Will Meugniot joins the Bandits for a wide-ranging conversation spanning his decades-long career across #comics, animation, and toy design. He traces his path from discovering comics and early cartoons to breaking into the industry professionally, touching on his co-creation of DNAgents with writer Mark Evanier and discussing how the character designs came together. The bulk of the conversation focuses on his extensive animation work, including his roles as producer and director on X-Men: The Animated Series, where he helped adapt decades of Marvel mythology for a new generation of fans, as well as his contributions to Batman: The Animated Series, G.I. Joe, and Captain Planet. Will reflects on the technical constraints of 80s and 90s animation production and how those limitations often drove creative solutions, while also discussing the differences between storyboarding for animation and laying out a comics page. He shares thoughts on the evolution of the animation industry, collaborators who shaped his storytelling instincts, and which projects brought him the most satisfaction — as well as a few that never made it to screen but still linger in his imagination.

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Roy Thomas returns to discuss A Life in Four Colors, 1940–1966, his long-awaited autobiography published by TwoMorrows. In the book, the man Stan Lee dubbed "Rascally Roy" and "Roy the Boy" tells the full, uncensored story of his emergence as one of the brightest stars in the Marvel Comics firmament. Readers get a ringside seat at some of the earliest comics conventions, and at the fateful 1965 New York Herald Tribune interview that caused a seismic rift between Lee and Kirby. The full-color hardcover is illustrated with rare and unseen art and behind-the-scenes photos from the dawn of the Silver Age, and Roy teases that he's already hard at work on a follow-up volume covering the rest of his Marvel tenure from 1967 to 1980.

You can find the book from TwoMorrows here: https://twomorrows.com/index.php?main_page=product_info&products_id=1878.

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Craig Rousseau stops by to talk about The Perhapanauts: Treasure Obscura, the latest Kickstarter in his ongoing effort to bring remixed and remastered editions of the beloved cryptid-adventure series back into print. Co-created with writer Todd Dezago, The Perhapanauts follows a team of strange creatures — including a sasquatch, a ghost, a telepath, and more — investigating other weird and unexplained phenomena. This new self-published edition of volume four is a radical reimagining of the long out-of-print collection, trimming some material while adding the 2025 one-shot "Choopie's Bad Bad Day!" and an all-new eight-page story called "Still in Brazil," a follow-up to the earlier tale "Big in Brazil." Craig shares the journey of shepherding the Perhapanauts through multiple publishers over the years and his passion for getting these books into a definitive, shelf-worthy format for longtime fans and new readers alike.

You have until 4/29 to back the project here: kck.st/3PU8rQ0! You can follow Craig on his site, craigrousseau.com, or on Instagram @craigrousseau.

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We sit down with Garth Ennis for a wide-ranging conversation that blends career reflection with a deep dive into Babs: Black Road South. Garth discusses his early discovery of comics and how his 2000 AD roots continue to shape his storytelling instincts, particularly his emphasis on clarity, character, and structure. He reflects on long-running themes in his work—war fiction, flawed antiheroes, and the balance between satire and humanism—while also addressing how projects like The Boys have evolved beyond their original context. Turning to Babs, Ennis unpacks his take on sword-and-sorcery, the appeal of a deeply flawed protagonist, and the tonal shift in Black Road South toward a more character-focused narrative. He also highlights his ongoing collaboration with Jacen Burrows, the role of humor in grounding the series’ darker elements, and what lies ahead for Babs and beyond.

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We welcome back Ed Catto to talk all things Ithacon 2026, diving into what makes one of the longest-running comic conventions in the country such a unique and creator-friendly experience. Catto shares how this year’s show continues Ithacon’s tradition of blending legendary guests with up-and-coming talent, while also emphasizing its relaxed, community-driven vibe. He discusses the challenges and rewards of organizing the event, highlights some of the special programming and notable attendees fans can look forward to, and reflects on why smaller, more intimate conventions like Ithacon remain vital to the comics ecosystem.

Fans can grab tickets and learn more via the official site here: Get Ithacon 2026 Tickets.

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Today we sit down with Dick DeBartolo—longtime MAD Magazine writer and “The Giz Wiz”—for a lively conversation that bounces between comics, comedy, and gadgets. Dick shares how he broke into MAD during its legendary era, what it was like working alongside icons like Al Jaffee and Don Martin, and how the magazine’s anything-goes humor shaped his creative instincts. He also digs into his parallel career in tech and radio, explaining how his love of quirky gadgets led to his long-running “Giz Wiz” persona. Throughout the interview, DeBartolo’s trademark wit and self-deprecating humor shine through, offering both a nostalgic look at MAD’s golden age and a reminder of how curiosity and comedy can fuel a decades-long career.

You can follow Dick on Instagram @thegizwiz.

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Comics legend Jim Starlin returns to talk about the latest chapter in his ongoing Dreadstar revival — Dreadstar vs. Dreadstar, the newest original graphic novel in a series he's been building through Kickstarter since his triumphant return to the character in 2021. The conversation covers the full arc of Dreadstar's history — from its origins as the first title ever published under Marvel's Epic imprint, through its run at First Comics and brief Malibu revival, to the decision to bypass the big publishers entirely and build a new audience directly through crowdfunding. Jim talks about what it's like to have creative ownership over Vanth Dreadstar in a way he never quite had with Thanos, why the Kickstarter model has given him a freedom he never expected at this stage of his career, and what he still has left to say with a character he's had mapped out for at least five more graphic novels.

You only have a few days left to back Dreadstar vs. Dreadstar here: http://kck.st/3Nn0EJM! You can follow Jim on Instagram @jimstarlin or Facebook @JimStarlinfanpage.

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Ray Reynet, a Miami-based writer, illustrator, animator, and founder of Farlook Studios, stops by to talk about building an entire indie comics universe from the ground up — starting from sketching characters as a self-taught kid in South Florida all the way to self-publishing a growing catalog that includes the mythology-fueled adventure series Junket: Hidden Worlds Revealed, The Dwellers, Gunny, and his newest project The Groundsmen. We dig into what it actually looks like to wear every hat at once — writing, illustrating, animating, designing, marketing, and running successful crowdfunding campaigns entirely on your own — and how Ray has managed to keep expanding his creative output while developing a distinct brand identity across multiple genres and formats.

You can follow Ray on farlookstudios.com or on Instagram @rayreynet.

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