On this week's episode of Female Gaze: The Film Club, we continue our Summer of Editors Series as Morgan is joined by filmmaker Libby Ewing to discuss the 1999 film, "Drop Dead Gorgeous," directed by Michael Patrick Jann and edited by Janice Hampton and David Codron. Libby and Morgan dive into the mockumentary style of the film, how the film balances its comedic and thriller aspects, and the Becky Leeman of it all.

You can watch Libby's feature directorial debut "Charliebird" - which she also edited - on Video On Demand on Prime Video or AppleTV now!

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On this week's episode of Female Gaze: The Film Club, Morgan is joined by critic, composer, filmmaker, and writer Brian Skutle in the continuation of our Summer of Editors Series. The pair discuss the 1990 film, "GoodFellas," directed by Martin Scorsese (ever heard of him?) and one of the greatest editors of all-time, Thelma Schoonmaker. Brian and Morgan talk about Marty and Thelma's working relationship, how the film interrogates masculinity, and the elements which make this film a classic.

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On this week's episode, Summer of Editors continues and Morgan is joined by editor and one of the busiest humans in podcasting, Chels Eichholz to discuss the 2016 film "Adult Life Skills" written, directed, and edited by Rachel Tunnard. Chels and Morgan discuss the way the film portrays depression and turning 30, Jodie Whitaker's performance, crash outs and lash outs in the film, and Tunnard's editing throughout the film.

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For today's special bonus episode, Morgan spoke with filmmaker Philip Byron about his documentary, "Spin Wars" which premiered at the Tribeca Film Festival. "Spin Wars" explores the history of indoor cycling which evolved into such phenomena as SoulCycle, FlyWheel, and Peloton - for example. Smart, funny, and thoughtful, "Spin Wars" boasts captivating interviews woven with archival footage to paint a tapestry of the electric, complicated, and at times toxic industry. In their conversation, Philip discusses his decision to direct, the editing process, and the artist who inspired him.

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In today's special bonus episode, Morgan spoke with actor Mia Vallet about her work in the independent horror film "Recluse" which premiered at the 2026 Tribeca Film Festival. “Recluse” directed by Henry Chaisson, is about Joan, an audio engineer, who returns to her childhood home to care for her father leading her to unearth and confront her family’s sorted past. In the film, Mia portrays Emily, a live-in nurse who also encounters the horror of the home. In their conversation, Mia discusses what drew her to this project, the themes of "Recluse," and teaming up with filmmaker Henry Chaisson again.

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To start off the 2026 Summer of Editors Series, Morgan talks with editor Catherine Haight, ACE. Morgan and Catherine discuss her start as an editor, her working relationship with Joey Soloway, her work in film and television - such as "Transparent," "Afternoon Delight," "Girls," and "Sirens" - and the community of women editors she has built.

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On this week's episode of Female Gaze: The Film Club, Morgan spoke with filmmakers Jyllian Gunther and Stephanie Schwam about their documentary film “Bang My Box: The Robin Byrd Story” about the iconic NYC public access television personality Robin Byrd. The film does an incredible job of paying homage to her for fans of her work, while giving you a full portrait of what she has accomplished over her career for individuals (like Morgan) who aren't as familiar with her show and activism. The trio discuss meeting Robin, Stephanie and Jyllian's filmmaking styles as a duo, and the film's editing process.

For more on the film, you can check out my review on the Female Gaze website.

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On this week's episode of Female Gaze: The Film Club, Morgan spoke with filmmaker Elisee Junior St Preux and actor Stevenson Jean to discuss their film "The Tropic Sun and His Eyes." The film follows Ruben, portrayed by Jean, as he returns to Haiti to reconnect with his estranged father. The first film shot entirely in Haiti, the film beautifully captures the country as it explores themes about generational trauma, toxic masculinity, and men’s mental health. With his feature directorial debut, St Preux has crafted a really stunning first film. In our conversation we discuss the film's themes, working in Haiti, and the film that inspired both as artists.

You can check out our full review on the Female Gaze website.

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