As a trumpet player and a rock fan, Glen chases the sweet spot where horn arrangements and rock energy make each other better — resulting in his longest intro yet, a track that earns every second of it, and one of his personal catalog favorites.

A bittersweet Beastie Boys homage built on the irony of railing against being replaced by technology while assembling the track with AI — featuring a “signal jammed” refrain Glen is quietly proud of, Star Trek references he had to fix himself, and a sincere dedication to MCA.

No elaborate concept this time — just a longtime love of female-fronted rock, from Heart to The Cranberries to Evanescence, translated into a hard-driving anthem built purely for energy and attitude.

Built around an old published poem of Glen’s, this prog rock ballad wraps genuine emotional weight in absurdist wordplay — a track that sounds ridiculous on the surface while quietly reflecting the internal push-and-pull of OCD beneath it.

A deep dive into the Paisley Underground — the L.A. jangle-pop scene Glen always loved but never knew had a name — this 80s-flavored track balances the ethereal and the peppy, landing somewhere melodic, mysterious, and quietly alive.

Gina’s second Suno request comes with built-in wordplay — when your name is Glen and you’re making a Celtic song, the title was basically inevitable. Features the lyric “the glen of my heart,” a moment Gina has claimed personally, and one line Glen is still arguing with.

Sparked by Jeff Goldblum goofing around with Jurassic Park lyrics on a jazz record, this one asks: what if a dinosaur blockbuster were treated as a classic lounge standard? The result is equal parts elegant and absurd — which, as it turns out, is the sweet spot.