『Every Minute of Everything Everywhere All At Once』のカバーアート

Every Minute of Everything Everywhere All At Once

Every Minute of Everything Everywhere All At Once

著者： TruStory FM
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Lester and Kynan attempt to explain, evaluate, enlighten and elucidate the Academy Award-winning film, Everything Everywhere All At Once, minute by multiversal minute! Now, you may only see a couple of chuckleheads trying to talk about a movie and getting distracted by all the cool references and easter eggs…but we see a story! Follow us through the multiverse as we explore each individual minute of this amazing film!Copyright TruStory FM アート
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  • Minute 88 - We Put Moquette On A Bagel!

    Minute 88 - We Put Moquette On A Bagel!
    2026/05/20
    Hot Dog Deirdre is alone in the frame, back to the camera, crumpling to her knees as Evelyn makes her escape — and she doesn't even get her own shot for it. Then we're in a rain-soaked Hong Kong alley where Foxy Waymond catches a stumbling, multiverse-fried Evelyn and drapes his coat over her while she murmurs about her clay pot leaking. She pinches her temples like a bargain-bin psychic, ricochets through a rapid montage of universes (a courtroom, a bus with a very animated Borat lookalike, a fisheye outdoor shot), and lands back at the laundromat table, sweating, triumphant: "I did it."We go deep on the Hot Dog Universe's production design — turns out those are deliberately hot-dog-shaped blinds, the lampshades are structured like frozen frankfurters, and there's a casserole dish of Wonder Bread buns that may or may not be a romance prop. We trace Foxy Waymond's "just think happy thoughts" impulse (cut from the final film, present in the 2022 script) back to our Waymond's lifelong optimism, break down how the body-swap genre usually handles misunderstanding versus how this film complicates it, and introduce Spaghetti Baby Noodle Boy — a filmed-but-deleted character who will get their full due next episode.Then Lester finds a Reddit thread about moquette — the algorithmically generated, stain-incorporating fabric on public transit seats — and Kynan connects it directly to the film's thesis about finding pattern and meaning in apparent randomness. It sounds unhinged. It works completely.
    • Show archive
    • Banana for Scale Facebook Group
    • Connect with Kynan on Instagram or Letterboxd
    • Connect with Lester on Facebook, Instagram, or X
    • Reddit thread: "ELI5: How do bus seat patterns work?"
    • Spaghetti Baby Noodle Boy deleted scene

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    Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
    Check out the other podcasts in the Banana for Scale family of podcasts:
    • The Devil's Details: The Evolution of the Devil Through Art & Literature
    • The Exorcist Minute
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    1 時間 5 分
  • Minute 87 - We Put Randy Newman On A Bagel!

