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Greetings, fellow traveller. For our Sci-Fi Channel series finale we bring you Garth Marenghi's Darkplace, a short-lived but brilliant British parody show that never really got its due.

(Sorry we were a little late on this episode, but Jake and I both had some pretty serious life stuff happen. Trying to get back on track.)

We break down what makes the mockumentary format work so well, from the talking-head commentary to the show-within-a-show mechanics that let the creators land jokes at multiple levels at once. Along the way, we talk about the people who make it sing: Matthew Holness building an entire career-long bit as Garth, Richard Ayoade’s razor control as Dean Lerner, Matt Berry’s instantly recognizable voice work, and Alice Lowe’s deliberately sidelined role that sharpens the satire. We also trace the project’s stage roots, the specific TV influences that shaped it, and why the “lost VHS” framing turns cheap production into a feature rather than a flaw.

Max Headroom - a glitchy cyberpunk face that seemed like a novelty in the 1980s - somehow became a pop culture anchor through commercials, parodies, and wall-to-wall brand exposure. If you mostly remember New Coke or a weird talking head you saw on TV, you’re not alone and that’s part of the story.

We step away from our sci-fi channel mini-series for Pride Month to give slash fiction the spotlight it deserves, because it is not just “spicy fanfic.” It is a long-running tradition of readers and viewers naming queer subtext, building community around it, and creating stories where mainstream media stays silent.

In a break from our mini-series we’re taking a hard look at why UFO disclosure and UAP transparency keep feeling “right around the corner” while delivering almost nothing on which people can agree. Along the way we touch the viral political chatter, the shifting tone from outright denial to careful acknowledgment, and the way the internet turns every half-statement into proof of a hidden program.

In one of the last episodes of the series we take a hard look at Voyagers!, the 1982 time travel series that barrels from setup to action in seconds. If you’ve ever loved Quantum Leap, Doctor Who, Back to the Future style causality, or TVA style “sacred timeline” drama, this one is a missing link worth revisiting.

We’re continuing our Sci-Fi Channel origin series by digging into LEXX: a cult space opera about a cowardly non-hero, an undead assassin, a love-obsessed robot head, and a former love slave flying a living ship built to destroy planets. It’s silly, dark, occasionally bad, sometimes brilliant, and almost never safe.

In our ongoing series we’re tracing Jerry Anderson’s strange, essential legacy and why early Sci Fi Channel programming kept looping Supercar, Stingray, and Space: 1999 into the brains of American kids who had no idea what they were watching, only that it felt like a secret door into another era of science fiction TV.

This is a preview of our ongoing series on the origins and programming of the Sci-Fi Channel. I promise we do actually talk about Gerry Anderson in this one.