『Eyes Wide Shut & Catch Me If You Can』のカバーアート

Eyes Wide Shut & Catch Me If You Can

Eyes Wide Shut & Catch Me If You Can

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 It’s that time of year again—when we gather by the fire, sip something warm, and queue up… movies that *technically* take place at Christmas. This week, we’re unwrapping two not-quite-but-definitely-set-during-the-holidays classics: Stanley Kubrick’s eerie yuletide odyssey Eyes Wide Shut (1999) and Steven Spielberg’s breezy cat-and-mouse charmer Catch Me If You Can (2002). While neither film is exactly “festive,” both use the holiday season to cast their stories in a glow equal parts melancholic and mischievous. Before diving into our gift-wrap-adjacent double feature, our Blue Plate Special is packed with plenty of cinematic goodies waiting under the tree. We break down the eyebrow-raising possibility of Warner Bros. being sold to either Netflix or Paramount/Skydance—and what such a shake-up could mean for the future of the film industry. We also share our thoughts on several recent releases we’ve caught (Sentimental Value, The History of Sound, Jay Kelly, and Pavements), react to Quentin Tarantino’s recent comments about Paul Dano and 21st-century cinema, relive our theatrical experience seeing Kill Bill: The Whole Bloody Affair, and pay tribute to the recent losses of Cary-Hiroyuki Tagawa, Jim Ward, Jeff Garcia, Peter Greene, and the legendary Rob Reiner. As always, please like, subscribe, rate, and review us on Apple Podcasts, Spotify, YouTube, and wherever else you listen! Got thoughts or questions? Email us at huffmanbrothersproductions@gmail.com.
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