『Every Minute of Everything Everywhere All At Once』のカバーアート

Every Minute of Everything Everywhere All At Once

Every Minute of Everything Everywhere All At Once

著者： TruStory FM
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Lester and Kynan attempt to explain, evaluate, enlighten and elucidate the Academy Award-winning film, Everything Everywhere All At Once, minute by multiversal minute! Now, you may only see a couple of chuckleheads trying to talk about a movie and getting distracted by all the cool references and easter eggs…but we see a story! Follow us through the multiverse as we explore each individual minute of this amazing film!Copyright TruStory FM アート
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  • Minute 96 - We Put False Hope On A Bagel!

    Minute 96 - We Put False Hope On A Bagel!
    2026/07/15
    Foxy Waymond asks what if you had come with me all those years ago — and then we're at the New Year's party in full swing. Evelyn comes back to life in the Alpha Verse, stares at her hands, and the music rises with what sounds exactly like a hero's reawakening. Then she picks up the phone, tells Deirdre to shut up, tells her nothing matters, and her eyes fill with black. We end in the green-lit alleyway outside the Hong Kong theater, with Evelyn advancing on Waymond saying they'd have woken up every day in a tiny apartment.We spend time on Rick, played by the late Biff Wiff, who passed away in February 2025 after a late-career run that included this film, I Think You Should Leave, and Jury Duty. He's standing at the party in his red suspenders, insinuating himself just close enough to Evelyn to be technically arguable, and we trace everything the movie has done with him since the beginning. We also dig into Debbie the Dog Mom showing up without the dog and actually talking animatedly with Evelyn like they're friends, Jobu's expression when "nothing matters" lands — not triumph, something much more like nausea — and the shot of Evelyn's eyes going black, which is easy to miss and hard to come back from. The false hope of this minute is the whole point.
    • Show archive
    • Banana for Scale Facebook Group
    • Connect with Kynan on Instagram or Letterboxd
    • Connect with Lester on Facebook, Instagram, or X

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    Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
    Check out the other podcasts in the Banana for Scale family of podcasts:
    • The Devil's Details: The Evolution of the Devil Through Art & Literature
    • The Exorcist Minute
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    1 時間 1 分
  • Minute 95 - We Put Gong Gong's Party On A Bagel!

    Minute 95 - We Put Gong Gong's Party On A Bagel!
    2026/07/08
    The bagel pulses, and every version of Evelyn feels it at once. We watch them in rapid succession staring directly into the camera — from the IRS, from Hong Kong, from a robotics factory with a red eye, from a winter street where she appears to be the cold itself, from a scene near the end of the film with blood in her mouth looking genuinely monstrous — before landing at Gong Gong's party, where red envelopes are being handed out, the Chinese New Year decorations are finally up, and Debbie the Dog Mom has somehow actually shown up. Then Jobu's voice comes in from the temple: all this time, she wasn't looking for someone to kill. She was looking for someone who could see what she sees and feel what she feels. We get pulled through the eye of the bagel, past a swirling vortex that turns out to contain an enormous number of toilets and guitars, and land outside the Hong Kong theater with Foxy Waymond.We go frame by frame through the entire montage, cover what red envelopes are and why Gong Gong gets to hand them out, try to explain why Joy is simultaneously inside and outside the laundromat at the same time, and spend a long time on the moment Jobu's plan is finally revealed, comparing it to the script version and to why the finished line lands so much harder. The short version: we thought this was a movie about stopping a villain. It turns out it was always about a mother and a daughter who stopped being able to talk to each other.
    • Show archive
    • Banana for Scale Facebook Group
    • Connect with Kynan on Instagram or Letterboxd
    • Connect with Lester on Facebook, Instagram, or X

    ---
    Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
    Check out the other podcasts in the Banana for Scale family of podcasts:
    • The Devil's Details: The Evolution of the Devil Through Art & Literature
    • The Exorcist Minute
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    1 時間 8 分
  • Minute 94 - We Put The Sanctum Sanctorum On A Bagel!

    Minute 94 - We Put The Sanctum Sanctorum On A Bagel!
    2026/07/01
    Jobu finishes telling Evelyn that right is a tiny box invented by people who are afraid, and the film cuts to a memory: Joy introducing Becky to Gong Gong, the same scene from the start of the movie, except Evelyn's face looks different this time, softer, more apologetic. Back in the temple, Evelyn insists she still knows who she is, that her life was happy. Jobu, instead of looking triumphant, looks almost sad. Then two acolytes tear the curtains down (not pull, tear) and reveal the bagel, still bagel-sized, somehow filling the entire frame anyway, pulsing hard enough to crack the marble walls of the inner sanctum before sucking Evelyn, Jobu, and the audience through a single eye into the hot dog universe.We spent a good chunk of this episode on sacred inner sanctums across world religions, from the Jewish Holy of Holies to Hindu garbagrihas to Shinto honden, trying to figure out what the Daniels were drawing on when they designed this space (the building really was a Catholic cathedral, which explains a lot). We also dig into a cut script line where Jobu makes the binary explicit, telling Evelyn she can love and hate her at the same time now, and we walk through exactly how this bagel reveal differs from the one we glimpsed earlier in the film, including a continuity wrinkle in just how cracked those walls already were.
    • Show archive
    • Banana for Scale Facebook Group
    • Connect with Kynan on Instagram or Letterboxd
    • Connect with Lester on Facebook, Instagram, or X
    • Krzysztof Penderecki, "Polymorphia"

    ---
    Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
    Check out the other podcasts in the Banana for Scale family of podcasts:
    • The Devil's Details: The Evolution of the Devil Through Art & Literature
    • The Exorcist Minute
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    55 分
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