Goldie Chan is the author of Personal Branding for Introverts, the founder of the social strategy agency Warm Robots, and the Huffington Post once called her the "Oprah of LinkedIn." She built that reputation kind of by accident. She started posting a daily video on LinkedIn as a way to push her introverted self to speak on camera. She then went on to post 800 consecutive daily videos between 2017 and 2019, long before AI made that kind of output easy.

In this conversation, Goldie takes us back to her biology degree from Stanford, a failed fashion brand, and an intervention from her friends that nudged her out of a depression and into a marketing job that shifted her focus. From there we get into the real substance of her work: the five C's of personal branding, why she thinks the stereotype that introverts are quiet is a myth, how she protects her energy, and the surprisingly playful daydreaming exercise she uses to help people figure out what they actually want. We also get into her side hustles, which includes producing films and writing Archie Comics, and a candid conversation about why she chose to share her cancer journey publicly.

This episode is for anyone building their personal brand or working in branding. It’s also for the introverts in the room who feel like the current playbook wasn't written for them.

Follow us on Instagram @rgdcanada or visit us online at rgd.ca. Purchase tickets to the upcoming DesignThinkers conference at designthinkers.com.

Five years ago, Gabby Lord and Lauren Wong started a design studio because a friend joked that they should—and because Gabby was, by her own admission, extremely burnt out and looking for a way out of her work situation. Those aren't good reasons to start a company, and yet SUPER KEEN is succeeding by most metrics. They complete 20 to 35 projects a year, have found a work-life balance that works for them, and have built a reputation for delivering solid design and strategy work.

In this conversation, Gabby and Lauren walk me through the studio's early years. It was reactive, maybe a little chaotic, and included a website that instead of showing work, redirected prospective clients to a video of Tom Holland lip-syncing. They talk candidly about why they've kept Super Keen small despite pressure to grow, why they've published their studio's financials publicly every year, and how they're thinking about success.

This episode is for anyone questioning whether bigger is actually better. It’s for anyone feeling the pressure to scale—or to do things the way they’ve always been done.

Follow us on Instagram @rgdcanada or visit us online at rgd.ca. Purchase tickets to the upcoming DesignThinkers conference at designthinkers.com.

Valentina D'Efilippo is equally comfortable immersed in science as she is in storytelling and graphic design. That tension has shaped nearly two decades of work translating dense, unwieldy datasets into visual stories: flowers standing in for a century of wars, a dandelion holding the shape of the #MeToo movement on Twitter.

A cold email from HarperCollins turned an early instinct for this kind of work into a profession—pairing her with data journalist James Ball on The Infographic History of the World, a book that's since sold in eleven languages and launched the career she now runs through her studio, Apostrophe One.

In this conversation, Valentina traces her path back to a graduate thesis on gender stereotypes in children's books. It was her first real data project, before she had a name for what she was doing. We talk about the responsibility of deciding what a dataset reveals and what it hides, and why she reaches for beauty and visual metaphor even when the numbers are devastating. She also opens up about revisiting her 2014 project Poppy Field last year: an analog visualization where each hand-painted mark represents a single Palestinian death, made largely in silence over sixteen hours and shared on Instagram.

This episode is for designers, journalists, and anyone who's ever had to decide how to represent a data set—and felt the weight of that choice.

Follow us on Instagram @rgdcanada or visit us online at rgd.ca. Purchase tickets to the upcoming DesignThinkers conference at designthinkers.com.

Edel Rodriguez refuses to be small or quiet. He’s the illustrator behind some of the most recognizable political images of the last decade. That 2016 cover for TIME Magazine, the one of Donald Trump melting down: that was Edel. The Der Spiegel cover of Trump beheading the Statue of Liberty. Also Edel. At this point, he's produced more than 300 images of a single, very orange, subject. As a kid who grew up in a country where saying the wrong thing about the wrong leader was dangerous, Edel has spent his career speaking up.

In this conversation, Edel talks about hustling his way into an art director at just 26 years old. We talk about how that experience informed his editorial illustration process. We talk about how social media is a great place to share the kind of work you want to be making and to rally interest until someone notices. We get into how he wrote his graphic memoir Worm: A Cuban American Odyssey backwards, designing the cover years before he wrote a word. We talk about how the book's ending—a visual rhyme between the events in Havana in January 1959 and the storming of the U.S. Capitol on January 6, 2021—came together at the very last minute. He talks candidly about why he refuses to self-censor, why he's not tired of the Trump-based work, and why the question he'd most want to ask himself in twenty years isn't about politics at all.

