『Ep.021 - Dustin & Brad - The Creative Advice Audit: What Actually Works in 2026 (and What to Ignore)』のカバーアート

Ep.021 - Dustin & Brad - The Creative Advice Audit: What Actually Works in 2026 (and What to Ignore)

Ep.021 - Dustin & Brad - The Creative Advice Audit: What Actually Works in 2026 (and What to Ignore)

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In this episode, Dustin Lee and Brad Woodard run an honest “advice audit” on the most popular guidance floating around the creative and digital creator world.

We hit on ideas from people like Tim Ferriss, Seth Godin, Robert Greene, Alex Hormozi and other modern thought leaders.

They sort through what’s genuinely useful, what’s overhyped, and what sounds inspiring but falls apart in real life when you’re juggling clients, deadlines, and a creative business.

Along the way, they translate big ideas into practical habits you can actually carry into 2026 (so hopefully you’re not just consuming advice, you’re applying it).

If you’re hungry for new ideas to bring into your creative work and business in 2026, you’ll almost definitely walk away with at least one author or creator whose advice makes you rethink your approach, sparks a new habit, or sends you down a rabbit hole (books, interviews, deeper work) that levels up your practice in a way you didn’t see coming.

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Brad Woodard

Brad is an illustrator and designer behind Brave the Woods, a full-service studio working with clients like PBS Kids, Ford, Target, and USPS. His bold, playful style and heart-led storytelling shine through everything from brand campaigns to children’s books.

View Brave the Woods

Dustin Lee

Dustin is the founder of RetroSupply, a shop for retro-inspired brushes, textures, and digital tools used by tens of thousands of creatives from indie artists to major studios. He shares what it’s really like to run a creative business while keeping it small, weird, and intentional.

View RetroSupply

Credits

Audio/video editing: Clara Wright
Cover art: Brad Woodard
Intro animation: Seth Austin
Intro music: “Snakes and Fire” (Instrumental) by Pär Hagström

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