Adam Pultz Melbye is a double bassist, composer, improvisor, musical instrument builder, algorithmic designer, interdisciplinary artist, researcher... the list goes on and on. Perhaps most importantly, Adam is a wonderful human being who I am lucky to have gotten to know over the last few years. Adam joined me by video call from Berlin to share their journey from jazz bassist through their prolific and ever expanding career in the arts, technology and research, and some of the feminist and queer theoretical underpinnings of their current practice-based works and residencies.

• Adam's website is adampultz.com, where you can find links to his music, projects, research and publications
• Adam holds a practice-led PhD in music technology from SARC (Sonic Arts Research Centre), Queen's University Belfast.
• Music of Adam's current practice is concerned with feedback instruments, especially the FAAB (feedback-actuated augmented bass), which was designed in collaboration with Halldór Úlfarsson (of halldorophone fame).
• We talk about RAVE (Realtime Audio Variational autoEncoder), a fascinating (and fun!) framework for neural network-based sound synthesis and timbre transfer.

• "Kin: Speculative Evolutionary Algorithms", which was part of the Speculative Sound Synthesis project at the Institute of Electronic Arts (IEM) at the University of Music and Performing Arts Graz.
• "Queer Sonic Fingerprint" transdiciplinary research and sound installation at he Art Laboratory Berlin, with Isabel Bredenbröker.

As always, the video version of this podcast is available on Patreon, and the companion newsletter can be found at johnnyvenom.substack.com. If you appreciate the podcast please don't forget to subscribe, like and share!