://www.manxmusic.com/media/History%20photos/MONA%20MELODIES%202020%20full%20transcription.pdf

    A W Moore (1891) The Folklore of the Isle of Man

    George Waldron (1744) The History and Description of the Isle of Man

    Vallancy, Charles (1770) Collectanea de rebus hibernicis. T. Ewing, Dublin https://archive.org/details/collectaneadere09vallgoog/page/n1/mode/2up

    https://mainlynorfolk.info/ian.campbell/songs/thecuttywren.html

    John Aubrey’s Remaines of Gentilisme and Judaisme https://archive.org/details/remainesgentili01aubrgoog

    Muller, S. (1996). The Irish Wren Tales and Ritual. To Pay or Not to Pay the Debt of Nature. Béaloideas, 64/65, 131–169. https://doi.org/10.2307/20522463

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    21 分

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