This week, we dive back into the world of Harlan Ellison to explore the sharp, strange, and often overlooked short story Repent, Harlequin! Said the Ticktockman.

It’s a punch in the face, but that’s the point.

In this episode, we ask: When did time become money? Can structure and critical thinking coexist? And what happens when being late becomes a crime?

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This week on Dystopedia, we’re going back to 1948 to look at Shirley Jackson’s chilling short story, The Lottery. It’s deceptively simple, and that might be the scariest thing about it. A tale about tradition, obedience, and the quiet horror of just following the rules. It’s uncomfortable, unsettling, and leaves you wondering what we’re all capable of under the right circumstances. We’ll dive into Cold War paranoia, women’s inequality, human psychology, and the disturbing comfort of just doing what we’re told.

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In this episode, we journey through the haunting wasteland of The Road—Cormac McCarthy’s Pulitzer Prize–winning novel and its stark film adaptation. We explore the bleak and brutal world McCarthy creates, where civilization has collapsed, hope is scarce, and survival comes at a heavy moral cost. From the ash-covered landscapes to the unflinching depictions of violence, isolation, and love in the face of extinction, we unpack the novel’s darkest themes. How does The Road confront us with the fragility of humanity? What does it say about parental love in a world without a future? Join us as we walk the path of despair, resilience, and the faint glow of a fire still carried.

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In this episode, we slip on the sunglasses and see the world as it really is in John Carpenter’s They Live — a cult classic that mashes up anti-capitalist dystopia with cheesy one-liners and 80s action flair. We break down the film’s sharp social commentary on consumerism, class control, and media manipulation, all wrapped in the glorious absurdity of a B-grade sci-fi beatdown. From six-minute alley fights to secret alien cabals, They Live might just be the smartest dumb movie ever made. Tune in as we explore what makes this film a timeless piece of rebellious pulp cinema.

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What happens when a nation convinces itself that the end of the world is survivable? In this episode we unpack The War Game, the BBC film banned for showing too much truth. As Britain adjusted to its fading role on the world stage, Cold War officials reassured the public that nuclear war could be managed, that civil defence, shelters and stiff upper lips would somehow be enough. But beneath the propaganda was a terrifying reality few were allowed to see. We explore the fragile myths of survival, the politics of censorship and the quiet horror lurking beneath Britain's Cold War delusion.

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**28 YEARS LATER SPOILER ALERT TIMESTAMP 12:12-13:00** Picking up from last episode, we dive deep into the bleak and brutal world of 28 Weeks Later, exploring the dystopian themes that lie beneath the blood and chaos. We examine the collapse of societal trust, the illusion of safety under military occupation, and the dangers of attempting to rebuild a nation too soon after catastrophe. From bio-contagion and state control to the moral decay in times of crisis, this episode unpacks how 28 Weeks Later mirrors real-world fears of war, disease, and failed recovery. Join us as we uncover how the film holds a grim mirror to post-9/11 geopolitics and the human cost of institutional failure.

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It’s not a zombie film, but it redefined the genre. With 28 Years Later on the horizon, we’re looking back at the one that started it all: 28 Days Later. Why does it still feel so hauntingly relevant? And what real-world fears, from post-9/11 panic to foot-and-mouth disease, helped shape this modern horror classic?

Next week, we continue the story with 28 Weeks Later.

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I’d buy that for a dollar! In this episode, we dive deep into the gritty, cybernetic world of RoboCop — Paul Verhoeven’s 1987 cult classic that fuses explosive action with razor-sharp social commentary. Beneath the violence and sci-fi spectacle lies a chilling dystopian vision of a society spiraling under corporate control, technological overreach, and moral decay. We explore how RoboCop critiques unchecked capitalism, the privatization of public services, and the dehumanization of the working class—all in the shadow of Reagan-era economics. We also unpack the film’s satirical use of media, from grotesquely upbeat infotainment to fear-driven news segments, revealing how information is commodified and manipulated in the name of profit and control. Join us as we dissect the film’s layered themes, revisit its prescient warnings, and discuss why RoboCop remains disturbingly relevant in today’s media and political landscape. Dead or alive, you’re coming with us.

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