    Minute 87 - We Put Randy Newman On A Bagel!
    2026/05/13
    Everything in This MinuteIn minute 87 of Everything Everywhere All at Once, Opera Evelyn collapses onstage and Gong Gong rushes to help, calling her name in Cantonese. She gets up on her own and pushes past him, exiting stage left. We get a final shot from behind the ornamental archway—a clear circle—with Evelyn leaving the circle and leaving Gong Gong alone on stage.We follow Evelyn into the Teppanyaki kitchen where she's now Teppanyaki Evelyn. As she emerges through the partition, she looks at her uniform and her eyes catch something. Before we even see who she's looking at, we hear singing: a voice sings "we're a family," a deeper voice responds "culinarily," the first voice repeats it, and both sing "now we're cookin'." We pan out and reveal Chad—with a raccoon perched on his head pulling tufts of his hair to manipulate his arms and help him cook. It's Raccacoonie, voiced by none other than Randy Newman.Evelyn mouths "Raccacooni?" in utter disbelief. Over her shoulder looking at them from the back, we hear Raccacoonie say "yeah, we make a pretty good team." They continue singing, but Evelyn has grabbed a knife sharpener. The noise makes our singers turn around in surprise—but it's Raccacoonie who notices first (he's the one controlling Chad). Chad turns and says "you can't tell anyone," but Raccacoonie makes an executive decision: "she's seen too much, you know what that means." Evelyn puts her hands up and begins backing away as Raccacoonie pulls Chad's hair saying "get her, get her." Chad's arms begin to flail and he says "I'm begging you," but his hand suddenly brandishes a spatula—a teppanyaki spatula that still makes that shink metal knife sound. Chad and Rackakoonie advance, and Evelyn, terrified, backs through the partition and into the hot dog universe.This is our first callback to that universe since the laundromat scene. Evelyn puts her hands up to her eyes which have been blindfolded—and that's when we see the hot dog fingers. Then we're suddenly in the room with them looking at Evelyn. Her blindfold is off, resting around her neck, and she's looking around at a room that's been made to feel romantic with soft candles and wine on the table. It's obviously a home. Behind her we've got hot dog Deirdre watching her take it all in, hopeful, looking like she can barely contain herself.Evelyn's first words are "what do you want?" Deirdre says "I want you" and proceeds to do the little dance we saw in the hot dog version of Soldier and Queen. Evelyn puts up a finger and says "no, stop that," wagging her finger at Deirdre. Of course that makes her see her finger and she can't take how ridiculous this all is. She shakes her head almost like she's trying to shake herself out of this universe. Suddenly we cut to our Soldier and Queen and they're doing the dance with hot dog fingers flapping. This is intercut with hot dog Deirdre advancing as Evelyn backs away, still holding her finger out saying "nope, stay back, this is wrong, stop it." We've got Deirdre trying to say "but it's not wrong."This Episode All at OnceWe dive deep into the circle imagery and what it means that Evelyn leaves the circle where Gong Gong stands alone. This Opera universe is the only place we've seen Gong Gong in a circle, and it's also the only universe where he's a loving father. The idea is that Evelyn could stay here in this circle with her father who loves her—very tempting—but instead she chooses to leave that circle and go after Joy. But then we debate: who is actually piloting Opera Evelyn's body at that moment? Is it our Evelyn making an emergency exit to save the world, or is Opera Evelyn herself a diva who treats her Gong Gong poorly and brushes him off? The same action could read as rejection or heroism depending on who's in control.We go on a fascinating tangent about pet care sociology and how forced proximity changes relationships. Back in the 80s, dogs were never allowed inside—now we have a billion-dollar pet industry with people calling their pets "children." Being around them 24 hours a day changed how we think about them. This parallels the idea that maybe Opera Gong Gong was forced to care intimately for his disabled daughter after her accident, and that forced proximity made him grow closer to her and become the loving father he is now—versus our universe where Evelyn resents having to care for her disabled father.We get an EXTENSIVE Randy Newman deep dive covering his entire career. We talk about how revolutionary it was in Toy Story that the characters weren't singing their own songs (contrast with Disney Renaissance Broadway-style numbers). We learn about the Newman family dynasty: his uncle Alfred Newman composed the Fox studio theme song, his cousin Thomas Newman scored Finding Nemo and Shawshank Redemption. We cover Randy's pop hits like "I Love L.A." (Dodgers stadium song) and "Short People" (parody song about racism that completely fooled Lester). We go through "Political ...
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    1 時間 11 分
  • Minute 86 - We Put THE END??? On A Bagel!

    Minute 86 - We Put THE END??? On A Bagel!
    2026/05/06
    In minute 86 of Everything Everywhere All at Once, Jobu finishes singing "somewhere out there in all that noise." Waymond shakes Evelyn calling for help as the camera pulls up and away. Title card: "THE END." It fades. Next card: "written and directed by Daniels." Then "produced by Alexander Wong, Evelyn Quan." Cards retreat—no, WE'RE retreating from a movie screen. We see the theater audience. Two more cards: "Starring" then "Evelyn Quan." Cut to Wong Kar Wai Evelyn waking in her seat—she IS Evelyn Kwan (her maiden name, unmarried to Waymond here). She checks herself, can't believe she's alive. Everyone claps. Foxy Waymond puzzled, stops early: "interesting ending, but very sad." Evelyn bolts up: "where is she?" Shakes Waymond: "where's our daughter?" Before he answers she runs Cinderella-style up aisle to exit. Waymond stands: "daughter?" Evelyn pushes through doors—now Pizza Evelyn stumbling into street, car coming at her (license plate 2SAM564—common prop plate). Cut to Opera Evelyn falling onstage. Microphone-feedback sound (but more musical, unnameable). All the Evelyns are experiencing something.
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    Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
    Check out the other podcasts in the Banana for Scale family of podcasts:
    • The Devil's Details: The Evolution of the Devil Through Art & Literature
    • The Exorcist Minute
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    57 分
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