『Every Minute of Everything Everywhere All At Once』のカバーアート

Every Minute of Everything Everywhere All At Once

Every Minute of Everything Everywhere All At Once

著者： TruStory FM
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10月19日まで。※適用条件あり
Lester and Kynan attempt to explain, evaluate, enlighten and elucidate the Academy Award-winning film, Everything Everywhere All At Once, minute by multiversal minute! Now, you may only see a couple of chuckleheads trying to talk about a movie and getting distracted by all the cool references and easter eggs…but we see a story! Follow us through the multiverse as we explore each individual minute of this amazing film!Copyright TruStory FM アート
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  • Minute 106 - We Put A Plea For Peace On A Bagel!

    Minute 106 - We Put A Plea For Peace On A Bagel!
    2026/09/23
    Two Waymonds. Two speeches. At the same time. In the Alpha Verse, a stabbed Waymond stands between Evelyn and a dozen armed jumpers — one of whom is holding an office desk phone as a weapon — asking if they can just stop fighting, and admitting that he doesn't know what's going on but somehow feels like it's all his fault. In a green Hong Kong alley, Foxy Waymond tells Evelyn that choosing to see the good side of things isn't naive. It's strategic. It's necessary. It's how he's learned to survive through everything.Here's the realization that reframes this whole stretch of the film: Ke Huy Quan has two famous speeches in this movie, and almost nobody thinks of them as separate. People quote both constantly — laundry and taxes, and be kind especially when you don't know what's going on — but they're braided together so tightly that they feel like one continuous thought from one person. They're not. They're two characters in two universes making two different arguments. We spend the episode pulling them apart and then arguing about whether they're secretly the same speech in different dialects.We also sit with "somehow this feels like it's all my fault," which is factually wrong — this is the Waymond who says Raccoon Waymond and Raccoon Joy, he has no idea what's happening — but lands on Evelyn at exactly the right moment. She's been telling herself that her whole life. She's also been saying it out loud to him for twenty years. Hearing it in his voice is what finally breaks it.
    • Show archive
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    ---
    Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
    Check out the other podcasts in the Banana for Scale family of podcasts:
    • The Devil's Details: The Evolution of the Devil Through Art & Literature
    • The Exorcist Minute
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    46 分
  • Minute 105 - We Put Being Too Sweet On A Bagel!

    Minute 105 - We Put Being Too Sweet On A Bagel!
    2026/09/16
    Deirdre pauses at the door on her way out, shares a look with Evelyn, and staggers off looking like someone dropped a bomb on her. Waymond, still kneeling in front of his handcuffed wife, tells her he doesn't know how he did it — he just talked to Deirdre — and he is openly, unmistakably crying while trying to look like he isn't. Then he stands up, picks up a broom, and sweeps the broken glass while quietly singing a Chinese New Year song. Meanwhile, in a green-lit Hong Kong alley, Foxy Waymond says Evelyn's father used to call him too sweet for his own good, and maybe he was right. And in the Alpha Verse, Waymond stands in front of the wife who stabbed him, arms out against a dozen jumpers, saying please.We stop the episode to sit with what Ke Huy Quan is doing here — real tears, in a performance where the character is trying not to cry, in a conversation that's clearly scarier to him than facing down the police. We talk about the specific kind of masculine melodrama that wrecks audiences, and about the twenty years Hollywood took from all of us by not casting this man. And then Lester looked up what Waymond is humming while he sweeps: "Gongxi Gongxi," written in 1945 to mark the end of the war, tied to an older myth about a beast that came each winter to eat villagers — so at dawn, neighbors ran out, saw each other alive, and shouted congratulations. Not on winning. On surviving. Waymond is standing in the wreckage of his marriage singing a song that means we made it through the dark together.
    • Show archive
    • Banana for Scale Facebook Group
    • Connect with Kynan on Instagram or Letterboxd
    • Connect with Lester on Facebook, Instagram, or X

    ---
    Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
    Check out the other podcasts in the Banana for Scale family of podcasts:
    • The Devil's Details: The Evolution of the Devil Through Art & Literature
    • The Exorcist Minute
    続きを読む 一部表示
    55 分
  • Minute 104 - We Put Nothing Special On A Bagel!

    Minute 104 - We Put Nothing Special On A Bagel!
    2026/09/09
    Jobu is outside the laundromat window with a cigarette, grinning, telling Evelyn to come back to the bagel — and then to ignore it. But Evelyn can't stop watching Waymond whisper something into Deirdre's ear. We're too far away to hear it. We just watch Jamie Lee Curtis take it in with her whole body: straightening up, clutching the eviction papers, breathing out, and then telling the cop to let Evelyn go before slumping hard against the washers like the fight has left her. Waymond walks over with his hands going into his pockets — somehow both aw-shucks-it's-just-me and John Wayne after saving the town — and crouches down in front of his handcuffed wife to tell her everything is going to be okay. Evelyn says that's impossible. Jobu, nearly talking over her, says it's just a statistical inevitability. Nothing special.Daniel Kwan originally wanted ADHD to be a running theme in this film, and this is the minute where Evelyn's distractibility saves her life. We spend most of the episode on Deirdre — this is the second time she's let this family off the hook, which makes it a pattern rather than a Grinch moment, and we build out a theory of who she was before her divorce and why she became who we met at the start. We also get into the two different faces Jobu is wearing in the same minute, why "statistical inevitability" echoes a line from a deleted Thetaverse scene, and the trope that doesn't have a name but should: making excuses to do the right thing.
    • Show archive
    • Banana for Scale Facebook Group
    • Connect with Kynan on Instagram or Letterboxd
    • Connect with Lester on Facebook, Instagram, or X

    ---
    Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
    Check out the other podcasts in the Banana for Scale family of podcasts:
    • The Devil's Details: The Evolution of the Devil Through Art & Literature
    • The Exorcist Minute
    続きを読む 一部表示
    47 分
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