This episode is for illustrators, designers, and anyone else who's been told to play it safe—and isn't sure they want to.

Hear Edel speak at the DesignThinkers conference, Canada's premier design conference, in Toronto and online this October 20–21, 2026.

Follow us on Instagram @rgdcanada or visit us online at rgd.ca. Purchase tickets to the upcoming DesignThinkers conference at designthinkers.com.

This week on the DesignThinkers podcast, I’m joined by Temi Coker. A Dallas based designer, photographer and the multidisciplinary artist behind Coker Studio. Temi’s client list includes Adobe, Apple, Google, HBO, Peloton and The Oscars. But almost none of it started with a client brief, it started with a self assigned poster a day challenge in 2016 made for no one but himself. And it led Temi to a belief that you should be making creative work just to make it.

In this conversation, we trace that thread through his whole career, from a stint studying biomedical engineering to please his parents, to pursuing digital media for himself, from making a pillow because his wife thought his work would look good in people’s homes to a full fledged home collection at Walmart. From teaching photography and design at his former high school, so that students would have a model of what a Black creative professional looks like to finding the nerve to ask the Academy if he could steep his Oscars statuette artwork in Black history.

This episode is for anyone with an idea sitting quietly in their mind, something they haven’t started yet. Temi’s whole career is proof that the things you make for yourself are often the things that end up mattering the most.

Hear Temi speak at the DesignThinkers conference, Canada's premier design conference, in Toronto and online this October 20–21, 2026.

Follow us on Instagram @rgdcanada or visit us online at rgd.ca. Purchase tickets to the upcoming DesignThinkers conference at designthinkers.com.

This week on the DesignThinkers podcast, I’m joined by Dalit Shalom. Dalit is the Director of Product Design at The New York Times where she oversees the creation of new formats, spaces and tools that advance the future of storytelling. She also leads Design and Strategy for various work streams for the company's AI initiates, having previously focused on trust and credibility by developing features that clarify Times journalism for its readers.

An educator as well as a practitioner, Dalit also teaches design thinking classes at NYU's Tandon School of Engineering and ITP.

Follow us on Instagram @rgdcanada or visit us online at rgd.ca. Purchase tickets to the upcoming DesignThinkers conference at designthinkers.com.

This week on the DesignThinkers podcast, I’m joined by Kenjiro Kirton. Ken is the co-founder and creative director of HATO, the London- and Hong Kong-based publishing house, design studio and concept store known for its playful, research-driven approach to culture, branding and digital experiences.

His work moves fluidly between publishing, interaction, retail, and storytelling, often blurring the line between design practice and everyday life. In this conversation, we talk about what happens when design escapes the boundaries of the studio—when research becomes fiction, when process becomes play and when creative practice becomes something lived rather than simply produced.

We also get into the value of iteration and experimentation, the similarities between cooking and design, building participatory creative communities, and why some of the most meaningful creative work happens along the soft edges between disciplines.

This episode is for designers who are interested in expanding everything design—and the design studio—can be.

Follow us on Instagram @rgdcanada or visit us online at rgd.ca. Purchase tickets to the upcoming DesignThinkers conference at designthinkers.com.

This week on the DesignThinkers Podcast, I’m joined by Ariane Spanier, a Berlin-based designer whose work sits at the intersection of typography, culture, and editorial design.

Ariane has built a practice working closely with cultural institutions—museums, publications, and artists—where design isn’t just about communication, but about interpretation. She’s also the creative director and co-editor of Fukt, an annual magazine dedicated to contemporary drawing, known for its experimental and often tactile typographic covers.

In this conversation, we unpack her DesignThinkers talk, Type with an Accent, and what it means to think about typography not as something neutral, but as something that carries voice, identity, and history. We talk about the tension between rules and expression, how designers develop a visual “accent,” and why your first instinct is often the most honest place to start from.

We also get into her work on Fukt, and how using typography in a more physical, expressive way can shift how people experience a publication altogether.

This episode is really for anyone thinking about their own voice as a designer—how it forms, how it evolves, and how to trust it.

Follow us on Instagram @rgdcanada or visit us online at rgd.ca. Purchase tickets to the upcoming DesignThinkers conference at designthinkers.com.