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A late start, a steady graft, and one perfectly timed camping bit—Scott Bennett’s road from product designer to Live at the Apollo and the Royal Variety isn’t a fairy tale, it’s a case study in how to climb the comedy ladder.

We sat down with Scott to trace the unglamourous stretch between first gong show and arena supports, and the lifesaving role of family when your calendar is more motorways than milestones. He talks candidly about quitting a “proper job,” the year of petrol-money gigs, and how Gemma’s patience and a garden shed turned lockdown panic into momentum.

From there, we get into the state of modern comedy: how some creators go viral before they’re ready for a mic, while other stand-up veterans and masters of the craft like Troy Hawke have been able to take full advantage of their viral success. Scott explains the day his “angry zips” bit exploded, the dopamine itch of refreshing likes, and the practical way he uses social media to sell tickets. He shares how the bright lights of the Apollo taught him composure, why Royal Variety finally felt joyful, and how a barrage of comments about his “neck lump” became an absurd tour story that fortunately ended with a clean bill of health.

We also dig into the use of phones in the audience at gigs, heckler culture, and how to curate a room that feels warm rather than combative. Scott prefers inclusive crowd work to “destroying” strangers and believes live comedy remains the best value night out: a human craft you can’t stream.

Some hilarious questions from the audience complete an episode which is both funny and a real look at how stand-up survives in a feed-driven world.

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