The Role of History in Shakespeare has not been examined sufficiently, perhaps because of the ambiguity of various remarks Aristotle made in his work on the "Poetics". Weil points out that History like many other disciplines in various categories of the sciences has a hylomorphic Structure. We argue that there are a number of arguments which support reclassifying many of Shakespeares plays.

The organ of speech is best positioned to represent our relation to other things and is therefore the origin of many of the performing arts. Hamlets soliloquy manifests many of the modern concerns we have about the role of consciousness in our lives. Critics however, sometimes overcomplicate Hamlets motivations

http://michaelrdjames.org

Delphic Podcast

Aesthetic ideas are used by Shakespeare to "show" the reach of the powers of the imagination, understanding and Reason. We are taken on a hypnotic cosmopolitan journey into the worlds of Emperors, Kings, Queens, Princes, soldiers, lawyers, merchants, university students, sailors tyrants and murderers in familiar and exotic places of the world. Hamlet is merely an indecisive youthful university student/lover who happens to be a Prince in a difficult situation in which his father was murdered. He represents our modern form of consciousness which as Norththrop Frye claims "kills" action with its inaction, its inhibitive function.

http://michaelrdjames.org

Delphic Podcast

Coplot Review of "The Metaphysics of Psuché and Psychoanalysis: An Aristotelian and Kantian Critique" by Michael R D James

http://michaelrdjames.org

Delphic Podcast