Ep.05 「三方ヶ原軍記〜五色備えまで」
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Ep.05 「三方ヶ原軍記〜五色備えまで」
ナレーター：
神田 伯山
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ナレーター：
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神田 伯山
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著者：
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TBS GLOWDIA
概要
＜出演＞
神田伯山
＜スタッフ＞
エグゼクティブプロデューサー：タンギ・エムリック / プロデューサー：今村芳文 / ディレクター：柴田俊希 / 制作：TBS GLOWDIA / 製作著作：Audible, Inc.©2025 Audible, Inc. (P)2025 Audible, Inc.
そして伯山さんの講談もたっぷり聞けて
何度も何度もリピートしてます。
また、第二弾も楽しみにしてます。
講談
問題が発生しました。数分後にもう一度お試しください。
いつもの先生の講談はモーツァルト、これはワーグナー
こちらも精神を充溢させてないと潰されんばかりの気迫とパワー
前座さんがやる三方ヶ原もいつも感動するのですが、名人芸に昇華されたらこんなにもあっという間、圧倒的な交響曲に惜しみない拍手！
講談のワーグナー！
問題が発生しました。数分後にもう一度お試しください。
“Mikata-ga-hara” — Commentary and Performance by Kanda Hakuzan
Master storyteller Kanda Hakuzan delivers an in-depth commentary on “Mikata-ga-hara,” a classic kōdan (traditional storytelling) piece regarded as the foundation of the art. He explains its historical background, difficulty of mastery, and his own struggles and memories during his training years. After the talk, he performs the opening scene, showcasing the spirited rhythm and intensity characteristic of the shuraba-yomi (battle narration) style.
The significance of “Mikata-ga-hara”
Mikata-ga-hara depicts the battle between Tokugawa Ieyasu and Takeda Shingen. Historically, Ieyasu suffered a crushing defeat, but in kōdan, the story is often told as his great victory, highlighting the art of creative adaptation.
The full story consists of six volumes and would take around ten hours to perform in its entirety. The piece contains every essential element of storytelling—memory, technique, mental strength, and physical power. It is said that even a novice’s earnest performance of this piece can be more moving than a master’s flawless delivery. Unlike rakugo, where the first assigned tale varies by school, every kōdan storyteller begins their career with “Mikata-ga-hara.”
Reflections on training
Hakuzan recalls his apprenticeship days, emphasizing how hard it is to master the piece.
• In his early rehearsals, he repeatedly failed to satisfy his master and was often scolded. Only when he expressed his own style rather than merely imitating did his teacher praise him for the first time.
• During a New Year’s performance early in his career, he froze on stage and learned the severity of professional performance under pressure.
• He once stumbled mid-performance, but an elderly audience member shouted the next line, helping him continue—a moment he still cherishes deeply.
Through such experiences, he came to regard “Mikata-ga-hara” not merely as a piece of art, but as the origin and mirror of a storyteller’s life. He now teaches it first to all three of his disciples.
Performance of “Mikata-ga-hara”
Following his talk, Hakuzan performs the opening part of the story. It begins in October of 1572 (Genki 3), as Takeda Shingen, commanding 35,000 troops, invades Tōtōmi Province. Despite being outnumbered, Ieyasu decides to fight, declaring that “A lord must share both hardship and joy with his people.” Wearing golden armor, he leads famed retainers such as Honda Tadakatsu and Naitō Masanari to the battlefield.
Meanwhile, Shingen’s army, with generals Yamagata Masakage, Naitō Masatoyo, and Baba Nobufusa, prepares for battle. The scene’s tension and heroism are vividly expressed through Hakuzan’s rhythmic delivery and the crisp beats of his folding fan, capturing the essence of kōdan’s dynamic shuraba-yomi.
English Summary
問題が発生しました。数分後にもう一度お試しください。