What do Brendon Urie and SOPHIE have in common?? Hint: fish. Tune into this episode if you’ve ever wondered why straight men are so … gay? Ashton takes a biographical deep-dive into the person and musical genius that SOPHIE was, and how her impact lives on in music today. Cricket unpacks the origins of queerbaiting, “emo” and how the Madonna-Whore Complex has consistently plagued the scene for over a decade. We took some time this episode to explore queer artists whose identities were expressed and evolved though music, sound, and vibration. We also get some fun interludes from guests who are much better attuned to a Scottish accent than we could ever hope to be.

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Works Cited

• Brennan, Joseph. Queerbaiting and Fandom. University of Iowa Press, 2019.
• Fathallah, Judith. “Is Stage-Gay Queerbaiting? The Politics of Performative Homoeroticism in Emo Bands.” Journal of Popular Music Studies, vol. 31, no. 3, 2019, pp. 1-20.
• Freudenthal, Carmen. Dear Mr/Mrs. 2009.
• Geffen, Sasha. “SOPHIE and the Future of Music.” Vulture, 9 Nov. 2017, www.vulture.com/2017/11/sophie-music-interview.html.
• Guardian Music. “SOPHIE: Posthumous Album Interview.” The Guardian, 20 Sept. 2024, www.theguardian.com/music/2024/sep/20/sophie-posthumous-album-interview.
• Heasley, Robert. “Queer Masculinities of Straight Men: A Typology.” Men and Masculinities, vol. 7, no. 3, 2005, pp. 310-320.
• Kayla Says. “How the Internet Fell Out of Love with Brendon Urie.” YouTube, uploaded by Kayla Says, 2023, www.youtube.com/watch?v=[insert link if available].
• Rothblatt, Martine. Virtually Human: The Promise—and Peril—of Digital Immortality. St. Martin’s Press, 2014.
• Ward, Jane. Not Gay: Sex Between Straight White Men. New York University Press, 2015.

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