In our fourth installment of Surviving the 90s, we’re revisiting Heart - the band that not only churned out hits across multiple decades, but played a key role in the burgeoning Seattle music scene of the 80s and 90s. Known for a string of massive hits like "Barracuda," "Crazy On You," "Magic Man," and more in the 70s, the chart-topping band suffered a downturn in the early 80s only to return with two successful albums, 1985's self-titled record and the 1987 follow-up Bad Animals, both of which achieved multi-Platinum status. But as the musical landscape shifted in the 90s, the band released their 1990 album Brigade to a shifting musical landscape, and doubled-down with the out-of-step Desire Walks In in 1993. Though new hits failed to materialize, they continued to remain relevant thanks to their strong ties to the Seattle scene and the undeniable talent of Ann and Nancy Wilson. We revisit their biggest hits, their activity in the 90s, and try to determine: did Heart thrive, adapt, or fade during the decade?

Songs In This Episode

Intro - Barracuda

21:49 - Heartless

41:31 - Wild Child

51:16 - Will You Be There (In The Morning)

Outro - Magic Man

Support the podcast, join the DMO UNION at Patreon.

Fantômas’ self-titled 1999 debut establishes the concept from note one: an exercise in extreme, avant-garde expression, and as a listener it’s easy to understand what the band is attempting. The barrage of short, fragmented pieces and sudden stylistic shifts signal a deliberate rejection of traditional song structure. Mike Patton’s vocalizations function more as sound effects than performances, reinforcing the record’s abstract intent. While the musicianship, particularly Dave Lombardo’s precision drumming and the band’s tight execution, is impossible to deny, the experience can feel more clinical than engaging. The experimental nature creates distance, making it difficult to emotionally connect despite appreciating the idea behind it. In the end, Fantômas succeeds intellectually, but the album’s confrontational approach may leave some listeners admiring the concept more than the music itself.

Songs In This Episode

Intro - Book 1: Page 1

12:12 - Book 1: Page 4

16:42 - Book 1: Page 17

21:12 - Book 1: Page 7

Outro - Book 1: Page 30

Support the podcast, join the DMO UNION at Patreon.

Star, the 1993 debut album by Belly, blends dreamy alt-rock textures with Tanya Donnelly’s airy, emotionally charged vocals and songwriting. Shimmering guitars and off-kilter hooks give the album a distinctive, almost fairy-tale quality that set it apart from its grunge-era peers, drawing as much from UK dream and jangle pop as American alternative. Singles like “Feed the Tree” and “Gepetto” highlight Donnelly’s knack for bright melodies wrapped around enigmatic lyrics. Throughout the album, the band balances buoyant energy with darker undercurrents, creating a sound that feels both inviting and haunting, though it does a bit long at fifteen tracks and over fifty minutes.

Songs In This Episode

Intro - Feed The Tree

15:36 - White Belly

20:06 - Gepetto

21:58 - Angel

Outro - Dusted

Support the podcast, join the DMO UNION at Patreon.

Eve 6’s 1998 self-titled debut delivered a punchy slice of late-’90s alternative rock loaded with catchy hooks and teenage urgency. The band utilizes pop-punk energy without the whine, creating a sound that’s both radio-friendly and tightly performed, showcasing their knack for clever, rapid-fire lyrics and instantly memorable choruses. The album balances angst and humor, giving it a charm that sets it apart from many of its era peers, and more twists and turns than one might expected based on the lead single "Inside Out."

Songs In This Episode

Intro - Inside Out

19:51 - Jesus Nitelite

23:44 - Leech

39:26 - Showerhead

Outro - Small Town Trap

Support the podcast, join the DMO UNION at Patreon.

Another Thanksgiving is upon us, and our yearly post-Covid tradition continues as we gather patrons together and give thanks for the new music that gave us happiness and good vibes in 2025. There's a wide array of bands and artists, new and old, that helped make 2025 another great year for music!

Songs In This Episode

Intro - Critical Thinking by Manic Street Preachers

Outro - Disintegrate by Suede

Support the podcast, join the DMO UNION at Patreon.

Human Clay by Creed is a polished, radio-ready slab of late-’90s hard rock that helped define (fairly or unfairly) the aesthetic now cheekily labeled “butt rock.” The album leans heavily on soaring, overly-earnest choruses and Mark Tremonti’s muscular guitar work, which give tracks like “Higher” and “With Arms Wide Open” a memorable arena-rock punch. Scott Stapp’s vocals, full of dramatic baritone gravitas, remain divisive but central to the band’s signature sound. The record can feel repetitive in its reliance on inspirational platitudes, its glossy production, and melodic hooks without much depth. Ultimately, Human Clay stands as both a commercial triumph and a touchstone for the era’s post-grunge mainstream, embracing the very qualities that later sparked the backlash “butt rock” label.

Songs In This Episode

Intro - Higher

28:42 - Beautiful

33:40 - Are You Ready

37:57 - Never Die

53:57 - What If

Outro - With Arms Wide Open

Support the podcast, join the DMO UNION at Patreon.

In 2002 Speedstar released their debut, Bruises You Can Touch, and unless you were in Australia, you probably never heard it. The Australian band's first album is a quietly affecting collection of melancholic indie pop that trades in mood and atmosphere over flash. Restrained production gives the band’s delicate melodies and wistful vocals room to breathe, creating an intimate and emotionally resonant experience. The album blends acoustic warmth and subtle distorted textures that recalls early Coldplay, Keane, Starsailor, and other 2000s post-Britpop bands, and stands as an overlooked gem of early-2000s indie.

Songs In This Episode

Intro - Song For You

9:24 - Crazy Happy

16:39 - This Everyday Life (Into Your Arms)

22:59 - Piano Song (Sometimes)

26:09 - Wishing Your Life Away

29:12 - It's Ok To Be Sad When It Rains

Outro - Revolution

Support the podcast, join the DMO UNION at Patreon.

Virtuoso guitarist Nuno Bettencourt of Extreme stepped out on his own for the 1997 solo debut Schizophonic to explore a more diverse sonic landscape. Blending alt-rock, power pop, and electronic influences, the album showcases Bettencourt’s strong sense of melody and knack for songwriting. Tracks like “Gravity” and “Swollen Princess” highlight his ability to fuse inventive guitar riffs with catchy hooks, with production that leans toward the dense, experimental textures of late-’90s rock. Having flown under the radar, Schizophonic stands as an underrated and inventive record that captures an artist unafraid to reinvent himself, a fascinating glimpse of what happens when a guitar hero eschews showmanship for songwriting.

Songs In This Episode

Intro - Gravity

14:23 - What You Want

19:28 - Karmalaa

25:43 - Swollen Princess

36:31 - Fine By Me

47:28 - Fallen Angels

Outro - Severed

Support the podcast, join the DMO UNION at Patreon.